Nice Shoes Creative Studio has entered the exciting world of Virtual Reality, debuting an immersive and interactive meditative experience “Mio Garden." The piece explores the new storytelling form from a different point of view, aiming to craft a unique experience that would leave a viewer feeling calm and refreshed. Drawn in by the calming nature of the experience and the garden’s Japanese influences, Sapporo engaged as a sponsor for the project. After putting on an HTC Vive headset, users are presented with a virtual can of Sapporo, which transports them to another world. Each user begins the experience in the same manner as they start in a dojo, but once they step outside, they have the choice of going to the left or to the right, encountering unique mini-games inspired by Japanese culture, with both paths culminating in a drum game to garner favor from a gigantic samurai statue.
Experience Design, Production, VFX: Nice Shoes Creative Studio
Executive Producer: Angela Bowen
Executive Creative Director: Harry Dorrington
Creative Director: Tom Westerlin
Director of VR Technology: Brennan McTernan
CG Team: Andy Zazzera, Steve Parish, Yongji Chen, Lucas Morciniec, Michael Rivera
Colorist: Chris Ryan
Music Production: Groove Guild
Composer: Paul Riggio
Musical Sound Design: Paul Riggio
Sound Production: Sound Lounge
Executive Producer: Mike Gullo
Sound Design: Marshall Grupp
Foley Artist: Aaron Kelly
OddBeast Crafts Powerful Opening Film For Half Rez 2025
When OddBeast landed the opportunity to produce this year’s opening film for Half Rez, the Midwest’s largest celebration of design and motion graphics, the studio approached the challenge by embracing discomfort. The goal was to visually express the collective anxieties of creatives facing an uncertain future as emerging tools and technologies reshape their industries. OddBeast Executive Creative Director Kevin Gautraud took the lead on the project’s vision and 3D animation: “I chose to ground the short in responses particular to fears about making a living in today’s creative fields where the rate of change feels insane at times, overwhelming artists with existential questions. Sometimes, ‘I don’t know’ is the most truthful answer anyone can give,” he said. In creating the film, Gautraud tapped into his own response to such anxieties: a meditation on the vastness of time and our small moment in the light, ponderings that bring him perspective, calm and creative inspiration. Powerful visuals of barren yet eerily majestic landscapes take us back to Earth’s origins, giving way – in the film’s final seconds – to the explosion of life – our blip in the planet’s unfathomable journey. Add the ethereal sound design of Bent Stamnes, and the result is a sense of awe, as everyday problems suddenly seem smaller. “For this project in particular, I was inspired by Carl Sagan and his own personal philosophy. He was awestruck at the grandeur of nature, curious about the origin of life, and humble about the extent of human knowledge,” Gautraud explained. “It's about making people feel small, strange and somehow okay with that.” Gautraud used a range of tools to give his concept life, including... Read More