Dailies solution adds new features to fill the gaps in digital cinema workflows; new on-set and transcoding CORTEX products to be shown for the first time.
At NAB 2015, MTI Film will unveil a major update to its industry-leading CORTEX family of dailies processing solutions. CORTEX v. 2.0 will introduce new features and media support that will significantly expand its scope as a post production workflow utility. MTI Film will also introduce two new CORTEX products, CORTEX D.I.T. and CORTEX Transcode.
MTI Film will demonstrate CORTEX v 2.0 and other products at Booth SL14616.
CORTEX v 2.0 will include a first-of-its-kind feature for detecting and correcting dead pixels, a common problem in digital cinematography. Dead Pixel Detection can automatically identify dead pixels in the sensors of digital cinema cameras. Information about dead pixels is stored in the CORTEX Manifest file for delivery to post production. Dead Pixel Correction, included CORTEX Enterprise, automatically repairs dead pixel artifacts.
Additionally, CORTEX v 2.0 will feature an editing tool that offers a simple way to produce review media and other types of custom compositions for delivery. The edit tool includes overwrite, insert and extract functions, allowing the operator to carry out basic editing tasks without tying up a separate editing system and expensive Editor.
“As CORTEX has been adopted by more studio and facility clients, our customers are finding they want to use it in ways that go beyond its role as a comprehensive dailies solution,” explains MTI Film Product Director Amy Hawthorne. “We’re responding by adding features that resolve common issues or fill gaps in the digital post workflow. CORTEX is becoming the Swiss Army knife of post production.”
CORTEX v. 2.0 also adds support for IMF, JPEG2000 and HEVC formats. Expanded format support addresses the need to meet new UHD/4K delivery requirements from broadcasters and streaming services. CORTEX Enterprise 2.0 continues to include MTI's high quality UpRes to 4K algorithm for up-converting VFX shots as well as or even converting entire existing libraries for 4K delivery.
The new CORTEX D.I.T. is a free, on-set version of the software that enables D.I.T.s to perform comprehensive media offload and backup functions, apply color takes as basic looks or with full ASC CDL primary color, and output color information and other metadata for use downstream. This metadata can be exported in the form of a CORTEX Manifest file, for complete media tracking and guaranteed color coherence in post, or in industry- standard LUT and CDL files for cross-compatibility.
“Today, color pipelines are complicated,” notes Hawthorne. “DITs need to manage many types of files and data, including stills, LUTs and CDLs. The CORTEX Manifest provides an easy and reliable way to bring everything into one system. It allows you to track your media and maintain color accuracy all the way through post.”
CORTEX Transcode is a low-cost, transcoding solution, designed to be used both by post houses and anyone else needing a fast, reliable conversion tool, – whether for one-off projects or repetitive bulk renders. “Facilities have come to rely on CORTEX because its transcoding engine is fast and support all formats,” Hawthorne says.
She adds that CORTEX Transcode is also ideal for film restoration operations as it provides a simple way to produce media used by other departments in the process, such as audio, and to generate review and archive media.
About MTI Film LLC
Since 1997 MTI Film has provided award winning software applications to the post-production industry with a focus on technology for digital film restoration and digital dailies. The CORTEX family of products go beyond comprehensive dailies to provide full post utility including dead pixel correction, UHD UpRes and IMF deliveries. DRS™ NOVA has been the industry standard for digital film restoration, thanks to MTI Film’s advanced image processing research and development. www.mtifilm.com
Amy Hawthorne
Product Director
MTI Film
323 465 6478 x107
Contact Amy via email
Media:
Linda Rosner
ArtisansPR
310.837.6008
Contact Linda via email
American Cinema Editors (ACE) Announces Eligibility Dates, Ceremony Venue And Voting Timeline For The 75th Annual ACE Eddie Awards
American Cinema Editors (ACE) have announced the ceremony date, venue and full voting timeline for the 75th Annual ACE Eddie Awards, recognizing outstanding editing in 13 categories of film and television. To be eligible to compete in the television categories, projects must have aired between January 1 - November 1, 2024. To be eligible to compete in the film categories, projects must have been released in theaters between January 1 - December 31, 2024. The ACE Eddie Awards, presented by American Cinema Editors, will be held Saturday, January 18, 2025 at UCLA’s Royce Hall in Los Angeles.
“We're thrilled to honor the year's finest editing and mark our 75th anniversary with the entire industry," said ACE Executive Director Jenni McCormick. “As the third oldest awards show in Hollywood history, right after the Oscars® and the Golden Globes®, we’ve been celebrating the best and brightest in our industry for 75 years. Our organization continues to grow and thrive, even while navigating challenges like the pandemic and strikes, because of the incredible community that our members have created. We’re looking forward to the future and the next 75.”
Three special honors will be handed out at the ACE Eddie Awards ceremony including two Career Achievement recipients, presented to film editors of outstanding merit, and the Golden Eddie Filmmaker of the Year honor, presented to a filmmaker who exemplifies distinguished achievement in the art and business of film. Honorary award recipients will be announced later this year. The winner of the Anne V. Coates Student Editing Competition will also be announced that evening.
Submissions for the ACE Eddie Awards open October 1 and close on November 1 at 5pm PT. ACE is thrilled to once again partner with