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    Home » “Star Wars” Proves To Be The Prevailing Force At VES Awards

    “Star Wars” Proves To Be The Prevailing Force At VES Awards

    By SHOOTWednesday, February 3, 2016Updated:Tuesday, May 14, 2024No Comments4100 Views
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    "Star Wars: The Force Awakens" (photo courtesy of Disney/Lucasfilm)

    Also scoring impressively are "The Revenant, "The Good Dinosaur," "Game of Thrones," SSE’s “Pier” spot

    By Robert Goldrich

    BEVERLY HILLS, Calif. --

    Star Wars: The Force Awakens topped the feature competition at the Visual Effects Society (VES) Awards ceremony on Tuesday night (2/2) with four wins, including earning the marquee honor for Outstanding Visual Effects in a Photoreal Feature. Right behind Star Wars on the feature film side were The Revenant and The Good Dinosaur with three VES Awards apiece.

    The Revenant wins were for Outstanding Visual Effects in a Photoreal Feature and two directly for the bear mauling sequence–Best Compositing in a Photoreal Feature and the top Animated Performance (for the bear character) in a Photoreal Feature. Headlining the three awards for The Good Dinosaur was the honor for Outstanding Visual Effects in an Animated Feature.

    Star Wars and The Revenant are both up for the Visual Effects Oscar so the VES showing bodes well for those pictures. Also in the running for the VFX Academy Award are Mad Max: Fury Road, which picked up one VES Award (Outstanding Effects Simulations in a Photoreal Feature), Ex Machina and The Martian. Ex Machina had no VES nominations while The Martian had one.

    Though The Martian did not win in the category for which it was nominated (VFX in a Photoreal Feature), its director, Ridley Scott, received the VES Lifetime Achievement Award. In his acceptance remarks, Scott talked about the VFX artists he collaborated with over the years and the problem solving they did on such features as Alien, Blade Runner, Gladiator, Prometheus and The Martian. Scott cited the “passion” and “genius” of the VFX community and affirmed to the audience, “I love the process working with you all.”

    It’s a process that continues as Scott said he’s scheduled in a couple of months to head for Sydney to embark on the feature Alien: Covenant.

    Scott also acknowledged the contributions of visual futurist and conceptual artist Syd Mead who made his feature debut on Blade Runner. Scott said that Mead helped to fill the gap between “the film inside my head” and the reality of a limited “budget in another space” to ultimately help bring Blade Runner to fruition.

    Earlier in the evening, Mead received the VES Visionary Award in recognition of his ability to create unforgettable images and advance storytelling through his futuristic design aesthetic. Right after graduating Art Center, Mead was recruited by Ford Motor Company’s Advanced Styling Studio. After Ford, he took on high-profile design assignments for the likes of U.S. Steel, Philip Electronics and Intercontinental Hotels. He recalled his very first feature film being Blade Runner. “How lucky can you get?…The opportunity to work with a consummate director, Ridley Scott,” said Mead.

    The VES Awards ceremony also featured a salute to Industrial Light & Magic (ILM) on the occasion of its 40th anniversary.

    Television
    On the TV side of the competition, Game of Thrones tallied four wins, topping the categories Outstanding Visual Effects in a Photoreal Episode (for the “The Dance of Dragons” episode ), Outstanding Created Environment in an Episode, Commercial or Real-Time Project (for the City of Volantis environ), and Outstanding Compositing in a Photoreal Episode and Outstanding Effects Simulations (both for the “Hardhome” episode).

    Scoring three VES Awards was the spot “Pier” for energy supplier SSE, directed by Frederic Planchon via Academy Films with VFX by The Mill for agency adam&eve DDB London. “Pier” won the VES Award for Outstanding VFX in a Commercial, Compositing in a Photoreal Commercial, and Outstanding Animated Performance (by the Orangutan character) in an Episode, Commercial or Real-Time Project. The latter category saw the SSE ad top stiff competition which included Game of Thrones.

    An industry gathering in excess of 1,000 turned out at the Beverly Hilton for the 14th annual VES Awards ceremony which was emceed by comedian/actor Patton Oswalt. Here’s a full rundown of VES winners spanning 23 categories:

    Outstanding Visual Effects in a Photoreal Feature
    Star Wars: The Force Awakens
    Roger Guyett
    Luke O’Byrne
    Patrick Tubach
    Paul Kavanagh
    Chris Corbould

    Outstanding Supporting Visual Effects in a Photoreal Feature
    The Revenant
    Rich McBride
    Ivy Agregan
    Jason Smith
    Nicolas Chevallier
    Cameron Waldbauer

    Outstanding Visual Effects in an Animated Feature
    The Good Dinosaur
    Sanjay Bakshi
    Denise Ream
    Michael Venturini
    Jon Reisch

    Outstanding Visual Effects in a Photoreal Episode
    Game of Thrones; The Dance of Dragons
    Joe Bauer
    Steve Kullback
    Eric Carney
    Derek Spears
    Stuart Brisdon

    Outstanding Supporting Visual Effects in a Photoreal Episode
    Vikings; To the Gates
    Dominic Remane
    Bill Halliday
    Paul Wishart
    Ovidiu Cinazan
    Paul Byrne

