LONDON —
Animation studio Blind Pig has promoted several staffers as it settles into a new location in the Fitzrovia district of London.
Ric Comline, formerly creative director, is now executive creative director. Since founding Blind Pig in 2009, Comline has been a driving force in creatively leading work as well as nurturing the studio’s diverse team. In his new role, he’ll continue to direct creative briefs, while keeping a keen eye on the development of the studio as it enters a new chapter.
Thierry Levy leaves his position as executive producer for a new role as head of production. His experience with both clients and artists lends itself to the title, which comprises overseeing projects, work culture and new international business opportunities.
Christine Peters has made the jump from 2D lead to 2D creative director. She’ll remain at the heart of all 2D animated projects, directing client briefs and keeping a watchful eye across all traditional frame-by-frame projects.
Sean Cooper’s promotion takes him from 3D lead to 3D creative director. He’ll continue to direct 3D briefs while overseeing all CG projects and adding creative and strategic input along the way.
Blind Pig, Absolute’s animation studio, has garnered a loyal international following in recent years, expanding its reach into international markets such as New York, Amsterdam and Dubai. Alongside this, the team have seen an increase in film and TV projects, crafting title sequences and graphics for the likes of Netflix and National Geographic.
Kim Christensen joins Cabin as managing director in L.A.
Cabin Editing Company has brought Kim Christensen on board as the new managing director of its Los Angeles office. She will work alongside founder Carr Schilling in L.A. and in tandem with the company’s executive leadership teams in New York and Europe to continue growing Cabin’s profile globally.
“We are inspired by Kim’s extensive professional background, her wealth of industry knowledge and relationships, and her down-to-earth, approachable leadership style,” shared Schilling. “She’ll be a great fit at Cabin.”
Christensen brings a diverse professional background across all areas of postproduction, including visual effects, design, and editorial. She joins Cabin following 12 years at a52, where as executive producer she helped lead the company to creative success, significant business growth, and newfound synergies across a52 and its sister companies Elastic, Rock Paper Scissors, and Primary. Previously, Christensen held a variety of leadership roles at companies including Bug Editorial, where she led the launch of the company’s L.A. office, Spot Welders, and Public VFX. She began her career on the agency side of the business, working at Amster Yard, a division of McCann Erickson in New York.
Throughout her career, Christensen has gained expertise in all areas of post production and earned a reputation for being hard working, resourceful, and an accessible and collaborative partner with artists and clients. She has worked with international brands including Nike, Apple, Ikea, Samsung, Xfinity and Microsoft, and her campaigns have been recognized with recognition from the Emmys, The One Show, and AICP.
“Cabin not only delivers fantastic and innovative work, but it’s impressive how they’ve been able to balance... Read More