By Lindsey Bahr, AP Film Writer
"Stronger " is about a survivor but it is not a feel-good movie.
In 2013, 27-year-old Jeff Bauman went to watch his ex-girlfriend, Erin Hurley, run the Boston Marathon. He was there when the bombs went off and lost both of his legs as a result. An Associated Press photograph of Bauman, bloodied and gravely injured, being wheeled away from the site by a man in a cowboy hat became an instant icon of that terrorist attack.
But the attack is not the focus here.
It's the story of the aftermath that director David Gordon Green (whose commercialmaking roost is Chelsea Pictures) tells in "Stronger," based on Bauman's co-written memoir, and it is raw, ugly and painful to watch at times. There is alcoholism, bitterness, suffering and pain. Hope is something that's merely projected on him from the outside. He feels none of it.
Jake Gyllenhaal plays Bauman as a regular local guy with an affable demeanor. We meet him for a brief moment in his ordinary life — ending his shift at Costco to rush to watch the Red Sox game (or "sawks" game) at a bar, get wasted with his good-time Charlie friends and try to make overtures to his ex (Tatiana Maslany), who hasn't been responding to his texts.
Green films these early scenes like it's the beginning of a rom-com. When Bauman goes to the finish line, poster in hand to be there for Hurley, the music is bouncy and hopeful and he has a silly grin on his face, proud of himself for "showing up" — his usual inability to do so being what ended their relationship in the first place.
Hurley, who hadn't quite made it to the finish when the bombs went off, sees Bauman on the television and rushes to his side in the hospital. Maslany, a subtle but powerful actress, has the ability to tug at your heartstrings with just the quiver of her chin.
Inside the hospital is a harrowing experience. Bauman's family is loud and brash (an unflattering and classist depiction of people in crisis that gets exaggerated as the movie goes on). Hurley is pointedly uncomfortable, not knowing her place in all of this but feeling a responsibility to be there nonetheless. And then there's Bauman, who is in excruciating pain. Green films Gyllenhaal's agony in close-up as the doctors change the dressing on his wounds.
It only gets worse back at home, a tiny, run-down apartment he shares with his drunk mother, Patty (Miranda Richardson), who always has a glass of white wine in her hand and who can't comprehend, or doesn't want to deal with, her son's PTSD. The film indulges in showing Bauman's hardships and the unique trauma of his public celebrity. He can't quite comprehend how losing his legs has become an inspiration to so many.
He drinks, he yells, he cries, he misses therapy sessions, he reluctantly attends public events to be a mascot of hope for "Boston Strong," he hits his head a lot and he and Hurley's relationship vacillates violently throughout — she moves in, they get back together, he disappoints again — culminating in a distressing shouting match in a car.
It is, in many ways, an anti-Hollywood movie with a fittingly complicated ending. The movie cuts off on a positive note in their relationship, with them together and expecting a child. In real life, Bauman and Hurley divorced earlier this year. But this movie is not a love story. It's about the sometimes ugly truth behind a symbol. And the most powerful moment comes late in the film with the man in the cowboy hat.
The resilience of humans is something that will never cease to amaze — especially as terrorist attacks continue and natural disasters devastate communities and lives. That "Stronger," as unpleasant as it is, doesn't shy away from the complicated side of recovery is admirable to say the least. It couldn't have come at a more poignant time, either.
"Stronger," a Lionsgate and Roadside Attractions release, is rated R by the Motion Picture Association of America for "language throughout, some graphic injury images, and brief sexuality/nudity." Running time: 119 minutes. Two and a half stars out of four.
Taylor Swift Wins Big At MTV Video Music Awards, Ties Beyoncé’s Record
Taylor Swift 's dominance continued at the MTV Video Music Awards, where she took home seven awards — including the night's biggest, the trophy for video of the year.
In her speech Wednesday night, Swift thanked her "boyfriend, Travis" for being on set of the "Fortnight" music video and cheering her on. Fans rewarded the mention of NFL star Travis Kelce with loud screams.
"Everything this man touches turns to happiness and fun and magic," she said, before shifting gears to the 2024 presidential election and instructing her fans who are over 18 to register to vote.
Swift did, however, avoid discussing Kamala Harris' presidential bid on stage. On Tuesday night, Swift endorsed the vice president, moments after Harris' debate with former president Donald Trump ended.
Swift's awards haul brings her to a career total of 30, tying her and Beyonc for the title of most-awarded musician in VMA history. Eminem is now the male artist with the most VMAs, at 14.
Swift and Post Malone also took home the first televised award of the VMAs for best collaboration, for "Fortnight," handed to them by Flavor Flav and Olympian Jordan Chiles.
Swift started that speech by giving remembrance to everyone who lost their lives and loved ones during 9/11, 23 years ago.
"I've just been thinking about what happened 23 years ago, everyone who lost a loved one and everyone that we lost and that is the most important thing about today," she said. "And everything that happens tonight falls behind that."
She then turned to discussing Malone.
"There is a reason Post Malone is everyone in music's favorite person to collaborate with," she shifted her attention to him. "It has taken forever for me to get him to stop calling me... Read More