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    Home » Kate Jackson, Jaclyn Smith and Cheryl Ladd Reunite At PaleyFest LA For “Charlie’s Angels” 50th Anniversary

    Kate Jackson, Jaclyn Smith and Cheryl Ladd Reunite At PaleyFest LA For “Charlie’s Angels” 50th Anniversary

    By SHOOTTuesday, April 7, 2026No Comments12 Views     In 2 day(s) login required to view this post. REGISTER HERE for FREE UNLIMITED ACCESS.
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      Cast members Kate Jackson, from left, Jaclyn Smith and Cheryl Ladd pose on the set of "Charlie's Angels" in Los Angeles in March 1978. (AP Photo/George Brich, File)

    From left, Kate Jackson, Jaclyn Smith and Cheryl Ladd, cast members in the classic television series "Charlie's Angels," pose together at the PaleyFest LA 50th anniversary celebration of the show on Monday, April 6, 2026, at Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)

    By Beth Harris

    LOS ANGELES (AP) --

    Once upon a time there were three little girls who starred as private detectives answering to a never-seen boss in a show that turned into a pop culture phenomenon called “Charlie’s Angels.”

    Kate Jackson, Jaclyn Smith and Cheryl Ladd reunited to mark the show’s 50th anniversary at PaleyFest LA on Monday night. They were greeted with a standing ovation and whoops and cheers from an audience at the Dolby Theatre in Hollywood.

    The hour-long crime adventure series debuted on Sept. 22, 1976, in a pre-Internet and streaming world when there were just three major television networks. It was a top-10 hit for ABC in its first two of five seasons, ending in 1981.

    “I knew the show was different, special and unique,” Smith told the audience. “Three women chasing danger instead of getting rescued.”

    Jackson added, “We made an impact, I think.”

    Farrah Fawcett-Majors became a 1970s icon with her feathered hair and sexy swimsuit poster. She left after the first season to pursue a film career. She died in 2009.

    She was replaced by Ladd, who showed up on her first day wearing a Farrah Fawcett Minor T-shirt. She had turned down producer Aaron Spelling three times, knowing how beloved Fawcett had been.

    “I knew that there was nobody that was going to replace Farrah, so I made a joke of myself,” Ladd said on the red carpet. “Everybody laughed. Farrah would have done something like that.”

    Jackson added, “Cheryl stepped in and we didn’t miss a beat.”

    Critics weren’t kind, however, calling the show “jiggle television” because the women dressed scantily to go undercover and slamming it for vapid acting.

    “It didn’t bother me,” Jackson said on the red carpet. “I knew what we were doing and Gloria Steinem knew what we were doing, and some other very impressive people knew what we were doing. We were helping to punch a hole in that glass ceiling and that makes a big difference.”

    Five decades later, the show remains popular in reruns and DVDs, having spawned a film series starring Drew Barrymore, Cameron Diaz and Lucy Liu.

    “We were giving people an hour to sit back, put their feet up, forget everything and watch television,” Jackson said, “and then again just kind of subtly getting the message in there that women are just as capable, intelligent, can do anything that a man can do.”

    The mostly older audience cheered and laughed as scenes from various episodes were played. Included in the highlights were Shelley Hack, who lasted one season after replacing Jackson, and the late Tanya Roberts, who appeared in the final season. Smith and the late David Doyle, who played Charlie’s go-between, were on the show’s entire run.

    Smith, who is 80, and Ladd, who is 74, went on to prolific careers in made-for-TV movies and guesting on other shows. Jackson, who quit after three seasons, later starred in the CBS hit “Scarecrow and Mrs. King.”

    Jackson left the business nearly 20 years ago to raise her son. Now 77, she said, “I’m ready to go back.”

    The trio’s sisterhood includes all of them overcoming breast cancer, with Ladd revealing for the first time publicly Monday that she had an aggressive form of the disease. She didn’t say when it occurred.

    “When Cheryl called me,” Smith said, “the first thing I did was send her my wigs.”

    Smith was at Jackson’s bedside during her cancer battle. Each of them urged the audience to have regular health screenings.

    In one of many lighter moments, the women were asked to name their favorite outfits.

    “I wore a lot of turtlenecks,” Jackson said, drawing laughs.

    Smith singled out her tiny white bikini seen in the opening credits.

    Ladd recalled, “Bikinis, a lot of bikinis.”

    Smith joked, “Our ratings went up.”

    Jackson, Smith and Ladd will reunite again on May 14 when they are among the recipients at the Paley Honors gala in New York. Smith’s memoir titled “I Once Knew a Guy Named Charlie” comes out in September.

    “I was really proud to be part of that show,” said Ladd, who always welcomed fans expressing their fondness for the Angels. “I felt so loved. You couldn’t be in a bad mood. It was always uplifting to hear it.”

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    Category:News
    Tags:Charlie's AngelsCheryl LaddJaclyn SmithKate JacksonPaleyFest LA



    Imposter Signs Directing Duo Les Garçons For U.S. Representation

    Tuesday, April 7, 2026

    Montréal-based director and photographer duo, Les Garçons--consisting of David Rollins and Rob Lee--has signed with Imposter for representation in the U.S. Imposter becomes Les Garcons’ first official U.S. production company. The directorial duo continues to be repped in Canada by Spy Films.

    Les Garcons has developed a distinct visual signature, focusing on specialized food and tabletop photography and directing for the likes of Tim Horton’s, Liberté, Kraft, and DoorDash. With Imposter’s support, the directing team is also looking to expand its skills and techniques into new categories and territories, aiming for more narrative-driven work with a deeper sense of storytelling.

    2026 is already looking like an exciting year, with a freshly updated reel, a TV mandate that will plunge the pair deep into experimentation with AI, and multiple creative projects in the works--including two family-focused Breyers ice cream spots in collaboration with agency VML.

    Les Garçons shared in a joint statement, “When we looked carefully at the group of directors at Imposter, we saw a lot of what we love to create in our own work--storytelling, stylization, color, surrealism...There were many things we had in common with the group as a whole, but we also felt that our voice was different enough to take its own place on the roster.

    “We also saw a lot of the things we want to do next: narrative short films, more meaningful storytelling, music videos. We said to each other, If this is what Imposter is known for, and this is where they’ll push us to go, then yes!’ It’s the perfect place for us to grow into the next chapter of our creativity.”

    Avtar Kay, managing director at Imposter, added, “What makes Les Garçons a perfect fit... Read More

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