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    Home » GREATERGOOD Signs AI Director ctrl_cd For U.S. Commercial Representation

    GREATERGOOD Signs AI Director ctrl_cd For U.S. Commercial Representation

    By SHOOTFriday, January 23, 2026No Comments206 Views
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    ctrl_cd

    Filmmaker/technologist will head company's GREATER INTELLIGENCE banner dedicated to design-led, AI-enabled production

    LOS ANGELES --

    GREATERGOOD has brought AI production director ctrl_cd, aka Melita Radocaj, aboard its roster for her first U.S. commercial representation. The move marks a new chapter for the company’s evolving creative offering as ctrl_cd (pronounced “control CD”) will lead GREATER INTELLIGENCE, a dedicated banner inside GREATERGOOD built for design-led, AI-enabled production.

    Equal parts filmmaker, technologist, and creative instigator, ctrl_cd brings a modern workflow rooted in art direction and craft–then accelerated by AI.

    ““For me, AI is a creative instrument rather than a system to be engineered. I work very much like a director would, starting with mood, world, and emotional intention, and then developing imagery and motion through exploration, selection, and refinement. The process is iterative and hands-on. I guide the material, respond to what emerges, and shape it into a precise visual and narrative language. Control and unpredictability exist side by side; the goal is not automation, but authorship,” said ctrl_cd.

    At the core of ctrl_cd’s approach is a balance GREATERGOOD embraces: precision and surprise. She builds systems, often using structured prompts and even JSON-style logic where helpful, while staying open to the unexpected sparks that AI can produce when you give it the right sandbox (and just enough trouble).

    “ctrl_cd represents exactly where production is going without losing what makes production great in the first place: taste, intention, and emotional clarity,” said Pedro Aragão de Oliveira, founder of GREATERGOOD. “GREATER INTELLIGENCE is our way of building a future-ready creative studio inside GREATERGOOD, and ctrl_cd is a perfect cornerstone: bold, experimental, and deeply design-driven.”

    ctrl_cd added: “I’m excited to join a company that treats AI as a creative instrument; not a shortcut. GREATERGOOD gets the point: the work still has to hit. GREATER INTELLIGENCE feels like the right home base to keep experimenting, keep refining the process, and keep shipping films that actually move people.”

    ctrl_cd will help brands explore new production possibilities–from rapid visual exploration and concept-to-picture development, to AI-forward VFX and hybrid workflows that compress timelines while expanding creative range. GREATER INTELLIGENCE will serve as the umbrella banner within GREATERGOOD for this new category of work.

    A Croatian filmmaker and art director based in Germany, ctrl_cd works internationally across film, advertising, fashion and experimental narrative formats. With a strong European sensibility and a background in art direction, ctrl_cd creates visually driven, cinematic work at the intersection of storytelling and emerging technology.

    Her work has been shown at the Milan Film Festival, including a short film made for the AI Re-Frame challenge that reinvented the Matrix story (The Re-Matrix – AEON Shift); a Stubborn Ideas series of three videos delving into persistent, haunting and impossible-to-ignore ideas; The Quiet, a poetic AI meditation; and Does AI Dream of Neural Sheep?, a short exploring AI-driven creativity, crafted entirely using AI.  ctrl_cd was a featured artist at the Museum of Artificial Art (MoAA) in Florence, Italy. She also made a film, CTRL-SEAM, specifically for the curated digital exhibition by Neo.Fashion at Berlin Fashion Week 2025. Her creations, both film (the animated short Crazy Xmas at Santaville) and artwork, have been featured on Creativa.ai. And ctrl_cd served as a jury member at last year’s Berlin Music Video Awards.

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    Category:News
    Tags:AIctrl_cdGREATER INTELLIGENCEGREATERGOOD



    20 Years After A 22-Minute Ovation, Guillermo del Toro and “Pan’s Labyrinth” Return To Cannes Film Fest

    Thursday, May 14, 2026
    Director Guillermo del Toro, left, and Ivana Baquero pose for portrait photographs for the 20th anniversary of the film 'Pan's Labyrinth' at the 79th international film festival, Cannes, southern France, Tuesday, May 12, 2026. (Photo by Scott A Garfitt/Invision/AP)

    Twenty years ago, Guillermo del Toro premiered "Pan's Labyrinth" at the Cannes Film Festival. He went in anxious. It was toward the end of the festival and many journalists had left. The movie's production had been a nightmare. Then the audience gave it a 22-minute standing ovation, the longest in Cannes history. "It's a commute," joked del Toro. "That's about what it takes me to get from home to the office. Alfonso Cuaron, who made this movie with me as producer, turned to me at some point and said, 'Let it in. Relax.' I was very tense. I'm not very good with praise." Del Toro returned to Cannes on Tuesday to screen a restoration of one of his most beloved films. Shortly beforehand, he met a reporter for an interview at a hotel on the Croisette, a few steps away from where his filmmaking life changed two decades ago. A lush fairy tale set against 1944 Francoist Spain, "Pan's Labyrinth" is about the young Ofelia (Ivana Baquero) who has come with her mother to stay with her new fascist stepfather, Captain Vidal (Sergi López). Taking place largely in the northern Spain, it's Del Toro at his earthiest and most imaginative. Books become alive when held. Doors manifest out of a chalk outline. And creatures — fairies, a faun, the unforgettable Pale Man, with eyes in the palms of his hands — reveal a world of deeper and darker enchantment. A pivot point for del Toro Del Toro, who has since made "The Shape of Water" and "Frankenstein," grants that he wouldn't have become the filmmaker he is today if he hadn't made "Pan's Labyrinth." At the time, he was the well-regarded but not well-known filmmaker of "Hellboy" and "Blade 2." "I was getting all the Marvel offers from Avi Arad. It was a real choice to go make the movie no one wanted... Read More

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