Top Spot of the Week: Publicis•Poke, Director Toby Dye Tap Into Spirit Of Vintage Campaign To Share Dad & Daughter Stories For Renault


Robert Goldrich
Wednesday, Jun. 22, 2022


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On Father’s Day, Renault resurrected its most-loved campaign, “Papa, Nicole,” to launch the all-new Megane E-Tech 100% Electric.

Over 30 years after the iconic campaign first aired, Renault is reinventing the “Papa, Nicole” narrative with real life stories exploring the issues faced by modern day fathers and daughters. In a unique twist, this new campaign from London agency Publicis•Poke, features three real-life Nicoles named after Renault’s famous protagonist. 

The original “Papa, Nicole” campaign was a ‘90s phenomenon, selling 300,000 Clios in its seven-year run.  The mere mention of the words Papa, Nicole to anyone above the age of 35 in the UK conjures up a more than fond association with car brand Renault. ‘That’ music plays in your mind, the warm feeling of Provence in the ‘90s, and it’s an association many people across the UK still have 30 years later. 

But for some the romantic connection went further. The charming Provencal duo struck a chord with British “papas” and mamas--so much so that by 1996, Nicole rose from outside the top 100 to be the 36th most popular name for newborn girls. It stayed in the top 40 for the rest of the decade, with over 7,000 Nicoles born between 1996-2000 (ONS). Yes it sold cars, but the Papa and Nicole campaign achieved much more than that; it carved its way into the very consciousness of the nation and it’s stayed there ever since. 

30 years on, both Britain and Renault have changed indescribably. From the digital and social media revolution through to Renault’s own “Renaulution,” the world these Nicoles grew up in is a very different one to the Provencal idyll of the ‘90s. So Renault put the call out to those 7,000 Nicoles, and their Papas, to find out where their roads have led them. 

The result is “Papa, Nicole: The Story Lives On,” a moving portrait of modern fatherhood and female independence, told through the eyes of three real-life Nicoles: a singer, a fashion and disability awareness content creator, and a photographer. From overcoming illness to chasing a number one album, their ambition, passion and lust for life is proof Nicole’s irrepressible independent spirit lives on. While their papas have had to roll with the punches just as much as the original ever did... 

Directed by Toby Dye through RSA Films, these unscripted, documentary-style videos--including this five-minute centerpiece film--celebrate each Nicole and her Papa--exploring their journeys to independence and empowerment, and the changing role of “Papas” in that journey. In line with that spirit of change, the all-new Megane E-Tech 100% Electric replaces the classic Clio as an icon of the future. 

The campaign aims to speak to two audiences at totally different life-stages in one breath: the 40-60-year-olds who lived through and fondly remember the 90s “Papa Nicole” campaign and 20-39-year-olds (modern-day Nicoles), by celebrating their differences and similarities with these compelling real life stories.

Dave Monk, executive creative director of Publicis•Poke, said: “In the last 30 years, there’s probably not been a Renault creative brief where someone hasn’t mentioned Papa & Nicole. Why don’t we bring them back? Always a good question, but never really relevant. With a new generation of electric vehicles in Renault’s pipeline, it got us thinking about a new generation of Nicole and Papa’s, and when the creative team came back with the fact that thousands of real-life baby girls in the ‘90s had been named Nicole during the height of the campaign. The idea felt fresh and fascinating. What were they up to? What are their stories? This spot is a celebration of changing times, the journey of relationships, but most importantly about how daughters and their dads are navigating life 30 years on. And what better day to celebrate that, than Father’s Day.”


Client Renault Agency Publicis•Poke Dave Monk, executive creative director; Colin Byrne, Rob Butcher, creative directors/creative team; Sharon Joyce, head of film; Mike Waters, Joe Crust, planners; Colin Hickson, producer. Production RSA Films Toby Dye, director; Jake Gabbay, DP; Katie Keith, production manager; Ben Porter, producer; Julian Eguiguren, editor. Postproduction The Mill Audio Post Soundtree Casting Rose Waite


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