Scott for Scotts resolves a “Misdiagnosis” by letting a woman know that her dry spots in her lawn can be cured not by watering, but through treatment with Scotts Turf Builder Healthy Plus Lawn Food. Treading the turf of double entendres with the lawn doctor and his patients are agency MullenLowe, which created the campaign, production company Smuggler and director Benji Weinstein, editorial company Union NY and editor Justin Quagliata, aka “Q”.
Client: Scotts Spots Title(s): The Talk :30, Misdiagnosis :15 First Air Date: 4/29/24
First Air Date: 4/29/24
Agency/Location: MullenLowe U.S.
ECD: Tim Vaccarino,
SVP, Creative Director - Art: Zach Menna, SVP, Creative Director - Copy: Rich Singer, Associate CD - Art: Ian Todd, Copywriter: Annie Turner, Art Director: Maria Ossa, SVP, Production: Brian Smith, Agency Producer: Evelyn Ng
Production Company/Location: Smuggler
Director: Benji Weinstein, EP(s): Drew Santarsiero, Producer: Jason Manz
Editorial Company/Location: Union Editorial NY
Editor: Justin Quagliata, Assistant Editor: Colin Davis, Managing Director: Caryn Maclean, Editorial EP: Melissa Lubin, HOP: Lily Hartmann
Telecine Company/Location: Co3
Colorist: Tim Masick, Sr. Producer: Gwen Frey
Post/Effects Company/Location: Union Editorial NY
Flame Artist(s): Scott Bravo & Jason Ortenberg, Flame Assist: Vanessa Rodriguez
Audio Company/Location: Heard City NY
Mixer: Phil Loeb
Shoot Location: Los Angeles, CA
OddBeast Crafts Powerful Opening Film For Half Rez 2025
When OddBeast landed the opportunity to produce this year’s opening film for Half Rez, the Midwest’s largest celebration of design and motion graphics, the studio approached the challenge by embracing discomfort. The goal was to visually express the collective anxieties of creatives facing an uncertain future as emerging tools and technologies reshape their industries. OddBeast Executive Creative Director Kevin Gautraud took the lead on the project’s vision and 3D animation: “I chose to ground the short in responses particular to fears about making a living in today’s creative fields where the rate of change feels insane at times, overwhelming artists with existential questions. Sometimes, ‘I don’t know’ is the most truthful answer anyone can give,” he said. In creating the film, Gautraud tapped into his own response to such anxieties: a meditation on the vastness of time and our small moment in the light, ponderings that bring him perspective, calm and creative inspiration. Powerful visuals of barren yet eerily majestic landscapes take us back to Earth’s origins, giving way – in the film’s final seconds – to the explosion of life – our blip in the planet’s unfathomable journey. Add the ethereal sound design of Bent Stamnes, and the result is a sense of awe, as everyday problems suddenly seem smaller. “For this project in particular, I was inspired by Carl Sagan and his own personal philosophy. He was awestruck at the grandeur of nature, curious about the origin of life, and humble about the extent of human knowledge,” Gautraud explained. “It's about making people feel small, strange and somehow okay with that.” Gautraud used a range of tools to give his concept life, including... Read More