    Outstanding Visual Effects in a Real-Time Project
    The Order: 1886
    Nathan Phail-Liff
    Dana Jan
    Anthony Vitale
    Scot Andreason

    Outstanding Visual Effects in a Commercial
    SSE; Pier
    Neil Davies
    Tim Lyall
    Hitesh Patel
    Jorge Montiel

    Outstanding Visual Effects in a Special Venue Project
    Fast and Furious: Supercharged
    Chris Shaw
    Alysia Cotter
    Ben White
    Diego Guerrero

    Outstanding Animated Performance in a Photoreal Feature
    The Revenant; The Bear
    Matt Shumway
    Gaelle Morand
    Karin Cooper
    Leandro Estebecorena

    Outstanding Animated Performance in an Animated Feature
    Inside Out; Joy
    Shawn Krause
    Tanja Krampfert
    Jacob Merrell
    Alexis Angelidis

    Outstanding Animated Performance in an Episode, Commercial, or Real-Time Project
    SSE; Pier; Orangutan
    Jorge Montiel
    Sauce Vilas
    Philippe Moine
    Sam Driscoll

    Outstanding Created Environment in a Photoreal Feature
    Star Wars: The Force Awakens; Falcon Chase / Graveyard
    Yanick Dusseault
    Mike Wood
    Justin van der Lek
    Quentin Marmier

    Outstanding Created Environment in an Animated Feature
    The Good Dinosaur; The Farm
    David Munier
    Matthew Webb
    Matt Kuruc
    Tom Miller

    Outstanding Created Environment in an Episode, Commercial, or Real-Time Project
    Game of Thrones; City of Volantis
    Dominic Piche
    Christine Leclerc
    Patrice Poissant
    Thomas Montminy-Brodeur

    Outstanding Virtual Cinematography in a Photoreal Project
    Star Wars: The Force Awakens; Falcon Chase / Graveyard
    Paul Kavanagh
    Colin Benoit
    Susumu Yukuhiro
    Greg Salter

    Outstanding Models in a Photoreal or Animated Project
    Star Wars: The Force Awakens; BB-8
    Joshua Lee
    Matthew Denton
    Landis Fields
    Cyrus Jam

    Outstanding Effects Simulations in a Photoreal Feature
    Mad Max: Fury Road; Toxic Storm
    Dan Bethell
    Clinton Downs
    Chris Young

    Outstanding Effects Simulations in an Animated Feature
    The Good Dinosaur
    Stephen Marshall
    Magnus Wrenninge
    Michael Hall
    Hemagiri Arumugam

    Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project
    Game of Thrones; Hardhome
    David Ramos
    Antonio Lado
    Piotr Weiss
    Félix Bergés

    Outstanding Compositing in a Photoreal Feature
    The Revenant; Bear Attack
    Donny Rausch
    Alan Travis
    Charles Lai
    TC Harrison

    Outstanding Compositing in a Photoreal Episode
    Game of Thrones; Hardhome
    Eduardo Díaz
    Guillermo Orbe
    Oscar Perea
    Inmaculada Nadela

    Outstanding Compositing in a Photoreal Commercial
    SSE; Pier
    Gary Driver
    Greg Spencer
    Grant Connor

    Outstanding Visual Effects in a Student Project
    Citipati
    Andreas Feix
    Francesco Faranna

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    Category:News
    Tags:Ridley ScottStar Wars: The Force AwakensThe RevenantVES Awards



    Partizan Signs Director Henry Behel

    Monday, March 16, 2026

    Partizan has added director Henry Behel to its U.S. roster. An accomplished filmmaker, Behel has taken to the streets, the skies, and the back country time and again to capture high-octane films with a refined cinematic sensibility.

    Behel--who was most recently repped in the U.S. by Stadium prior to joining Partizan--is best known for his work incorporating stunts, action sequences, and VFX, particularly for automotive and aviation brands such as Audi, BMW, Nissan, Ford, GMC, Jeep, and Jaguar. Easily translating his taste for bold scenes and impactful imagery, he has also directed spots for Apple, Pepsi, Reyka Vodka, Unimatic Watches, and Forty Creek Niagara Whiskey. The Director’s Library recently featured his festival-winning short film 26,000 Days  about an airshow pilot poetically tumbling out of the sky with his engine off.

    Behel began his career directing films for air shows that played like action-movie trailers. Brands quickly followed, enlisting him to helm commercial campaigns where he channels his deep understanding of speed, scale, and kinetics into precisely choreographed camera work that elevates every on-screen stunt.

    Behel said of signing with Partizan, “It’s amazing to be joining such a wonderful, established, and trusted brand. The legacy of some of the directors on their roster is unmatched. They represent some of the most talked-about names in commercials and beyond. The entire team has been incredibly welcoming, and I can’t wait to work alongside such an amazing group.”

    “Every filmmaker has to evaluate risks and execute their vision. Few have done it like Henry: in midair,” remarked Mike Lobikis, head of sales at Partizan. “The work he’s done so far is incredible, and we look forward to... Read More

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