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    Home » Top Spot of the Week: VCCP, Director Stefanie Soho Take Us “Under The Bed” For Disney+

    Top Spot of the Week: VCCP, Director Stefanie Soho Take Us “Under The Bed” For Disney+

    By SHOOTThursday, May 14, 2026Updated:Tuesday, May 12, 2026No Comments0 Views     In 2 day(s) login required to view this post. REGISTER HERE for FREE UNLIMITED ACCESS.
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    Disney+ has unveiled the next chapter in its creative platform, “A Lifetime of Great Stories,” which continues to celebrate world-class storytelling.

    Created by creative agency of record, VCCP, the campaign has at its heart this cinematic film, “Under The Bed,” which was directed by Stefanie Soho via production house SMUGGLER, in collaboration with VCCP’s content creation studio Girl&Bear. The film tells the story of a little boy who first discovers his love for great stories as a child, spotlighting Disney+ as a constant throughout his life as he grows up. We see him watching Disney and Pixar’s “Monsters, Inc.” as a child to being a teen viewing the “Sixth Sense” while camping, enjoying “The Walking Dead” in his 20s, and finally, returning to Disney+ as an adult to watch FX’s “Alien: Earth,” having had children of his own. Shot on 35mm film to set an authentic, cinematic feel, the film aims to evoke a mix of humor and warmth. The film captures the timeless feeling of Disney storytelling, elevated by a bespoke version of Olivia Rodrigo’s “Vampire,” reimagined to complement the narrative and emotional journey on screen.

    Emma Quartly, VP of marketing, Disney+ EMEA, said: “This next chapter of ‘A Lifetime of Great Stories’ builds on what we’ve already started, keeps storytelling at the heart of Disney+, and reflects how it’s home to both stories for families and for adults. It’s something we’ve developed closely with our creative agency, VCCP, and with our wider team. At its heart, the campaign is about the enduring nature of a great story, the way it can shape us, and the evolution of the stories we encounter at different stages of our lives. With ‘Under The Bed’, director Stefanie Soho brings that idea to life in a way that feels both cinematic and grounded in reality. There’s a lightness running through the film too, with touches of humor from small everyday moments that give it real warmth. It reflects the shift from stories audiences already love on Disney+ to the ones they’re just beginning to discover, whether that’s newer titles like ‘The Testaments’ or the highly anticipated second season of ‘Rivals.’”

    Director Soho said, “When I first got the script, I immediately had that slightly embarrassing thought of, ‘Oh god… I still kind of do this.’ That feeling of being shaped by the stories you grew up with never really leaves you, and that’s what made this brief so special to me from the start. It had warmth, humor, nostalgia, suspense, all wrapped inside these little, very human, instantly relatable moments. Working with VCCP and Disney+ honestly felt like being surrounded by people who cared deeply about the exact same details I care about. The reactions between the lines, the awkward little truths you fail to hide, the real life mix of tenderness and honesty. Everyone wanted to make something cinematic, but still grounded enough that people would genuinely recognize themselves in it. That’s a pretty rare combination, and I loved every second of it with the best team I could have wished for.”

    The campaign launched across EMEA, having recently debuted in EU markets and then in the U.K. It will run across TV, VOD, cinema and social channels.

    You have limited-time access to this page, (Access is valid until: 2026-05-16)
    Credits

    Client Disney+ Agency VCCP Darren Bailes, chief creative officer; Chris Willis, Paul Kocur, associate creative directors; Max Keane, chief strategy officer; Devin Ross, strategy director; Sarah Lasenby, head of creative services. Content Creation Studio Girl&Bear (VCCP’s content creation studio) David Vass, agency producer; Nathan Lake, production assistant. Production Company SMUGGLER Stefanie Soho, director Lucy Kelly, managing director/exec producer; John Bannister, producer; Oliver Millar, DP; Mark Connell, production designer; Ellie Sanders Wright, production manager; Chris Mears, 1st AD. Casting Road Casting. Production Service Company MR Films (Cape Town, South Africa) Earl Redcliffe, exec producer; Mel Charrington, producer; Laura McGregor, production designer; Richard De Jarger, costume; Suaad Jeppe, hair & makeup; Laurence Cavagna, production manager. Editorial Cabin Nik Kohler, editor; Mae Deans, Victoria Man, cutting assistants; Chris Day, assistant editor; Clel Allen, edit producer; Ruth Minkley, exec producer; Kayt Hall, managing director. Postproduction Selected Works Sean Costelloe, exec producer; Will Howland, sr. producer; Dan Adams, lead compositor; Georgie Ford, compositor; Eileen Chan, Al Hamer, online. Color TMLA Julien Alary, colorist; Eli Mari Sandal, producer; Malin Imerslund, Chrisremy Berrefjord, Emanuele Senatore, color assistants. Sound 750mph Sam Ashwell, Mark Hellaby, sound design & mix; Olivia Ray, exec producer; Rachel Saxon, head of production. Music SIREN Track: “Vampire” by Olivia Rodrigo; Alice Benton, Sian Rogers, music supervisors; Jennifer Ann Keller, producer; Astraea, Maddie Cutter, May Dolan, Will Harvey, Zahra Benyounes, performers.

    Media Type:Commercial: Cinema
    Video Tags:Disney+Girl&BearSmugglerStefanie SohoVCCP



    Turo Helps People Adapt To Life, Not Get Locked Into Their Cars

    Tuesday, May 12, 2026
    Turo

    What if your car could change as fast as your life does? Turo is embracing that idea in a new campaign that reimagines car ownership for those that value flexibility over commitment. Created in partnership with New York-based independent creative agency L&C, the campaign brings to life a simple truth: life doesn’t follow a fixed plan, so why should your car? At the center of the campaign is this tongue-in-cheek film--directed by Bacha Caravedo via production company Senor Z--that follows a protagonist as life keeps throwing curveballs: new relationships, twins they didn’t plan on, a routine that never quite sticks. Each chapter is punctuated by a different car that fits the moment. From practical to aspirational, understated to indulgent, the vehicles shift as seamlessly as the character’s circumstances, underscoring Turo Monthly, Turo’s long-term rental product as a smarter, more adaptable alternative to traditional ownership or leasing. By highlighting long-term rentals, the campaign positions Turo as a compelling alternative to the rigidity of leases and the permanence of ownership. With hundreds of thousands of vehicles available across a wide range of price points and styles, Turo allows customers to tailor their driving experience to their evolving needs, without long-term commitments. “Our idea was to highlight the flexibility Turo offers by dramatizing a simple truth: life can change quickly, and so do your needs--especially when it comes to your car. With Turo Monthly, you can adapt just as easily, switching cars as your life evolves.” said Rolando Cordova, co-founder and co-chief creative officer at L&C. Read More

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