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    Home » Director Josh Locy Joins Chelsea For His First Commercial Representation

    Director Josh Locy Joins Chelsea For His First Commercial Representation

    By SHOOTTuesday, November 4, 2025No Comments10 Views     In 2 day(s) login required to view this post. REGISTER HERE for FREE UNLIMITED ACCESS.
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    Josh Locy
    NEW YORK & LOS ANGELES --

    Multi-hyphenate director/writer/production designer Josh Locy has joined Chelsea for global commercial representation, directing Canadian clothing brand Roots’ “Seth Rogen: Anything Roots” as a debut campaign. Rogen stars as Roots’ holiday concierge offering advice on gifting ideas.

    This marks Locy’s first representation in the ad market as a director. Chelsea is regarded in the industry for its commitment to launching directors in the brand arena and offering them longterm creative management. Locy comes to Chelsea following an over-decade-long collaboration with director David Gordon Green which started when he served as his assistant on Pineapple Express. Locy went on to art direct two of long-time Chelsea director Green’s subsequent feature films, Prince Avalanche and Manglehorn, which enhanced his ability to communicate mood and narrative through production design. Since then, Locy was brought on as a staff writer on Green and Danny McBride’s hit HBO series, The Righteous Gemstones. In advertising, Locy’s art directing credits include iconic commercials like Tom Kuntz’s Old Spice “Smell Like a Man” series and production design credits for brands including Nike, Walmart, KFC, and Mountain Dew.

    Locy described Chelsea owner and president Lisa Mehling and her team as “luminaries in the field. They are the gold standard for excellence, not only in the final product, but also in how they go about their process–always working with integrity, care, and support. I look forward to making work that aims high in the same ways.”

    Locy was a MacDowell fellow and, in 2016, wrote and directed his first feature film, Hunter Gatherer, which won a jury award at SXSW and was nominated for an Independent Spirit Award. Most recently, he directed and co-wrote the short film Potato Potato which has screened across the country, making audiences groan, guffaw, and laugh.

    Mehling remarked, “Josh is an exceptional filmmaker and rising star. I’ve known him for years through his collaborations with David Gordon Green, and I’m thrilled to welcome him to Chelsea. With a range of killer skills–from directing performance to production design and writing–Josh employs throughout his work a fine-tuned ear for comedic timing that is infused with aesthetic originality. I have no doubt Josh will rise to the top, and I know we’ll have fun getting there.”

    You have limited-time access to this page, (Access is valid until: 2025-11-06)
    Tags:ChelseaJosh LocyLisa Mehling



    Review: Director Dan Trachtenberg’s “Predator: Badlands”

    Tuesday, November 4, 2025

    Elle Fanning delivers one of the most disjointed performances of the year in "Predator: Badlands." It's not her fault — she's a great actor. It's just that she spends the majority of the movie in two pieces. Fanning plays an android whose torso and legs have different trajectories in this ninth installment of the "Predator" franchise, an insane example of sci-fi action filmmaking that's also equally split between slapstick humor and operatic violence. It has perhaps one of the most bananas fight scene of all time when Fanning's separate torso and legs take on some evil goons and combine to kill them all, crushing the last one's skull and then high-fiving herself — with her hand slapping her foot in celebration. Director and co-writer Dan Trachtenberg has merged a young, eager-to-prove-his mettle Predator with Fanning's hip android for "Predator: Badlands" and it's basically an unlikely buddy movie with decapitations. Fanning spends the first part in a makeshift backpack, nattering on while the Predator strides along and snarls. We start with the Predator called Dek — played by Dimitrius Schuster-Koloamatangi, lost in prosthetics and a costume that makes him look like an ancient Roman — with a nasty home life. His dad calls him a "runt" and wants him executed for embarrassing the clan. He even wants his oldest son to murder him in front of him. This is what is called "daddy issues." To prove his worth, Dek decides he must hunt and kill the galaxy's most fearsome creature, the Kalisk, a gigantic, unkillable creature native to the planet Genna. He will do this without visiting a dentist, his mandibles and fangs showing clear signs of gingivitis. Do you even floss, bro? These Predators are one-note, as always, from some sort of Darth Vader... Read More

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