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    Home » Made by Humans Expands AI Directorial Roster With Eight Signings

    Made by Humans Expands AI Directorial Roster With Eight Signings

    By SHOOTThursday, May 14, 2026No Comments71 Views
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    Work from Made by Humans' newly signed directors (top row, l-r) Dave Feral, Victor Bonafonte, Billy Boman and Nic Bezzina--and (bottom row, l-r) Christian Brandes, Hola Rita, James Lovick and Chris Capel
    LONDON --

    Generative AI studio Made by Humans has expanded its talent roster with the signing of eight directors.

    Built on the belief that technology should work in conjunction with human craft to amplify, not replace, creativity, Made by Humans creates work that combines human insight and taste with advanced AI tools.

    The eight directors, who all now gain their first representation, are:

    –Billy Boman, a leading voice in commercially driven AI filmmaking whose name was recently featured on a large-scale Hollywood Hills installation, sparking global conversation. He’s also known for producing cutting edge AI-led work for brands including Google, YouTube and Universal Music.
    –Hola Rita, who brings a visually distinctive, fashion-led approach to AI filmmaking, blending surreal storytelling with bold art direction. Her ongoing series Tales from the Underground showcases her narrative worldbuilding, while her latest film has been nominated for a Luma Dream Award at Cannes Lions.
    –Chris Capel, whose comedic background influences his performance-led approach to AI direction. His viral Nike spec film, merging sport with horror aesthetics, has attracted millions of views and demonstrates the growing potential of AI in high-energy brand storytelling.
    –James Lovick, a seasoned director with a focus on cinematic, high-concept storytelling. Alongside commercial work for brands including T-Mobile and Swissquote, his widely shared concept films highlight AI’s ability to deliver scale, spectacle and imaginative worldbuilding.
    –Dave Feral,is an AI director and storyteller known for creating AI-driven visuals and experimental stories that often feature dark, surreal, or “street-level” aesthetics. With over 20 years of experience in design and technology, he integrates AI tools to build narrative worlds and visual projects.
    –Christian Brandes, an early adopter of AI filmmaking, Brandes directs AI-driven commercials for international clients, and his viral film for British animal rights group Viva!–“Delicious meat from happy humans,” which depicts a pig-run farm, asking what if pigs farmed humans the way that humans currently farm pigs–reached 1.5 million Instagram views in a week.
    –Victor Bonafonte integrates AI as an extension of the cinematic language, using it to expand creative possibilities while preserving emotional depth and narrative intention.
    –Nic Bezzina, creates work at the intersection of AI, photography, and cinematic storytelling. His AI practice focuses on building human-led, emotionally grounded visual worlds. Drawing from a background in documentary and editorial image making, Bezzina uses generative tools to explore identity, culture, and lived experience, often blending real-world reference with synthetic environments.

    The expansion reflects Made by Humans’ wider mission to build a new kind of creative studio, one where AI directors and artists are able to freely experiment and unlock new storytelling and production opportunities, while preserving the emotional depth of human storytelling.

    Guy Soulsby, chief creative officer at Made by Humans, commented, “Generative AI tools alone don’t make great work, people do. What excites us about these new signings is the individuality of their voices and the clarity of their ideas. They’re not just experimenting with GAI, they’re using it to challenge people’s perceptions of the technology and deliver high standard commercial storytelling.”

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    Category:News
    Tags:Chris CapelChristian BrandesHola RitaJames LovickMade by Humans



    Ewan McGregor and Danny Boyle Reflect On The Life-Changing Film “Trainspotting”

    Saturday, June 6, 2026
    This image released by Sony Pictures Classics shows Ewan McGregor in a scene from "Trainspotting." (Liam Longman/Sony Pictures Classics via AP)

    Ewan McGregor, for a fleeting moment after "Trainspotting" came out, felt like a rock star. It wasn't his first significant project; it wasn't even his first film with director Danny Boyle. And he was, in his words, fairly arrogant and cocksure at the time. But that kinetic film about four heroin addicts in late-1980s Scotland was and, 30 years later, remains defining — in his career, in the culture and in his understanding of what true artistic satisfaction can feel like. "It's very much in that early part of my career, and of course, even today, probably the most important piece of work that I was involved in, just because it had such a massive effect on my life. Not only because of what it did, but because of how it felt to make," McGregor told The Associated Press in a recent interview. "It set the bar unknowingly high because it's been quite hard to match ever since." Both McGregor and Boyle are a little wistful about the time, and what they made, as the film marks its 30th anniversary re-release. A 4K digital restoration started in theaters nationwide on Friday (6/5). Though "Trainspotting" was very much of its moment with its Britpop soundtrack, its Thatcher-era grit, its darkly comedic tone and shrewd blend of giddy highs and tragic lows, it's also one that has stood the unforgiving test of time. "You get kids coming up to you who are 17 who said they'd just seen it," Boyle said. "I could be their grandfather … yet it still spoke to them." Putting Hollywood on hold Boyle was a hot commodity after "Shallow Grave," a 1994 black comedy about flatmates in Edinburgh starring McGregor, and Hollywood was calling. Literally. A peak-famous Sharon Stone cold-called him and asked if he'd want to come make a film with her. But he had... Read More

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