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    Home » Director Andrew Wonder Joins Invisible Collective For Commercials and Branded Content

    Director Andrew Wonder Joins Invisible Collective For Commercials and Branded Content

    By SHOOTWednesday, April 8, 2026Updated:Tuesday, April 7, 2026No Comments8 Views     In 2 day(s) login required to view this post. REGISTER HERE for FREE UNLIMITED ACCESS.
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    Andrew Wonder
    LOS ANGELES --

    Invisible Collective has added director Andrew Wonder to its roster for U.S. representation spanning commercials and branded content. His work over the years has garnered him a Daytime Emmy Award as well a Cannes Lion and a D&AD Pencil.

    Wonder began his filmmaking journey at 17 as a field producer on MTV’s MADE, traveling across the country to produce episodes and handling everything from shooting and sound to editing and presenting cuts to executives. That early experience instilled a focus on human connection and presence as the foundation of storytelling, a principle that continues to shape his work. His signature approach emphasizes proximity and human truth across all forms of filmmaking, with a focus on collapsing distance between subject and audience, performance and camera, and idea and emotion. His commercial work includes campaigns for Delta, AT&T, Chevrolet, Ford and eBay, among others. Most recently, he directed a new campaign for the National Highway Traffic Safety Administration via agency StrataCom.

    The aforementioned Daytime Emmy came for an episode of MADE, which he directed. He also helmed the pubic service film “One More Day” about gun violence at schools; the project won a Cannes Bronze Lion for Film Craft in 2016 and a D&AD Pencil for direction in 2017.

    Most recently, Wonder directed commercials via Tomorrow, a company he co-founded in 2018. He later divested himself of his interest in that shop to focus on feature work. Invisible becomes his first roost for commercial representation since then.

    “I was drawn to Invisible Collective because their approach to filmmaking is similar to mine: collaborative, forward-thinking and deeply human,” Wonder said. “Their sense of curiosity, trust and support makes me confident that this is a place where I can approach commercials with the same attention to performance and emotional impact that I bring to my long-form work.”

    He first gained widespread attention with his viral documentary Undercity, an intimate exploration of New York City’s underground tunnels that earned praise for its immediacy and immersive style. His debut feature Feral earned recognition from The New York Times, which described it as “powerful, revelatory,” and it holds a perfect critic score on Rotten Tomatoes. Wonder has collaborated with filmmakers including Paul Schrader, as well as the late great cinematographer Harris Savides, ASC. In collaboration with Schrader, Wonder served as DP on Oh Canada (Cannes Competition, TIFF Gala, NYFF 2024), co-directed Future of Movies for La Biennale di Venezia’s 70th anniversary, and worked as a second unit director and associate producer on Dog Eat Dog(Cannes Directors’ Fortnight 2016).

    “Andrew is a filmmaker who combines technical mastery with emotional insight,” said Invisible Collective EP Sam Kelly. “His work feels lived in. He understands performance, scale and visual language at the highest level. His ability to translate complex, real-world moments into exciting imagery makes him exactly the kind of storyteller we want representing Invisible in the commercial space. We’re thrilled to welcome him to the team.”

    You have limited-time access to this page, (Access is valid until: 2026-04-10)
    Category:News
    Tags:Andrew WonderInvisible CollectiveSam Kelly



    “Handmaid’s Tale” Spinoff “The Testaments” Is About Girlhood In Gilead, Offers New Heroes and Glimmers Of Hope

    Tuesday, April 7, 2026
    This image released by Disney shows Chase Infiniti, left, and Lucy Halliday in a scene from "The Testaments." (Russ Martin/Disney via AP)

    Throughout the six-season run of "The Handmaid's Tale," dread hung over the series like a perpetual rain cloud. It made sense because the U.S. had turned into a totalitarian society called Gilead where women were stripped of their rights. In "The Testaments," debuting Wednesday on Hulu, Gilead is still Gilead — but there are glimmers of hope as a through-line. Like its predecessor, "The Testaments" is based on a novel by Margaret Atwood of the same name. It takes place five years after the events of "The Handmaid's Tale," and follows privileged girls in Gilead who are on the cusp of adulthood. Viewers are reintroduced to Aunt Lydia (Ann Dowd) from the original, who now runs a school training girls to be proper young ladies who are ready for marriage and most importantly, babies. There is a class where the girls are tested in how they pour tea. Lydia has become a bit softer since we last saw her. "At the end of 'The Handmaid's Tale,' she's in a deep state of remorse and begging for forgiveness when her life, as she knew it, collapses," said Dowd of her character. "She's come into this world a gentler human being. She's still Lydia, but I think she's had time to let go of the wall that was built around her." New story, new heroes We meet Agnes, played by Chase Infiniti ("One Battle After Another") and her friends Shunammite and Becka played by Rowan Blanchard and Mattea Conforti. Lucy Halliday portrays Daisy, a new student who is instructed to shadow Agnes at school. "I see them as two cats who've been put in a room together and are sniffing each other out," said Halliday. "I think they are aware that there is an inherent similarity overlapping with them both, but they will refuse to admit it because they don't want to be like the other... Read More

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