What You Got | got milk?
Weber Shandwick
Executive Creative Director: Jim Paul
Group Creative Director: Jeff Immel
Creative Directors: Kate Sullivan, Jeff Barry
Executive Producer: Daniel Rucci
ACD: Erica Ashe
Senior Editor: Abbey Eagles
Copywriters: Nick Drew, Anna Jacobs
Art Directors: Abby Rogers, Tim Rocklage, Paddy O’Connell
ThatLot (Editing/Post Production)
Producer: Steph Carter
Post-Production Supervisor: Ciara O'Grady
Head of Video: Ben Forder
Executive Creative Director: David Schneider
Managing Director: Laura Tannenbaum
Editors: Jess Knights, Liam O'Neill, Dominic Coddington, Byron Davies
Design: Klein Borrill, Tom McMahon
SHINDIG Music
Partner/Creative Director: Scott Glenn
Partner/Executive Producer: Debbi Landon
Partner/Audio Engineer: Dan Hart
Head of Production: Caroline Hudson
Associate Creative Director/ Arranger: Austin Shupe
Vocal Artist/Composer: Chief Wakil
OddBeast Crafts Powerful Opening Film For Half Rez 2025
When OddBeast landed the opportunity to produce this year’s opening film for Half Rez, the Midwest’s largest celebration of design and motion graphics, the studio approached the challenge by embracing discomfort. The goal was to visually express the collective anxieties of creatives facing an uncertain future as emerging tools and technologies reshape their industries. OddBeast Executive Creative Director Kevin Gautraud took the lead on the project’s vision and 3D animation: “I chose to ground the short in responses particular to fears about making a living in today’s creative fields where the rate of change feels insane at times, overwhelming artists with existential questions. Sometimes, ‘I don’t know’ is the most truthful answer anyone can give,” he said. In creating the film, Gautraud tapped into his own response to such anxieties: a meditation on the vastness of time and our small moment in the light, ponderings that bring him perspective, calm and creative inspiration. Powerful visuals of barren yet eerily majestic landscapes take us back to Earth’s origins, giving way – in the film’s final seconds – to the explosion of life – our blip in the planet’s unfathomable journey. Add the ethereal sound design of Bent Stamnes, and the result is a sense of awe, as everyday problems suddenly seem smaller. “For this project in particular, I was inspired by Carl Sagan and his own personal philosophy. He was awestruck at the grandeur of nature, curious about the origin of life, and humble about the extent of human knowledge,” Gautraud explained. “It's about making people feel small, strange and somehow okay with that.” Gautraud used a range of tools to give his concept life, including... Read More