This six-minute piece features ad agency, Johnson Sekin's, creative director- Shannon Phillips. Shannon was lead designer/creative for collateral for American Heart Assocation benefit which included a survivor video. Little did the AHA know that Shannon had her own heart story. Born in 1975 without a fully functioning heart, Shannon would become the youngest person on the face of the planet, at that time, to receive a pacemaker. Nametag Films' Director Chris Rupert traveled to Shannon's home town to interview her dad, sister, the original lab tech who assisted in her very first pacemaker, as well as her husband, two daughters in Dallas, TX. A 20-year veteran of the ad industry, Shannon’s story inspires while giving a new perspective on life to those who view it.
Client: American Heart Association
Client: Calliber Collision
Steve Grimshaw, CEO; Greg Clarke, Chief Marketing Officer
Agency: Johnson & Sekin
Kent Johnson, owner/executive creative director; Chris Sekin, owner/executive creative director; Shannon Phillips, creative director; David Massoth, sr account executive
Production: Nametag Films
Chris Rupert director/DP, Kathy Fawcett Martin, executive producer; Joe Young, line producer; Noe Medrano 2nd camera, Noe Medrano
Post Production: Post Asylum
Graham Hagood, executive producer; Lena Gummelt, post producer; Caitlin Van Dusen, editor; Michael Fleetwood color/finish; Jason Rojas, graphics; Aaron Rose & Gary Parks, audio
OddBeast Crafts Powerful Opening Film For Half Rez 2025
When OddBeast landed the opportunity to produce this year’s opening film for Half Rez, the Midwest’s largest celebration of design and motion graphics, the studio approached the challenge by embracing discomfort. The goal was to visually express the collective anxieties of creatives facing an uncertain future as emerging tools and technologies reshape their industries. OddBeast Executive Creative Director Kevin Gautraud took the lead on the project’s vision and 3D animation: “I chose to ground the short in responses particular to fears about making a living in today’s creative fields where the rate of change feels insane at times, overwhelming artists with existential questions. Sometimes, ‘I don’t know’ is the most truthful answer anyone can give,” he said. In creating the film, Gautraud tapped into his own response to such anxieties: a meditation on the vastness of time and our small moment in the light, ponderings that bring him perspective, calm and creative inspiration. Powerful visuals of barren yet eerily majestic landscapes take us back to Earth’s origins, giving way – in the film’s final seconds – to the explosion of life – our blip in the planet’s unfathomable journey. Add the ethereal sound design of Bent Stamnes, and the result is a sense of awe, as everyday problems suddenly seem smaller. “For this project in particular, I was inspired by Carl Sagan and his own personal philosophy. He was awestruck at the grandeur of nature, curious about the origin of life, and humble about the extent of human knowledge,” Gautraud explained. “It's about making people feel small, strange and somehow okay with that.” Gautraud used a range of tools to give his concept life, including... Read More