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    Home Β» “Star Wars” Proves To Be The Prevailing Force At VES Awards

    “Star Wars” Proves To Be The Prevailing Force At VES Awards

    By SHOOTWednesday, February 3, 2016Updated:Tuesday, May 14, 2024No Comments4013 Views
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    "Star Wars: The Force Awakens" (photo courtesy of Disney/Lucasfilm)

    Also scoring impressively are "The Revenant, "The Good Dinosaur," "Game of Thrones," SSE’s β€œPier” spot

    By Robert Goldrich

    BEVERLY HILLS, Calif. --

    Star Wars: The Force Awakens topped the feature competition at the Visual Effects Society (VES) Awards ceremony on Tuesday night (2/2) with four wins, including earning the marquee honor for Outstanding Visual Effects in a Photoreal Feature. Right behind Star Wars on the feature film side were The Revenant and The Good Dinosaur with three VES Awards apiece.

    The Revenant wins were for Outstanding Visual Effects in a Photoreal Feature and two directly for the bear mauling sequence–Best Compositing in a Photoreal Feature and the top Animated Performance (for the bear character) in a Photoreal Feature. Headlining the three awards for The Good Dinosaur was the honor for Outstanding Visual Effects in an Animated Feature.

    Star Wars and The Revenant are both up for the Visual Effects Oscar so the VES showing bodes well for those pictures. Also in the running for the VFX Academy Award are Mad Max: Fury Road, which picked up one VES Award (Outstanding Effects Simulations in a Photoreal Feature), Ex Machina and The Martian. Ex Machina had no VES nominations while The Martian had one.

    Though The Martian did not win in the category for which it was nominated (VFX in a Photoreal Feature), its director, Ridley Scott, received the VES Lifetime Achievement Award. In his acceptance remarks, Scott talked about the VFX artists he collaborated with over the years and the problem solving they did on such features as Alien, Blade Runner, Gladiator, Prometheus and The Martian. Scott cited the “passion” and “genius” of the VFX community and affirmed to the audience, “I love the process working with you all.”

    It’s a process that continues as Scott said he’s scheduled in a couple of months to head for Sydney to embark on the feature Alien: Covenant.

    Scott also acknowledged the contributions of visual futurist and conceptual artist Syd Mead who made his feature debut on Blade Runner. Scott said that Mead helped to fill the gap between “the film inside my head” and the reality of a limited “budget in another space” to ultimately help bring Blade Runner to fruition.

    Earlier in the evening, Mead received the VES Visionary Award in recognition of his ability to create unforgettable images and advance storytelling through his futuristic design aesthetic. Right after graduating Art Center, Mead was recruited by Ford Motor Company’s Advanced Styling Studio. After Ford, he took on high-profile design assignments for the likes of U.S. Steel, Philip Electronics and Intercontinental Hotels. He recalled his very first feature film being Blade Runner. “How lucky can you get?…The opportunity to work with a consummate director, Ridley Scott,” said Mead.

    The VES Awards ceremony also featured a salute to Industrial Light & Magic (ILM) on the occasion of its 40th anniversary.

    Television
    On the TV side of the competition, Game of Thrones tallied four wins, topping the categories Outstanding Visual Effects in a Photoreal Episode (for the “The Dance of Dragons” episode ), Outstanding Created Environment in an Episode, Commercial or Real-Time Project (for the City of Volantis environ), and Outstanding Compositing in a Photoreal Episode and Outstanding Effects Simulations (both for the “Hardhome” episode).

    Scoring three VES Awards was the spot “Pier” for energy supplier SSE, directed by Frederic Planchon via Academy Films with VFX by The Mill for agency adam&eve DDB London. “Pier” won the VES Award for Outstanding VFX in a Commercial, Compositing in a Photoreal Commercial, and Outstanding Animated Performance (by the Orangutan character) in an Episode, Commercial or Real-Time Project. The latter category saw the SSE ad top stiff competition which included Game of Thrones.

    An industry gathering in excess of 1,000 turned out at the Beverly Hilton for the 14th annual VES Awards ceremony which was emceed by comedian/actor Patton Oswalt. Here’s a full rundown of VES winners spanning 23 categories:

    Outstanding Visual Effects in a Photoreal Feature
    Star Wars: The Force Awakens
    Roger Guyett
    Luke O’Byrne
    Patrick Tubach
    Paul Kavanagh
    Chris Corbould

    Outstanding Supporting Visual Effects in a Photoreal Feature
    The Revenant
    Rich McBride
    Ivy Agregan
    Jason Smith
    Nicolas Chevallier
    Cameron Waldbauer

    Outstanding Visual Effects in an Animated Feature
    The Good Dinosaur
    Sanjay Bakshi
    Denise Ream
    Michael Venturini
    Jon Reisch

    Outstanding Visual Effects in a Photoreal Episode
    Game of Thrones; The Dance of Dragons
    Joe Bauer
    Steve Kullback
    Eric Carney
    Derek Spears
    Stuart Brisdon

    Outstanding Supporting Visual Effects in a Photoreal Episode
    Vikings; To the Gates
    Dominic Remane
    Bill Halliday
    Paul Wishart
    Ovidiu Cinazan
    Paul Byrne

