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    “GOAT” Edges “Wuthering “Heights” In A Quiet Box Office Weekend

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    This image released by Sony Pictures shows characters, from left, Modo, voiced by Nick Kroll, Lenny, voiced by Stephen Curry, Will, voiced by Caleb McLaughlin, Olivia, voiced by Nicola Coughlan, Jett, voiced by Gabrielle Union, and Archie, voiced by David Harbour, in a scene from the animated film "GOAT." (Columbia Pictures and Sony Picture Animation via AP)

    By Lindsey Bahr, Film Writer

    LOS ANGELES (AP) --

    It was a battle of the holdovers at the North American box office this weekend, with the family friendly film “GOAT” edging out the R-rated “Wuthering Heights.”

    Sony Pictures Animation’s “GOAT” took in $17 million, while Warner Bros.’ “Wuthering Heights” earned $14.2 million, according to studio estimates Sunday. Both films are in their second weekend.

    Overall, it was a quiet weekend at movie theaters around the country, with new offerings all opening under $10 million. Those results applied to the faith-based sequel “I Can Only Imagine 2,” the Glen Powell black comedy “How to Make a Killing” and the horror film “Psycho Killer,” which currently has a 0% rating on Rotten Tomatoes. One bright spot in theaters was Baz Luhrmann’s immersive documentary “EPiC: Elvis Presley in Concert,” which earned $3.3 million from only 325 locations in its limited IMAX release. That film expands to nationwide distribution on Feb. 27.

    “These somewhat slower weekends can be a land of opportunity,” said Paul Dergarabedian, the head of marketplace trends for Comscore.

    “GOAT” dropped a slim 38% in its second weekend in theaters, which the studio attributed to positive word-of-mouth. The Stephen Curry-produced movie, about a small goat with big sports dreams (voiced by “Stranger Things'” Caleb McLaughlin) has made over $58.3 million. Globally, its running total is at $102.3 million.

    “Wuthering Heights” meanwhile fell 57% from its opening last weekend, bringing its domestic total to $60 million. Internationally it added another $26.3 million, pushing its global total to $151.7 million against an $80 million production budget. The movie’s top international market continues to be the U.K., where it has made $22.5 million alone.

    Third place for the weekend went to Lionsgate and Kingdom Story’s “I Can Only Imagine 2,” a follow-up to the 2018 Dennis Quaid movie that made $86 million against a $7 million budget. The sequel opened with $8 million, a far cry from the first film’s $17 million launch, though that was in line with expectations. It did score a rare A+ CinemaScore.

    Amazon and MGM’s “Crime 101” fell 59% in its second weekend, bringing in $5.8 million to take fourth place. The Chris Hemsworth and Mark Ruffalo heist thriller has now made $24.7 million against a reported $90 million budget. “Send Help” rounded out the top five with $4.5 million.

    “How to Make a Killing” landed in sixth place with $3.6 million. A24 released the StudioCanal movie in 1,600 North American theaters. The film, loosely inspired by “Kind Hearts and Coronets,” stars Powell as a man who, in a quest to acquire a $28 billion inheritance, decides to kill off his family members. Directed by John Patton Ford (“Emily the Criminal”), “How to Make a Killing” was not well-received by critics: it’s sitting at a “rotten” 47% on Rotten Tomatoes.

    “Pyscho Killer,” released by 20th Century Studios, fared much worse and opened outside of the top 10. The horror-thriller written by Andrew Kevin Walker (“Seven”) and directed by Gavin Polone (a notable television and film producer in his directorial debut) tanked in its first weekend in theaters with $1.6 million in ticket sales from 1,110 theaters. Audiences were not any happier with it than critics; According to PostTrak, only 31% of ticket buyers would “definitely recommend” it.

    The year’s box office is running about 5% ahead of last year and Dergarabedian expects things will start to pick up when “Scream 7” opens next weekend.

    “It’s been a kind of rollercoaster ride at the box office,” he said.

    Top 10 movies by domestic box office
    With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:

    1. “GOAT,” $17 million.

    2. “Wuthering Heights,” $14.2 million.

    3. “I Can Only Imagine 2,” $8 million.

    4. “Crime 101,” $5.8 million.

    5. “Send Help,” $4.5 million.

    6. “How to Make a Killing,” $3.6 million.

    7. “EPiC: Elvis Presley in Concert,” $3.3 million.

    8. “Solo Mio,” $2.6 million.

    9. “Zootopia 2,” $2.3 million.

    10. “Avatar: Fire and Ash,” $1.8 million.

    Category:News
    Tags:box officeGOATWuthering Heights



    “Famous Last Words”: Netflix Series’ Posthumous Release Of An Interview With Eric Dane

    Saturday, February 21, 2026

    Eric Dane did not believe in an afterlife.

    "I think when the lights go out, it's over," he said in an interview for "Famous Last Words," a Netflix series that's available now. "I do believe that once we go to sleep or however it is we — we go, once we're gone, we're gone."

    He also hoped in the interview that his two daughters, Billie and Georgia, would remember how he was present in their lives. He went to beach volleyball games and dance recitals, adding that he'd seen "The Nutcracker" many times and his review was, "That thing drones on, man."

    The "Grey's Anatomy" and "Euphoria" actor died Thursday less than one year after he announced he was diagnosed with ALS, or Lou Gehrig's disease, which is a fatal nerve system disease.

    "Famous Last Words" is based on a show that originated in Denmark. The premise is that a person is interviewed — executive producer Brad Falchuk does the questioning in the Netflix show — and it will not be released until their death.

    Dane's interview is the second episode. The first was with primatologist and conservationist Jane Goodall, who died last October. Falchuk tells The Associated Press he's recorded five conversations already with plans for more.

    No one else was present on set for the taping last November and even the camera operators were in a different room.

    "The guest needs to be totally safe to speak honestly and say whatever they want and know that they're leaving something for people to experience with them not here," Falchuk said on Friday. Only a small number of people work on the production of the show afterward. "Very, very few people have seen it and very, very people even know whose done it," explained Falchuk.

    "Famous people don't often get an opportunity... Read More

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