Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » Filmmaker Mateo Mejia Signs With Entropico

    Filmmaker Mateo Mejia Signs With Entropico

    By SHOOTTuesday, July 29, 2025No Comments444 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email
    Mateo Mejia
    LOS ANGELES & NEW YORK --

    Global creative company Entropico has signed Mateo Mejia. This marks the Bogotá-born, Houston-raised creator and filmmaker’s first-ever signing to a creative and production house–a major career milestone for an up-and-coming talent who’s become known for blending DIY realism, cinematic world-building, and AI experimentation. The hybrid creator has generated millions of viral views and a cult following for his experimental shorts.

    A self-taught filmmaker, he first honed his craft by experimenting with whatever tools he had on hand. Mejia draws heavily from classic cinema and the language of movie trailers, condensing rich atmosphere and character into one- to two-minute pieces that hint at larger worlds and unseen storylines. In 2020, inspired by the surge of highlight edits from well-known films on TikTok, Instagram, and YouTube, he began crafting his own “trailers” for imagined films, a zero-budget playground for rapid storytelling that allowed him to refine his voice without committing years to a single project. Viewers frequently ask, “Where can I watch the full version?” It’s a testament to how immersive his bite-sized stories feel. His work has since amassed millions of views, including an 8.1M-view experimental reel and a digital book project that reached 5M views.

    Mejia’s DIY ethos now fuels his signature style of walking the line between documentary realism, fictional narrative, and experimental mixed-media work. From iPhones, pocket cameras, and CRT monitors to high-end cinema rigs, he blends analog and digital, creating shorts that feel handcrafted yet cinematic. “I like to make it feel like I’m a jack-of-all-trades, master-of-none character from a ‘90s film,” he said, citing his playful, self-aware narration style and love for handheld shots, natural light, and raw sound alongside carefully planned, well-lit scenes.

    Mejia is also one of a small but growing group of creators pushing “generative video,” hybrid workflows that merge live-action performances with AI-enhanced sets and manipulated worlds. “I like to prove that independent creators can achieve professional-quality mixed media using accessible, off-the-shelf tools. AI isn’t replacing creativity, it’s enhancing it,” he said.

    Mejia’s ongoing “Currently Stuck” series, a deeply personal episodic project exploring creative doubt and modern artistic tension, has earned a devoted following for its vulnerability and distinct voice.

    “Creating timeless work that audiences will reference for years to come, alongside other talented artists, is the whole reason I got into this to begin with,” Mejia shared. “With Entropico, I’m excited for the chance to explore new ways to merge entertainment with the fast-paced evolution of technology.”

    Joey Hunter, chief creative officer at Entropico, said, “Mateo embodies everything we look for in a director at Entropico–restless creativity, a distinct point of view, and a fearless curiosity about where technology can take storytelling. He’s proof that you don’t need a massive studio system to create cultural impact. You need vision, taste, and the courage to experiment. We’re thrilled to be his first creative and production home, and can’t wait to see where his energy and hybrid filmmaking style take him.”

    Mejia’s first representation with Entropico signals a pivotal leap for a filmmaker whose early career was built entirely outside traditional systems. Currently, Mejia is in production on a short film that blends traditional cinematography with AI tools, including Veo 3, to craft an atmospheric narrative world that pushes his hybrid approach further than ever before.

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2025-07-31)
    Tags:EntropicoMateo Mejia



    Duane “Keffe D” Davis’ Murder Trial Heads To Closing In Tupac Shakur’s 1996 Killing

    Friday, August 28, 2026

    The murder trial of Duane "Keffe D" Davis in the 1996 killing of Tupac Shakur is headed to closing arguments after the defense rested Thursday following testimony from three former Las Vegas police officers.

    Jurors are scheduled to return Monday for closing arguments before beginning deliberations in the only prosecution brought in the killing of the hip-hop icon. The presentation of evidence ended after nine days of testimony.

    Davis, 63, did not take the stand.

    Shakur was riding in a BMW on Sept. 7, 1996, when a white Cadillac pulled up next to it at a red light near the Las Vegas Strip and gunfire erupted. Shakur was shot multiple times and died six days later. The driver of the BMW, Marion "Suge" Knight, survived.

    Years later, Davis would say he procured the gun and his nephew, who has since died, fired the shots. Prosecutors say Davis orchestrated the killing, and he faces life in prison if convicted of murder with a deadly weapon with the intent to promote, further or assist a criminal gang. He has pleaded not guilty.

    Defense attorney Michael Sanft has argued that Davis fabricated or embellished his accounts of the killing for money and notoriety and that investigators failed to independently corroborate his claims.

    Retired Las Vegas homicide detective Dan Long, the defense's final witness, testified that he tried unsuccessfully to verify several details Davis provided during a 2009 police interview.

    Davis told Long that his nephew, Orlando "Baby Lane" Anderson, had gone to a Las Vegas hospital after being beaten by Shakur and others in a casino brawl hours before the rapper was fatally shot. Long said he was unable to find hospital records confirming Anderson was treated there.

    Long also tried... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleSHOOT’s 65th Anniversary Reflections: WPP/Hogarth’s Dave Rolfe
    Next Article Highdive Opens NY Office Led By ECDs Steven Fogel and Doug Fallon
    SHOOT

    Add A Comment
    What's Hot

    3D Animation Director Liam Archibald Joins Blinkink For Worldwide Commercial Representation

    Friday, August 28, 2026

    Duane “Keffe D” Davis’ Murder Trial Heads To Closing In Tupac Shakur’s 1996 Killing

    Friday, August 28, 2026

    C. Kim Miles Shares Insights Into The Reimagining Of “Little House on the Prairie”

    Thursday, August 27, 2026
    Shoot Screenwork

    Apple, TBWA\Media Arts Lab and Director Nicos Livesey Deploy Clay Animation To Showcase “The Mighty Mac Mini”

    Friday, August 28, 2026

    TBWA\Media Arts Lab and director Nicos Livesey–via Blinkink and Stoopid Buddy Stoodios–teamed on this clay…

    TDA Boulder, Director Michael Downing Tackle Banking Clichés In “No Nonsense” Campaign For First Interstate

    Thursday, August 27, 2026

    JT Mega, Director Jake Zalutsky “Savor The Little Things” For Mahatma Rice

    Wednesday, August 26, 2026

    9/11 Day, Pete Davidson, David&Goliath Share Personal 9/11 Story and “UNIITE For Good”

    Tuesday, August 25, 2026

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.

    SHOOT
    click X to close window
    ×

    Farewell Note from the Publisher

    After 66 years of covering Commercial, Film & TV production & post, SHOOTonline ceased publishing as of Friday, August 28th, 2026.

    Although publishing activities concluded, the company will continue to operate through a transition period to ensure a smooth conclusion to all business dealings, including processing refunds for prepaid SPW tokens and collecting outstanding advertising invoices.

    A heartfelt Thank You to our readers, advertisers, sponsors, vendors, and of course the amazing staff throughout the decades who have made this wonderful SHOOT Magazine/SHOOTonline journey possible. And, a huge Thank You to all the executives, artisans, companies, agencies, associations, guilds, studios, networks, streaming services, manufacturers, and so many more who trusted us to share their news, milestones, insights, and points of view with the industry.

    Click Here to read more about SHOOT’s closure.

    Click Here to close window
    We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.