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    Home » Filmmaker Mateo Mejia Signs With Entropico

    Filmmaker Mateo Mejia Signs With Entropico

    By SHOOTTuesday, July 29, 2025No Comments332 Views
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    Mateo Mejia
    LOS ANGELES & NEW YORK --

    Global creative company Entropico has signed Mateo Mejia. This marks the Bogotá-born, Houston-raised creator and filmmaker’s first-ever signing to a creative and production house–a major career milestone for an up-and-coming talent who’s become known for blending DIY realism, cinematic world-building, and AI experimentation. The hybrid creator has generated millions of viral views and a cult following for his experimental shorts.

    A self-taught filmmaker, he first honed his craft by experimenting with whatever tools he had on hand. Mejia draws heavily from classic cinema and the language of movie trailers, condensing rich atmosphere and character into one- to two-minute pieces that hint at larger worlds and unseen storylines. In 2020, inspired by the surge of highlight edits from well-known films on TikTok, Instagram, and YouTube, he began crafting his own “trailers” for imagined films, a zero-budget playground for rapid storytelling that allowed him to refine his voice without committing years to a single project. Viewers frequently ask, “Where can I watch the full version?” It’s a testament to how immersive his bite-sized stories feel. His work has since amassed millions of views, including an 8.1M-view experimental reel and a digital book project that reached 5M views.

    Mejia’s DIY ethos now fuels his signature style of walking the line between documentary realism, fictional narrative, and experimental mixed-media work. From iPhones, pocket cameras, and CRT monitors to high-end cinema rigs, he blends analog and digital, creating shorts that feel handcrafted yet cinematic. “I like to make it feel like I’m a jack-of-all-trades, master-of-none character from a ‘90s film,” he said, citing his playful, self-aware narration style and love for handheld shots, natural light, and raw sound alongside carefully planned, well-lit scenes.

    Mejia is also one of a small but growing group of creators pushing “generative video,” hybrid workflows that merge live-action performances with AI-enhanced sets and manipulated worlds. “I like to prove that independent creators can achieve professional-quality mixed media using accessible, off-the-shelf tools. AI isn’t replacing creativity, it’s enhancing it,” he said.

    Mejia’s ongoing “Currently Stuck” series, a deeply personal episodic project exploring creative doubt and modern artistic tension, has earned a devoted following for its vulnerability and distinct voice.

    “Creating timeless work that audiences will reference for years to come, alongside other talented artists, is the whole reason I got into this to begin with,” Mejia shared. “With Entropico, I’m excited for the chance to explore new ways to merge entertainment with the fast-paced evolution of technology.”

    Joey Hunter, chief creative officer at Entropico, said, “Mateo embodies everything we look for in a director at Entropico–restless creativity, a distinct point of view, and a fearless curiosity about where technology can take storytelling. He’s proof that you don’t need a massive studio system to create cultural impact. You need vision, taste, and the courage to experiment. We’re thrilled to be his first creative and production home, and can’t wait to see where his energy and hybrid filmmaking style take him.”

    Mejia’s first representation with Entropico signals a pivotal leap for a filmmaker whose early career was built entirely outside traditional systems. Currently, Mejia is in production on a short film that blends traditional cinematography with AI tools, including Veo 3, to craft an atmospheric narrative world that pushes his hybrid approach further than ever before.

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    Tags:EntropicoMateo Mejia



    Review: Writer-Director BenDavid Grabinski’s “Mike & Nick & Nick & Alice”

    Wednesday, March 25, 2026
    This image released by 20th Century Studios shows Eiza González and James Marsden, right, in a scene from "Mike & Nick & Nick & Alice." (20th Century Studios via AP)

    "Mike & Nick & Nick & Alice" might look like a somewhat generic, glossy action-comedy on the surface. It's got two (well, kind of three, but we'll get to that later) men north of 50 ( Vince Vaughn and James Marsden ), one woman south of 40 (Eiza González) and the promise of some violence (you know, the fun kind). That's not necessarily a bad thing — sometimes you get a "This Means War" or a "Mr. & Mrs. Smith." But in the streaming era, more often than not you get, I don't know, "Red One"?"Fountain of Youth"? Something else we've already all forgotten? This might also be a streaming-era production, debuting on Hulu and Disney+ on Friday, but it's clear from the very first moments that "Mike & Nick & Nick & Alice" isn't just a generic facsimile of a "fun" movie designed for more for the algorithm than anyone's amusement. No, this is a movie that begins, for no particular reason other than probably the delight of the filmmakers, with Ben Schwartz singing "Why Should I Worry?" a song that was written and sung by Billy Joel for the 1988 animated Disney movie "Oliver & Company," a modern, New York City-set take on Charles Dickens starring dogs. Is it related to anything? No. Is it a fun song to set the tone that also made this elder millennial critic smile? Yes. There are choices like this throughout the film, mostly through precise, lighthearted banter that sounds real. There's even a spirited debate about the best and worst boyfriends on "Gilmore Girls" — Rory's, not Lorelai's, which falls a little flat in execution. I'm not sure the actors' hearts are really invested in Logan and Jess the way, say, Liam Neeson was able to act genuinely distraught over his "Buffy the Vampire Slayer" episodes being deleted off his DVR in "The... Read More

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