David Grindle will serve as SMPTE’s next executive director. He will formally join SMPTE in July after concluding a 12-year tenure as executive director of the United States Institute for Theatre Technology, an association dedicated to performing arts and entertainment professionals.
“David encompasses for SMPTE the leadership attributes we need to move the global organization into its second century with long-term, sustainable programs,” said SMPTE president Hans Hoffmann. “He has broad experience in nonprofit organizations and working with board structures like we have, and I look forward to developing–together with the board and him and the home office staff–the strategies for the future growth of the Society.”
Grindle is a Certified Association Executive and proven leader in the nonprofit field, with a background in opera, theater, and academia. He has a strong record of success across fundraising, establishing fiscal diversity, and developing creative ideas for programmatic growth, and he has experience guiding a board–from operations to governance–while maintaining engagement with the organization’s membership and connection with its volunteer spirit.
In addition to his experience in nonprofit leadership, Grindle is a Fulbright specialist with the U.S. State Department and an honorary member of the African Theatre Association. He has served on advisory boards for multiple convention bureaus, spoken at entertainment industry events around the world, and earned a Distinguished Achievement Award from the Berry College Alumni Association.
Grindle said, “Building on the storied history of the Society and working with the members and staff, I am confident that we can position SMPTE for current and future service to a rapidly developing industry. The opportunities to connect people in the global media community are boundless, and one of my goals as executive director is to help SMPTE become the bridge that connects people to this industry and the industry to its own future. There is so much positive energy and momentum here already, and I look forward to meeting our members and hearing what they need and want so that we can work to continue delivering relevant and meaningful services for SMPTE members at all stages in their career path.”
Review: Director-Writer Megan Park’s “My Old Ass”
They say tripping on psychedelic mushrooms triggers hallucinations, anxiety, paranoia and nervousness. In the case of Elliott, an 18-year-old restless Canadian, they prompt a visitor.
"Dude, I'm you," says the guest, as she nonchalantly burns a 'smores on a campfire next to a very high and stunned Elliott. "Well, I'm a 39-year-old you. What's up?"
What's up, indeed: Director-writer Megan Park has crafted a wistful coming-of-age tale using this comedic device for "My Old Ass" and the results are uneven even though she nails the landing.
After the older Elliott proves who she is — they share a particular scar, childhood memories and a smaller left boob — the time-travel advice begins: Be nice to your brothers and mom, and stay away from a guy named Chad.
"Can we hug?" asks the older Elliott. They do. "This is so weird," says the younger Elliott, who then makes things even weirder when she asks for a kiss — to know what it's like kissing yourself. The older Elliott soon puts her number into the younger's phone under the name "My Old Ass." Then they keep in touch, long after the effects of the 'shrooms have gone.
Part of the movie's problem that can't be ignored is that the two Elliotts look nothing alike. Maisy Stella plays the coltish young version and a wry Aubrey Plaza the older. Both turn in fine performances but the visuals are slowly grating.
The arrival of the older Elliott coincides with her younger self counting down the days until she can flee from her small town of 300 in the Muskoka Lakes region to college in Toronto, where "my life is about to start." She's sick of life on a cranberry farm.
Park's scenes and dialogue are unrushed and honest as Elliott takes her older self's advice and tries to repair... Read More