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    Home » Oscar winner Troy Kotsur pays tribute to his father in short film premiering at Tribeca

    Oscar winner Troy Kotsur pays tribute to his father in short film premiering at Tribeca

    By SHOOTFriday, June 9, 2023Updated:Tuesday, May 14, 2024No Comments1542 Views
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    Troy Kotsur poses for a photo at Red Rock Park in Mesa, Ariz., on Jan. 28, 2022. In “To My Father,” a short film premiering this week at the Tribeca Film Festival, Kotsur extends and deepens that tribute to explain his father’s story and how it shaped him. (AP Photo/Matt York, File)

    By Jake Coyle, Film Writer

    NEW YORK (AP) --

    When Troy Kotsur made history as the first Deaf male actor win an Oscar at the 2022 Academy Awards, he was thinking about his father.

    By then, Kotsur had already become a hero to the Deaf community, widely celebrated for his acclaimed performance in the family drama "CODA." It was easy to admire the tenacity and talent that had brought Kotsur, in his early 50s, to the movies' biggest stage after years of struggle as an actor in an industry not known for its hospitality to Deaf performers.

    To Kotsur, his persistence was most owed to one person: His father. At the Oscar podium, Kotsur dedicated the award to him. "You are my hero," he said.

    "He didn't look at me as having limitations. He continued to push me and push me," Kotsur said in an interview Thursday through an interpreter. "That's why I am who I am today."

    In "To My Father," a short film premiering this week at the Tribeca Film Festival, Kotsur extends and deepens that tribute to explain his father's story and how it shaped him.

    Leonard "Len" Kotsur was the police chief of Mesa, Arizona, whose two other sons could hear. Ninety percent of Deaf children are born to hearing parents but the wide majority of those parents never learn American Sign Language. The elder Kotsur wasn't one of them. He was, Troy says, the best signer in the family.

    "Most deaf kids have hearing parents who unfortunately do not know sign language at all," says Kotsur. "So I need to show them that there's nothing wrong with sign language and there's nothing wrong with the Deaf person."

    Shortly before Kotsur graduated high school, his father was in a car accident with a drunk driver. He became paralyzed from the neck down and spent the rest of his life in a wheelchair. Crushingly, he could no longer sign as he once did with his son.

    "But he didn't let that stop him," says Kotsur. "About six months after the accident, he went back to work. He continued working as the chief of police, paralyzed in a wheelchair. He didn't care. He really persisted. And my dad was a great example for me. Me being deaf wasn't a big deal. I didn't let that stop me. I kept persisting and, surprisingly, I even won an Oscar."

    The accident altered the perspectives of both father and son. In press reports at the time, Kotsur's father spoke about struggling with depression and the frustration of not being able to communicate the same way with Troy.

    "Finally, I saw that there were a lot of people worse off than me," Leonard Kotsur told the Arizona Republic in 1988. "I still have my head and my shoulders, and I can still talk and do things."

    Kotsur and his father, who died in 2001, developed their own sign language based on the gestures that he could manage. For something more elaborate, his father used a keyboard with a pencil taped to his hand.

    "We really had to have the patience to take the time to communicate," says Kotsur.

    A little more than a year after winning his Oscar, that moment has already been usurped by another, more earthshaking one: Kotsur's daughter graduated high school last month. With the prospect of an empty nest with his wife, Deanne Bray, upcoming, Kotsur is looking forward to working more. "And maybe more parties to go to," he says, smiling.

    Kotsur recently signed on to his first role since "CODA," which also won best picture. He's to star alongside Maika Monroe in the crime thriller "In Cold Light" from director Maxime Giroux.

    "There's been a lot of meetings," Kotsur says of his life since "CODA." "I've had a lot of meetings and some scripts that were already written but didn't have a Deaf role. And so we've been discussing how we can adapt these roles to have a Deaf person in these projects. We've developed a lot of creative projects together, some things that people have probably never thought of, and I'm pretty excited."

    The "CODA" win was a watershed moment for the Deaf community. But change in Hollywood can stagnate after making big leaps forward. "CODA," Kotsur thinks, has impacted Hollywood. Most of all, he says, it showed Deaf culture in a more authentic and human way.

    "And it's become a domino effect," says Kotsur. "I'm seeing a lot of doors begin to open for Deaf professionals and more opportunities out there."

    Kotsur, himself, is still getting used to being seen as a trailblazer.

    "When I was younger and I was about 12 years old, I met several Deaf professional stage actors and I wasn't really sure if they were hearing or Deaf," says Kotsur. "After the show, I went up to them and I said, 'Hey, are you actually deaf?' And these actors said, 'Yeah.' And I said, 'Can I become an actor in the future?' And they said, 'Yeah, of course you can.' And now these Deaf children are asking me, 'Can I act and can I be a filmmaker?' And I say, 'Yeah, of course. Of course you can, because I did it. That means you can do it, too.'"

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    Tags:To My FatherTribeca Film FestivalTroy Kotsur



    Sony racks up record profit on robust performance for music, movies and games

    Wednesday, May 14, 2025
    A logo of Sony is seen at the headquarters of Sony Corp. on May 10, 2022, in Tokyo. (AP Photo/Eugene Hoshiko, File)

    TOKYO (AP)--Japanese technology and entertainment company Sony logged an 18% rise in profit for the fiscal year through March on healthy results at its music and video-game operations. Its chief executive, Hiroki Totoki, outlined the company's strategy for growth Wednesday, stressing that collaboration among Sony Corp.'s various segments, like animation and music, were crucial to deliver the "kando," or emotional engagement, that lies at the core of the company's vision and strength. "Building on our momentum and results to date and working with a laser-like focus to realize our long-term Creative Entertainment Vision will be at the core of our corporate strategies moving forward," he told reporters. Sony's movies division has strong offerings in the pipeline, including Spider-Man films and biopics about The Beatles, while animation remains a driver of growth centered around the popular anime streaming service Crunchyroll, Totoki said. Tokyo-based Sony reported a record annual profit of 1.14 trillion yen ($7.8 billion), up from 970.6 billion yen in the previous fiscal year. Annual sales were virtually unchanged, inching down to 12.957 trillion yen ($88 billion) from 13.020 trillion yen. One area that lagged among Sony's sprawling businesses was the financial segment, where revenue stalled. But its film division and its imaging and sensor solutions segment did well. Sony officials said they were studying how to respond to President Donald Trump's tariffs, although that was a challenge because of uncertainties and constant changes. But they said the negative impact from U.S. trade policy will be kept to 10% of Sony's operating profit in the coming fiscal year by adjusting the allocation of shipments, among other measures. Totoki stressed that Sony... Read More

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