    Outstanding Visual Effects in a Real-Time Project
    The Order: 1886
    Nathan Phail-Liff
    Dana Jan
    Anthony Vitale
    Scot Andreason

    Outstanding Visual Effects in a Commercial
    SSE; Pier
    Neil Davies
    Tim Lyall
    Hitesh Patel
    Jorge Montiel

    Outstanding Visual Effects in a Special Venue Project
    Fast and Furious: Supercharged
    Chris Shaw
    Alysia Cotter
    Ben White
    Diego Guerrero

    Outstanding Animated Performance in a Photoreal Feature
    The Revenant; The Bear
    Matt Shumway
    Gaelle Morand
    Karin Cooper
    Leandro Estebecorena

    Outstanding Animated Performance in an Animated Feature
    Inside Out; Joy
    Shawn Krause
    Tanja Krampfert
    Jacob Merrell
    Alexis Angelidis

    Outstanding Animated Performance in an Episode, Commercial, or Real-Time Project
    SSE; Pier; Orangutan
    Jorge Montiel
    Sauce Vilas
    Philippe Moine
    Sam Driscoll

    Outstanding Created Environment in a Photoreal Feature
    Star Wars: The Force Awakens; Falcon Chase / Graveyard
    Yanick Dusseault
    Mike Wood
    Justin van der Lek
    Quentin Marmier

    Outstanding Created Environment in an Animated Feature
    The Good Dinosaur; The Farm
    David Munier
    Matthew Webb
    Matt Kuruc
    Tom Miller

    Outstanding Created Environment in an Episode, Commercial, or Real-Time Project
    Game of Thrones; City of Volantis
    Dominic Piche
    Christine Leclerc
    Patrice Poissant
    Thomas Montminy-Brodeur

    Outstanding Virtual Cinematography in a Photoreal Project
    Star Wars: The Force Awakens; Falcon Chase / Graveyard
    Paul Kavanagh
    Colin Benoit
    Susumu Yukuhiro
    Greg Salter

    Outstanding Models in a Photoreal or Animated Project
    Star Wars: The Force Awakens; BB-8
    Joshua Lee
    Matthew Denton
    Landis Fields
    Cyrus Jam

    Outstanding Effects Simulations in a Photoreal Feature
    Mad Max: Fury Road; Toxic Storm
    Dan Bethell
    Clinton Downs
    Chris Young

    Outstanding Effects Simulations in an Animated Feature
    The Good Dinosaur
    Stephen Marshall
    Magnus Wrenninge
    Michael Hall
    Hemagiri Arumugam

    Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project
    Game of Thrones; Hardhome
    David Ramos
    Antonio Lado
    Piotr Weiss
    FΓ©lix BergΓ©s

    Outstanding Compositing in a Photoreal Feature
    The Revenant; Bear Attack
    Donny Rausch
    Alan Travis
    Charles Lai
    TC Harrison

    Outstanding Compositing in a Photoreal Episode
    Game of Thrones; Hardhome
    Eduardo DΓ­az
    Guillermo Orbe
    Oscar Perea
    Inmaculada Nadela

    Outstanding Compositing in a Photoreal Commercial
    SSE; Pier
    Gary Driver
    Greg Spencer
    Grant Connor

    Outstanding Visual Effects in a Student Project
    Citipati
    Andreas Feix
    Francesco Faranna

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    Category:News
    Tags:Ridley ScottStar Wars: The Force AwakensThe RevenantVES Awards



    Thanks To Shows Like “Abbott Elementary” and “Hacks,” LGBTQ+ Representation On Primetime TV Grows

    Thursday, November 6, 2025

    TV shows like "Abbott Elementary," "Hacks," "Heartstopper," "The Last of Us" and "Yellowjackets" helped increase the ranks of LGBTQ+ characters on prime time by 4% over the previous season, according to a new study by the advocacy group GLAAD. This year's "Where We Are on TV" study, released Thursday, counted 489 LGBTQ characters across scripted prime-time broadcast, cable and streaming shows β€” up 21 additional characters. It marks a boost after two years of decline, but remains far below the 2021-2022 record high of 637 characters. Sarah Kate Ellis, president and CEO of the group, warned that those numbers could still decrease soon: More than 200 of the LGBTQ+ characters counted this year β€” in shows like "Heartstopper," "Harlem" and "Elite" β€” will not be returning due to a flurry of series cancellations, endings or because they were limited series. "Storytelling brings us together and this current cultural and political climate calls on creatives and executives to double down on fair and accurate stories of LGBTQ people," Ellis writes in the report. GLAAD added that the number of transgender characters on TV has slightly increased from last year to reach 33 β€” 24 trans women, seven trans men, and two nonbinary characters β€” but only four trans characters appear on series that have been officially renewed. The report is the 20th edition of the annual tracking by GLAAD and charts a remarkable leap from just 47 LGBTQ+ characters in the first study. It arrives as President Donald Trump has targeted transgender and nonbinary people with a series of executive orders β€” including one declaring the existence of two unchangeable sexes β€” stripping government websites of "gender ideology" an reinstituting a ban on transgender service members in the... Read More

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