VFX Legion served as the primary visual effects studio on The Passenger, the new hostage thriller helmed by directed by Carter Smith (Swallowed). The film is one of a package of eight horror genre films developed and produced by Blumhouse Television exclusively for MGM+.
Written by Jack Stanley (Lou), the story centers around two employees at a seedy burger joint – tightly wound Benson (Kyle Gallner; Smile) and timid, submissive Randy (Johnny Berchtold; Dog Gone). Benson snaps when persistent bullying of Randy by fellow employees goes too far. The protagonist gets a shotgun from his car, massacres the tormentors, and flees – taking Randy as his passenger/hostage on a violent rampage.
Legion created a mix of digital effects to achieve a spectacle of carnage with the intensity that the director envisioned for the gruesome scenes that play out in the restaurant and during the killing spree that follows.
Digitally rendered muzzle flashes, bullet hits, blood splatters and other brutal imagery deliver high-impact visceral violence throughout the film. One of the most challenging effects – tracking a long, continuous shot – achieved a perfect lock on camera moves in SynthEyes. The uninterrupted take heightens the ferocity of the bloody slaughter of the two employees in the pivotal scene.
Credits
CREDITS: Title: The Passenger
Genre: Mystery & thriller, Drama
Distributed by: MGM+
Production Company: Blumhouse Television
Directed By: Carter Smith
Written By: Jack Stanley
EPs: Jason Blum, Lauren Downey, Chris Dickie, Jeremy Gold
Producers: Chris McCumber, Jeremy Gold, Paige Pemberton
Explore, director Jeremy Pinckert and Go RVing did not need to go far to gain inspiration for their latest commercial production. "Airplane Problems" was initially conceived as an audio-only campaign, but Go RVing's SVP/CMO Karen Redfern asked Explore to adapt the script into a new, live-action commercial. Explore used their direct to brand process that allows them to come alongside internal agencies and provide elevated levels of production. The adaptation from audio ads to live-action spots involved re-writing lines and adding a few iconic scenes from Pinckert’s ideas to provide anchor moments for the ads. For the airplane creative, a notable line change now would have a little girl say, "Daddy has my charger"; added elements include an unruly seat partner who sits right in the middle of the family and proceeds to eat messy food; and a scene showing the missing Dad in the middle seat of a row in the back of the plane.
Explore and director Jeremy Pinckert also added a visual hook to the ending of the spot not in the audio-only ads, leaning on his own experiences traveling with his family. He found his hands were always full, clutching boarding passes, carry-on bags, his phone, headphones, and of course, his coffee. In the commercial, there is a moment where all of the frustrations are just too much for the protagonist and they almost curse in front of their family. The Go RVing voice of reason cuts off the curse with a timely, "Don't Go There!" line, before a tagline comes in to say, "Go RVing." This works for an audio-only script, but for the live-action digital commercials, Pinckert knew the production would need a moment, a beat, a transition shot to bridge between the curse and when viewers see a pleasing shot of an RV family in a beautiful... Read More