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    Home » Not-On-The-Subway Series: Celebrity Talk Back

    Not-On-The-Subway Series: Celebrity Talk Back

    By Frankfurt KurnitTuesday, May 5, 2020Updated:Tuesday, May 14, 2024No Comments4641 Views
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    By Terri J. Seligman, ESQ.

    --

    Remember the Grammy’s a few years back, when Arby’s shouted out to Pharrell Williams on Twitter, requesting the return of its hat. (See here.)  And Pharrell, good sport that he was, tweeted back at the restaurant chain, accusing it of starting a "roast beef”? Other brands with hat-wearing trademarks jumped into the action. Hilarity and rampant re-tweeting ensued. A social media win.

    That exchange was the bane of advertising lawyers everywhere: the celebrity was perfectly game about having a public exchange with a brand without (presumably) getting paid and HE DIDN’T SUE. That result led to marketing teams everywhere demanding why, pray tell, they couldn’t do THE SAME THING. After all, say the marketers: (1) EVERYONE talks about celebrities on social media, so why can’t we? And (2) Arby’s did it and didn’t get sued.

    We ad lawyers much prefer the unfortunate example set by Duane Reade who, readers may remember, really stepped in it by posting (without permission) a photograph of Katherine Heigl emerging from one of its stores with the easily recognizable Duane Reade shopping bag. Heigl sued for millions of dollars for the unauthorized use of her name and likeness for commercial purposes, in violation of her right of privacy and publicity under New York law, false endorsement under the Lanham Act and unfair competition.  (New York's statute, like those of many other states, requires the written consent of any individual whose name or likeness is used for commercial purposes.) We prefer that example, not because we’re filled with schadenfreude, but because it helps us in counseling our clients that engaging with celebrities in social media without their permission can be a risky move.

    And it is. Because unlike “everyone” (i.e., your cousin, your neighbor, you), a brand may be engaged in commercial speech  when posting on social media — at least that's what a celebrity plaintiff will argue if they object to the brand's use of their name or likeness. Like most advertising issues, however, this one is a little more complicated than just “it’s risky” and the counseling is a little more nuanced than just “for godsakes, don’t do it!”  There may well be good arguments for why the post could be considered editorial or newsworthy (that is, not commercial) and that the celebrity at least implicitly consented for the brand's engagement with them on social media.  

    Here are some of the factors we consider:

    • Who started it? Arby’s really lucked out by starting the exchange itself and getting a positive response (rather than a demand letter). But sometimes – oh lucky day! – the celebrity talks to the brand first, calling the brand out by name, and maybe even using the “@” symbol to really get the brand’s attention. Sounds like consent, right?  So, acknowledging that call-out is probably okay. However, amplifying the exchange or including an explicit marketing message in the response could significantly change the analysis.
    • Is there a brand pile-on happening? Did the celebrity say or do something that is attracting attention from everyone and his mother, including lots of other brands? As everyone knows, doing what others are doing doesn’t make it safe, but in this scenario, the fact that everyone is jumping into the fray makes the whole discussion seem more newsworthy (that is, maybe not commercial speech).  And it might make it less likely that the celebrity will go after any one particular brand. Consider, though, do you want to be the brand going first?
    • Does it seem that the celebrity’s appearance in your clothing, in your store, eating your food, or otherwise engaging with your company's products on social media (which is what’s making your social media team salivate) purposeful?  Like, are they holding up the wrapper for your sandwich with the logo front and center? Again, like an “@” sign, if it seems like the celebrity is saying hi to the brand, the brand can probably say hi back; the celebrity is at least implicitly consenting to the public conversation. (But see bullet 1.)
    • Who’s the celebrity involved? Do they have a track record of filing or threatening right of publicity actions? The fact that someone hasn’t sued before certainly isn’t dispositive of their willingness to allow brands to use their name or likeness, but the fact that someone has is an important warning sign.
    • Does the celebrity involved have a big endorsement deal with, say, your competitor? Guess whose attention you’ll get if you engage with that celebrity?

    Bottom line: these are nuanced judgment calls, with a lot of factors at play. If a brand is in the fortunate position of having a celebrity (on their own initiative! without payment!) saying nice things about it or appearing on social media using its products, the brand can bask in the glory. And marketers should remember that the celebrity probably has significantly more followers than the brand itself does, which means that, without doing anything further to amplify the message, the brand has already won.

    Terri Seligman's practice covers all advertising and marketing issues ranging from review of advertising claims and their substantiation to the application of marketing and intellectual property laws and laws governing rights of publicity and privacy. She also advises on legal issues concerning advertisers' use of social media, sweepstakes and contests, and laws governing gift cards, reward programs, rebates, and other popular marketing devices.

    This column presents a general discussion of legal issues, but is not legal advice and may not be applicable in all situations. Consult your attorney. To contact Terri Seligman ESQ click here.

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    News Categories:Legalease
    Tags:fkksFrankfurt KurnitlegaleaseTerri SeligmanTruth in Advertising



    Modern Post adds editor Troy Charbonnet

    Thursday, December 11, 2025

    Editor Troy Charbonnet has joined postproduction studio Modern Post. His diverse body of work spans advertising, music, and culture-driven narratives, including collaborations with Apple, Spotify, Mercedes-Benz, Adidas, and Nike. Charbonnet also edits for top musical artists, most notably crafting the visual cut for Silk Sonic’s (the superduo of Bruno Mars and Anderson .Paak) “Leave the Door Open,” which earned the MTV VMA for Best Editing.

    “We’ve been following Troy’s work for a while; he has consistently proven that he is able to tap into his creative approach and bring a unique perspective and understanding to each project. As soon as we connected, it was clear that he would be a perfect fit for our growing roster,” s aid Modern Post executive producer Andrew Illson.

    Charbonnet has infused his balance of bold stylistic instinct and invisible, story-first precision to projects such as Harry Styles’ “Love On Tour, Forever,” a concert-driven love letter to fans. Additional work includes projects for Sabrina Carpenter, Ms. Lauryn Hill, Tems, and Tate McRae, each shaped by Charbonnet’s instinct for emotional progression and rhythmic detail.

    Originally from Irvine, Calif., Charbonnet began experimenting with stop-motion videos, short films, and homemade music videos at a young age, shaping an early understanding of movement, pacing, and performance. He received his BFA in film production from Chapman University and has been editing professionally since 2017, building a multidisciplinary body of work rooted in both experimentation and restraint.

    “Modern Post stood out to me because of its roster of editors, people whose work has inspired me for some time. There’s a real sense of innovation, experimentation, and... Read More

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