Welsh director and filmmaker Benjamin Reed has signed with Los York Films, the film discipline of creative studio Los York, for exclusive spot representation in the U.S., his first foray stateside for commercial work. Based in London, Reed has directed a raft of music videos (from 2007-2016) and European commercials for brands such as T-Mobile, Pizza Hut, Moonpig and others.
“Ben is a real find, he fills a need at Los York for a director whose visual and has brilliant comedy chops,” said Seth Epstein, Los York founder/ECD, adding that Reed is also “technically gifted” with a talent for integrating special effects, design and transitions.
“Los York is doing something different and something new,” said Reed. “I like the company’s cross pollination of departments and the blending of production, post and creative. It seems like a fresh way to make great work. I’m looking forward to having some big laughs and making some proper American spots with them. The U.S. is where it’s at for comedy ads (sorry Canada, you know you’re funny too), and I’m looking for some great opportunities to bring my sensibilities to the screen, or at least give some of you guys a chance to try out your British accents on an eager listener. ”
Besides spots and videos, Reed directed the celebrated documentary Portrait of Kaye (UK/Finland, 2021), which premiered at Sheffield Doc/Fest 2021 winning a Special Jury Award. Starring a septuagenarian widower with agoraphobia, the film captures Kaye shut-in her small apartment expressing latent desires for her downstairs neighbor, causing her to reevaluate her relationship to sex, freedom and the outside world. Sight and Sound likened the film to the Maysles brothers classic Grey Gardens and noted that Kaye’s “vibrant personality–matched by her home’s idiosyncratic decor–and giggle-filled anecdotes make her company an utter delight, while director Ben Reed acts as a trustworthy off-screen confidant.” Portrait of Kaye was also nominated for a BAFTA Cymru and is now available to stream in the U.S. and Canada on The Criterion Channel and in South Korea via EBS.
Reed, who’s looking forward to dipping his toe into the U.S. comedy scene, shared, “I like the real human stuff, funny people saying funny things. I enjoy looking for things, incidents, interactions, actions or gestures that are funny. People are full of humor and talent, and I think any humor in my work is a byproduct of an interest in the brilliance and uniqueness of others. Though I do also have a line of bread-themed jokes. My latest: what do French bakers wear under their uniform? Boulingerie.”
Carrie Coon Relishes Being Part Of An Ensemble–From “The Gilded Age” To “His Three Daughters”
It can be hard to catch Carrie Coon on her own.
She is far more likely to be found in the thick of an ensemble. That could be on TV, in "The Gilded Age," for which she was just Emmy nominated, or in the upcoming season of "The White Lotus," which she recently shot in Thailand. Or it could be in films, most relevantly, Azazel Jacobs' new drama, "His Three Daughters," in which Coon stars alongside Natasha Lyonne and Elizabeth Olsen as sisters caring for their dying father.
But on a recent, bright late-summer morning, Coon is sitting on a bench in the bucolic northeast Westchester town of Pound Ridge. A few years back, she and her husband, the playwright Tracy Letts, moved near here with their two young children, drawn by the long rows of stone walls and a particularly good BLT from a nearby cafe that Letts, after biting into, declared must be within 15 miles of where they lived.
In a few days, they would both fly to Los Angeles for the Emmys (Letts was nominated for his performance in "Winning Time" ). But Coon, 43, was then largely enmeshed in the day-to-day life of raising a family, along with their nightly movie viewings, which Letts pulls from his extensive DVD collection. The previous night's choice: "Once Around," with Holly Hunter and Richard Dreyfus.
Coon met Letts during her breakthrough performance in "Who's Afraid of Virginia Wolfe?" on Broadway in 2012. She played the heavy-drinking housewife Honey. It was the first role that Coon read and knew, viscerally, she had to play. Immediately after saying this, Coon sighs.
"It sounds like something some diva would say in a movie from the '50s," Coon says. "I just walked around in my apartment in my slip and I had pearls and a little brandy. I made a grocery list and I just did... Read More