It's a short commute from the couch to…the couch, in this spot for Realtor.com. Directed by Brandon Bray of Contagious, the series of spots were shot at the director's home while under quarantine, with his family (including wife Mia) pitching in.
Client: Move, Inc. (Realtor.Com)
Spots Title(s): “Friday”, “Commute”, “Real You – Dance Interrupted”
First Air Date: May 21, 2020
Agency/Location: Huge, Inc – NY | Global Executive Creative Director: Fede Garcia, Creative Director: Vidhi Shah, Senior Visual Designer: Nancy Nystrom, Senior Copywriter: Zack McKinney, Head of Production: Kim Cortese, Senior Producer: Arielle Solc, Director, Business Affairs: Cindy Hoffman, Group Engagement Director: Jess Buckley, Senior Project Manager: Ana Escobedo
Production Company/Location: Contagious – Los Angeles, CA | Director: Brandon Bray, DP: Brandon Bray, EP(s): Natalie Sakai, Producer: Hannah Rome, Production Coordinators: Ian Abell, Francesca Pistorio, Editor: Brandon Bray, Post Producer: Hannah Rome, VFX/Finishing: Artjail, EP: John Skeffington, Flame Lead: Christoph Schröer, Colorist: Clinton Homuth, Color Assistant: Kevin Wu, Color Producer: Alison Maxwell
Music Company: duotone audio group | Executive Producer: Ross Hopman, Producer: Gio Lobato
Audio Post Production: duotone audio post Sound Designer/Mixer: Juan Aboites, Executive Producer, Audio Post: Greg Tiefenbrun
Shoot Location: Hyattsville, MD
OddBeast Crafts Powerful Opening Film For Half Rez 2025
When OddBeast landed the opportunity to produce this year’s opening film for Half Rez, the Midwest’s largest celebration of design and motion graphics, the studio approached the challenge by embracing discomfort. The goal was to visually express the collective anxieties of creatives facing an uncertain future as emerging tools and technologies reshape their industries. OddBeast Executive Creative Director Kevin Gautraud took the lead on the project’s vision and 3D animation: “I chose to ground the short in responses particular to fears about making a living in today’s creative fields where the rate of change feels insane at times, overwhelming artists with existential questions. Sometimes, ‘I don’t know’ is the most truthful answer anyone can give,” he said. In creating the film, Gautraud tapped into his own response to such anxieties: a meditation on the vastness of time and our small moment in the light, ponderings that bring him perspective, calm and creative inspiration. Powerful visuals of barren yet eerily majestic landscapes take us back to Earth’s origins, giving way – in the film’s final seconds – to the explosion of life – our blip in the planet’s unfathomable journey. Add the ethereal sound design of Bent Stamnes, and the result is a sense of awe, as everyday problems suddenly seem smaller. “For this project in particular, I was inspired by Carl Sagan and his own personal philosophy. He was awestruck at the grandeur of nature, curious about the origin of life, and humble about the extent of human knowledge,” Gautraud explained. “It's about making people feel small, strange and somehow okay with that.” Gautraud used a range of tools to give his concept life, including... Read More