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    Home » Director Stanley Brock Joins Biscuit Filmworks For Commercial Representation

    Director Stanley Brock Joins Biscuit Filmworks For Commercial Representation

    By SHOOTMonday, September 29, 2025No Comments215 Views
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    Stanley Brock
    LONDON --

    Director Stanley Brock has joined Biscuit Filmworks for global representation spanning commercials, branded content and music videos.

    Brock is a North Londoner who cut his teeth making videos about skateboarding and the unique characters he grew up observing. He has since taken his passion for storytelling into narrative films, helming projects for Palace x Stella Artois, Arsenal, and Nike. He has collaborated on music videos with artists Potter Payper, Jimothy Lacoste, and Wolf Alice, and achieved viral status with Louis Theroux’s “Jiggle Jiggle,” featuring Jason Derulo, Duke & Jones, and Amelia Dimoldenberg.

    Prior to joining the Biscuit roster, Brock–who combines an innate skill for capturing playfully comedic performances with distinctive art direction–had been repped by My Accomplice in the U.K.

    Recently, Brock has been working on an ongoing series for Adidas featuring high-profile sports talent, including Anthony Edwards and Rebeca Andrade, and continuing his online comedy sketch series, Jonah & Stan, which explores different youth scenes in London.

    “I love people, I love telling stories, and I love doing what I do”, said Brock. “To join Biscuit, alongside some of the absolute best directors out there, is a real honor. I look forward to continuing to challenge myself and to make the best caliber of work possible.”

    “I’ve known Stanley for a few years now and have loved watching his work evolve,” said Rupert Reynolds-MacLean, managing director, Biscuit Filmworks UK. “He’s such a talented, motivated young director with incredible instincts and drive. His storytelling, casting, and narrative filmmaking is inspiring. It feels like the perfect moment to finally team up, and I’m genuinely excited about what we’ll create together.”

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    Tags:Biscuit FilmworksStanley Brock



    Review: Writer-Director BenDavid Grabinski’s “Mike & Nick & Nick & Alice”

    Wednesday, March 25, 2026
    This image released by 20th Century Studios shows Eiza González and James Marsden, right, in a scene from "Mike & Nick & Nick & Alice." (20th Century Studios via AP)

    "Mike & Nick & Nick & Alice" might look like a somewhat generic, glossy action-comedy on the surface. It's got two (well, kind of three, but we'll get to that later) men north of 50 ( Vince Vaughn and James Marsden ), one woman south of 40 (Eiza González) and the promise of some violence (you know, the fun kind). That's not necessarily a bad thing — sometimes you get a "This Means War" or a "Mr. & Mrs. Smith." But in the streaming era, more often than not you get, I don't know, "Red One"?"Fountain of Youth"? Something else we've already all forgotten? This might also be a streaming-era production, debuting on Hulu and Disney+ on Friday, but it's clear from the very first moments that "Mike & Nick & Nick & Alice" isn't just a generic facsimile of a "fun" movie designed for more for the algorithm than anyone's amusement. No, this is a movie that begins, for no particular reason other than probably the delight of the filmmakers, with Ben Schwartz singing "Why Should I Worry?" a song that was written and sung by Billy Joel for the 1988 animated Disney movie "Oliver & Company," a modern, New York City-set take on Charles Dickens starring dogs. Is it related to anything? No. Is it a fun song to set the tone that also made this elder millennial critic smile? Yes. There are choices like this throughout the film, mostly through precise, lighthearted banter that sounds real. There's even a spirited debate about the best and worst boyfriends on "Gilmore Girls" — Rory's, not Lorelai's, which falls a little flat in execution. I'm not sure the actors' hearts are really invested in Logan and Jess the way, say, Liam Neeson was able to act genuinely distraught over his "Buffy the Vampire Slayer" episodes being deleted off his DVR in "The... Read More

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