Whitehouse Post has promoted Tommy Hill to editor. Since joining Whitehouse Post 6 years ago, Hill has built a body of work spanning large-scale commercial storytelling, intimate, human-driven narratives, and documentary filmmaking. His editing is distinguished by clarity, rhythm, and a strong point of view.
“I was drawn to Whitehouse by the quality of the work and the opportunity to be part of something with a real creative pulse,” says Hill. “It felt like a place where I could grow, collaborate with incredible people, and push myself. I’m excited to continue building relationships across both the UK and the US, and to create work that really lasts.”
Hill’s recent work reflects both range and sensitivity, from Toyota’s visually rich Mermaid campaign, to emotionally resonate pieces including Sandy Hook Promise (A Teddy Bear’s Dream) and Telekom (Unlimited). Beyond advertising, Hill has carved out a meaningful space in documentary filmmaking, recently completing the short film “Spiders” centered on elderly women in Ukraine during the Russian invasion, and is currently working on a feature length documentary following a man with a brain tumor attempting to become the first person to run the length of India.
In addition to his editing work, Hill recently served as Head Judge at the Shiny Awards, supporting and spotlighting emerging directing talent.
Hill began his career at Sky Media, planning and scheduling advertising across its channels, before moving to Discovery Channel as a video editor working across programming and network content. He joined Whitehouse Post in 2020 and has since built a reputation as a thoughtful and versatile editor. He holds a degree in Media Arts from St Mary’s University in Twickenham, London.
“Tommy is an incredibly thoughtful editor with strong instincts and a real sensitivity to story,” says Russell Icke, Partner & Editor at Whitehouse Post. “He has developed into an editor with real range and a clear creative voice. We’re excited to see him step into this next chapter.”
His promotion marks both his evolution as an editor and Whitehouse Post’s continued investment in developing new talent.
