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    Home » Director/Photographer Brian Pineda Joins Whiskey Bear

    Director/Photographer Brian Pineda Joins Whiskey Bear

    By SHOOTFriday, February 20, 2026No Comments143 Views
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    Brian Pineda
    HERMOSA BEACH, Calif. --

    Whiskey Bear has added Brian Pineda, a director and photographer with over 15 years of experience in travel and lifestyle work, to its roster of diverse creatives.

    “Brian’s a thoughtful collaborator and a fantastic storyteller. He has the natural ability to take even the simplest scene and make it emotional for audiences,” said Whiskey Bear founder and executive producer Ben Murphy. “His foundation in photography informs a directorial style defined by expressive performances, striking composition, and beautifully crafted light. Our goal is to further elevate and champion Brian’s exceptional talent, delivering bold, stand-out campaigns that resonate with clients.”

    Pineda related, “I love the work that Whiskey Bear is doing and the way they do everything is next level. They have that great balance of having a new vision for the industry but with depth of experience, which comes through in how they engage with people and what they produce. That’s an essential part of why we came together.”

    Pineda’s career encompasses lifestyle and travel work with directorial credits that include Conde Nast Traveler and L’Oreal, as well as photography for clients such as Holiday Inn and The Travel Channel. He has collaborated as a director and/or photographer with varied agencies, including Ogilvy, McCann and Droga5. Pineda’s journey into directing started with a spontaneous decision to hit “record” on a travel-based photo shoot. This sparked his diversification into directing, where teaching himself editing became an instinctive extension of his storytelling and helped shape his distinctive cinematic voice.

    “When working as a photographer, you often only have a few minutes to really capture the scene or the person’s essence and story,” commented Pineda. “The same can be true in directing–to connect and observe, but also make people feel comfortable in any environment so that everything works in concert. My goal is to root everything in the authentic and convey it with a cinematic aesthetic.”

    His ability to connect and an ever-present curiosity about the world have translated into a body of commercial work for Ancestry, Celebrity Cruises, The Coca Cola Company, and Japan National Tourism, among other brands. His interest in presenting spectacular imagery integrated with portraits of lives lived passionately is deeply felt in his work with noted celebrity chefs Eric Ripert (for Japan National Tourism and Gaggaenu), Daniel Boulud (Celebrity Cruises) and Esther Choi (Cafe Modern Glass/GE).

    Pineda had been freelancing prior to joining Whiskey Bear. Earlier he was repped in the U.S. market by Great Guns.

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    Category:News
    Tags:Ben MurphyBrian PinedaWhiskey Bear



    Review: Writer-Director BenDavid Grabinski’s “Mike & Nick & Nick & Alice”

    Wednesday, March 25, 2026
    This image released by 20th Century Studios shows Eiza González and James Marsden, right, in a scene from "Mike & Nick & Nick & Alice." (20th Century Studios via AP)

    "Mike & Nick & Nick & Alice" might look like a somewhat generic, glossy action-comedy on the surface. It's got two (well, kind of three, but we'll get to that later) men north of 50 ( Vince Vaughn and James Marsden ), one woman south of 40 (Eiza González) and the promise of some violence (you know, the fun kind). That's not necessarily a bad thing — sometimes you get a "This Means War" or a "Mr. & Mrs. Smith." But in the streaming era, more often than not you get, I don't know, "Red One"?"Fountain of Youth"? Something else we've already all forgotten? This might also be a streaming-era production, debuting on Hulu and Disney+ on Friday, but it's clear from the very first moments that "Mike & Nick & Nick & Alice" isn't just a generic facsimile of a "fun" movie designed for more for the algorithm than anyone's amusement. No, this is a movie that begins, for no particular reason other than probably the delight of the filmmakers, with Ben Schwartz singing "Why Should I Worry?" a song that was written and sung by Billy Joel for the 1988 animated Disney movie "Oliver & Company," a modern, New York City-set take on Charles Dickens starring dogs. Is it related to anything? No. Is it a fun song to set the tone that also made this elder millennial critic smile? Yes. There are choices like this throughout the film, mostly through precise, lighthearted banter that sounds real. There's even a spirited debate about the best and worst boyfriends on "Gilmore Girls" — Rory's, not Lorelai's, which falls a little flat in execution. I'm not sure the actors' hearts are really invested in Logan and Jess the way, say, Liam Neeson was able to act genuinely distraught over his "Buffy the Vampire Slayer" episodes being deleted off his DVR in "The... Read More

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