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    Home » Framestore Pictures’ Director Rich Lee Brings Human Touch To Trailer For Resident Evil: Requiem

    Framestore Pictures’ Director Rich Lee Brings Human Touch To Trailer For Resident Evil: Requiem

    By SHOOTMonday, February 16, 2026No Comments0 Views     In 2 day(s) login required to view this post. REGISTER HERE for FREE UNLIMITED ACCESS.
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    Director Rich Lee of Framestore Pictures has partnered with Capcom and Nomadic Agency to create a live-action trailer for the video game Resident Evil: Requiem. The three-minute short–titled Evil Has Always Had A Name–has already sparked significant fan response ahead of its official release.

    Rather than portraying zombies as disposable monsters, Lee’s approach explores who they were before the outbreak–reframing Raccoon City through the lives once lived within it.

    Set in 1998, the film stars Scream Queen Maika Monroe (Longlegs, It Follows, Watcher) as a single mother navigating the final hours before–and the devastating aftermath of–the outbreak. A longtime Resident Evil fan, Lee embedded subtle Easter eggs throughout, rewarding repeat viewings for dedicated audiences.

    Shot over two days in Mexico City, the production meticulously recreated 1990s Raccoon City–grounding the story in practical locations before expanding into a haunting post-apocalyptic landscape realized through bespoke virtual environments designed by Lee and his team.

    On crafting the short film, Lee shared, “For me, it was about revealing the lives that existed before everything fell apart–the families, routines, and small moments that made Raccoon City feel real. We wanted audiences to feel what was lost beneath the horror while still honoring the game. From the art direction to the performances to the hidden Easter eggs, every detail was designed to immerse fans in a world that’s both nostalgic and emotionally resonant.”

    You have limited-time access to this page, (Access is valid until: 2026-02-18)
    Credits

    Client Capcom, Resident Evil Agency Nomadic Dawn Bates, president; Lucas McClain, executive creative director; Jonathan Marques, sr. art director; Rob Atkinson, sr. copywriter; Andrea Abbott, sr. producer; Jaclyn Blanchette, sr. project manager; Kara Powell, motion designer. Production Company Framestore Pictures Rich Lee, director; Jennifer Siegel, managing director; Brittney Walker, exec producer; Julie Hershan, head of production; Laura Morris, line producer; Emily Silber, production coordinator; Christopher Probst, DP. Production Service Company The Lift Gabriel Stavenhagen, exec producer; Aura Santamaria, producer. Visual Art Department Synapse Postproduction Framestore Brittney Walker, exec producer; Samantha Wong, sr. producer; Kaitlyn Gorman, associate producer; Evan Langley, sr. compositor; Matt Dobrez, Serina Flores, Flame. Color Company 3 Siggy Ferstl, colorist. Editorial David Checel, editor. Music Jonathan Natchez, composer. Sound Matt Yocum, audio/sound design.

    Genre:Horror
    Media Type:Film: Short
    Video Tags:Framestore PicturesNomadic AgencyResident Evil: RequiemRich Lee



    Top Spot of the Week: Cinematic Short From Greenpeace and ELVIS Treats Death Not As The End Of Activism But The Sequel

    Thursday, February 12, 2026

    London agency ELVIS has released this cinematic short film for Greenpeace, designed to inspire over-50s to leave a gift in their will--not out of duty, but in defiance. The work is part of the “We Won’t Rest in Peace” legacy campaign, positioning a gift after death to Greenpeace as a final act of protest.

    Directed by The Nott Brothers via production company Irresistible, the short borrows its language from cult comedy and protest cinema. Using dark humor, in-camera effects and expert puppetry, the film brings a skull, worms and an urn to life as unlikely protagonists--a cheeky, rebellious rallying cry for post-death activism.

    But it’s not all laughs. Woven throughout are the impassioned voices of real supporters, crying out from beneath the earth, a reminder that this rebellion is deeply personal and powered by people whose convictions refuse to stay buried. The campaign rolls out across cinema, social, digital and press. Across every touchpoint, supporters are portrayed not as passive donors, but as empowered activists whose beliefs now outlive them.

    The campaign also challenges how advertising traditionally speaks to older audiences. Research shows 62% of over-50s feel campaigns underestimate their appetite for activism--a blind spot Greenpeace and ELVIS were keen to meet head on.

    The work sits under ELVIS’s new Serious Entertainment proposition, which champions the power of entertainment to drive meaningful action for brands and causes alike.

    Camilla Yates, managing partner, strategy, ELVIS, said, “To change the world, you’ve got to throw a better party than the people destroying it. Greenpeace has always understood that protest needs energy and personality. Our job was to turn legacy giving into something people... Read More

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