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    Home » Director Martin Werner and LOLA Madrid Take Us Inside The “House of Magnum”

    Director Martin Werner and LOLA Madrid Take Us Inside The “House of Magnum”

    By SHOOTSaturday, April 25, 2026No Comments143 Views
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    The “House of Magnum” is no ordinary address. It’s the ice cream bar brand’s vision of a world where indulgence is treated as a craft: a universe of artisans, precision and pleasure, designed to bring the Magnum chocolate experience to life. Directed by Martin Werner, produced by Proppa, with BaconX on VFX and color, the film came out of agency LOLA Madrid.

    The film follows a fashion model arriving at the grand House of Magnum, moving through a building buzzing with the controlled chaos of any great couturier fashion show. The catwalk begins, and Magnum’s signature cracking chocolate becomes the fashion statement. Werner’s entertaining take on the comedy of this setup is found in the collision between haute couture precision and the irresistible eagerness to experience the pleasure of Magnum. The film is wrapped in deep golds and rich chocolate tones, a meticulous art direction that immerses viewers in the House of Magnum almost immediately.

    The campaign rolls out across social media and high-end live events under the hashtags #HouseofMagnum and #DesignedforPleasure: from Magnum Creations pop-ups, to the most recent Coachella festival, where it took the form of a full luxury retreat with pool access, yoga sessions, cacao ceremonies, and beauty touch-ups.

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    Credits

    Client Magnum Agency LOLA Madrid Tomas Ostiglia, chief creative officer; Jorge Zacher, executive creative director; Dante Zamboni, creative director; Corina Martinez, Lucia Villalva, creative team; Juan Sebastian Moreno, head of design; Maria Sancho Suay, design; Maria Garcia Campos, social creative director; Rodrigo Munoz, Blanca Lopez, Lara Ramirez, digital creative team; Camilla Facin, head of strategic planning; Bruno Yanagui, strategy director; Felipe Calvino, head of production; Marina Saro, Jorge Saade, producers. Production Company Proppa Martin Werner, director; Ottar Gudnason, DP; Pablo Martinez, exec producer. Production Service Romania (RO) Icon Films Cristina San Cayo, line producer; Alma Bacula, producer, RO; Jonas Trop, Steadicam operator; Rasmus Nyholm Schmidt, editor; Peter Grant, production designer; Serban Porupca, art director; Melanie Buchave, wardrobe; Ina Isbasescu, RO wardrobe; Tony Krank, Markus Krank, food stylist, home economist; Manel Rosa, Elisabeth Rabadan, makeup & hair. Postproduction BaconX Jan Tvilling, VFX supervisor/creative director; Lorene Lescanne, exec producer; Rikke Gjerlov Hansen, head of production; Danielle Nicole Strand, VFX producer; Sam Gilling, colorist; Dennis Bahnson, CG lead; Arthur Dalvig, Julia Forsman, Marie Alsing, CG artists; Oliver Buus, lead compositor; Kai Hauswirth, Mikkel Hansen, Thomas Banner, compositors; Søren Gorm Knudsen, Preston Drake-Hillyard, conform artists. Sound Design Ballad Adrian Aurelius, sound designer; Gregers Maersk Moeller, exec producer. Music Big Sync Music. Product Sequences Postproduction ManvsMachine

    Genre:Comedy
    Media Type:Commercial: Online
    Video Tags:BaconXLOLA MadridMartin WernerProppa



    Toyota, Burrell, Director Paul Hunter and Jim Henson’s Creature Shop Prove EV Skeptics Wrong In “Haters Anthem”

    Wednesday, May 20, 2026

    Toyota and Chicago-based agency Burrell have launched the Toyota BEV Family Campaign: a series of spots that follow electric vehicle skeptics as they’re won over by the bZ, bZ Woodland, and C-HR, one by one.

    The campaign’s hero spot, “Haters Anthem,” opens on three skeptics portrayed as puppets, each one doubtful and vocal about it, who are converted into Toyota BEV believers after getting behind the wheel. When they convert, the puppets transform into their human selves.

    To build them, Burrell partnered with Jim Henson’s Creature Shop, which designed and built five custom puppets over six weeks, each with intricate mechanisms for unique arm and foot movements. A dedicated hairdresser ensured curly locs, fades, and twists were executed precisely and matched across both the puppet and human versions of each character. An all-Black puppeteer team, led by puppet captain Raymond Carr, handled performance and choreography throughout.

    The work was directed by Paul Hunter via production house PRETTYBIRD, with “Haters Anthem” by Infinity Song, a four-sibling soft rock band signed to Roc Nation.

    Burrell’s creative is grounded in a real audience insight: Black consumers have been underserved by the EV category, and nobody has built a campaign that reflects their vision of what electric driving looks and feels like. This one does. The humor, the music, the puppetry, and the transformation are all in service of a single idea: get someone skeptical behind the wheel, and let the car close the deal.

    “There’s a thin line between a skeptic and a hater, and we leaned into that energy instead of away from it,” said Tara DeVeaux, CEO of Burrell. “The puppets give us permission to be honest about the doubt, and the... Read More

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