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    Home » Modern Logic Signs Creative Collective AI OR DIE

    Modern Logic Signs Creative Collective AI OR DIE

    By SHOOTWednesday, June 4, 2025No Comments463 Views
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    A frame from “Karen: Unleashed,” the completely AI-created mock trailer directed by AI OR DIE
    LOS ANGELES --

    Design-driven studio Modern Logic has added AI OR DIE, a creative collaborative who recently scored with the viral mock trailer “Karen: Unleashed,” created entirely in AI.

    The signing marks a first for Modern Logic which is looking to build a new kind of talent roster of tech-forward creative thinkers built for an evolving media landscape.

    “Tech-forward content creators like AI OR DIE are the new pioneers in digital storytelling,” said Michael Bennett, Modern Logic’s founder/managing director. “They’re leveraging emerging technologies to craft innovative, immersive, and engaging content. When I look at the design, visual effects industry now, I think it’s crucial to work with different types of creators, just as we always have, who prioritize agility, adapting to new platforms, trends, and audience behaviors while still maintaining an authentic voice. This is in Modern Logic’s DNA, and it’s what AI OR DIE, as a creative trio, are all about. Their approach blends storytelling with cutting-edge tech to create dynamic, scalable, and content that is wholly original and incredible to see.”

    A collaborative trio consisting of Nathan Boey, Bengt Tibert and Mind Wank, AI OR DIE first brought their diverse backgrounds in filmmaking, editing, animation, and advertising together in 2024 intent on leveraging AI tools to create something totally new with the technology.

    Their first exploit–AI OR DIE: The First 100% AI Sketch Comedy Show–a completely AI-generated, manically-paced, visually-stunning sketch comedy show containing a bundle of hilarious and bizarre observations that mock the current state of advertising, media, tech, and modern life in general.

    “The three of us started by making and sharing our work online, and over time, we became friends,” Wank said. “In June 2024, we all looked at each other, virtually of course, and said, ‘Let’s do something bigger.’ That was when we started working on episode one of what became AI OR DIE. Now we are excited to take our collective to the next level with Modern Logic.”

    The trio’s most recent project is the “Karen: Unleashed” mock trailer and its accompanying behind-the-scenes short, created entirely using selective AI tools. Seen by millions on social media in just a few weeks, the AI OR DIE trailer imagines a film about a bad-ass Karen with a complex backstory: pushed to the edge from the stress of a loveless marriage, a demeaning job, and disrespect from all, until one day, she really insists on speaking to the manager. The trailer captures every over-the-top action trope you’d find in a revenge-fueled actioner–with moments that include blazing gun battles, merciless bad guys, and a slow-mo burning Whole Foods.

    Thinking about the AI revolution and what it might mean for creativity, Boey said, “Each time some new artistic tool is developed and democratizes the process in some way, fear is usually the initial response that creative people won’t be needed, but that’s misleading because you need creative experts and craftspeople to use these tools to elevate it into art–to something people actually want to see.”

    Tibert added, “AI technology is a tool for unbounded creativity, not just photorealistic reproduction–we’re constantly exploring new ways to push the boundaries of what is possible as filmmakers.”

    From Bennett’s perspective, there are a lot of companies using AI, and even just the acronym, in ways that are limiting. “So many brands and agencies are just chasing imagery to get that ‘gee-whiz’ look at AI’s capabilities. But AI OR DIE is about more than that. They represent what AI can be in the hands of skilled designers, engineers, writers, and visual effects artists. There’s going to be more and more potential to make content that liberates creativity with limitless possibilities.”

    Modern Logic’s credits, meanwhile, include 2024 Cannes Titanium-winning work directed by Mike Diva of sister production company Lord Danger for DoorDash out of Wieden+Kennedy, Portland, Ore.

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    Category:News
    Tags:AI OR DIEModern Logic



    Review: Writer-Director BenDavid Grabinski’s “Mike & Nick & Nick & Alice”

    Wednesday, March 25, 2026
    This image released by 20th Century Studios shows Eiza González and James Marsden, right, in a scene from "Mike & Nick & Nick & Alice." (20th Century Studios via AP)

    "Mike & Nick & Nick & Alice" might look like a somewhat generic, glossy action-comedy on the surface. It's got two (well, kind of three, but we'll get to that later) men north of 50 ( Vince Vaughn and James Marsden ), one woman south of 40 (Eiza González) and the promise of some violence (you know, the fun kind). That's not necessarily a bad thing — sometimes you get a "This Means War" or a "Mr. & Mrs. Smith." But in the streaming era, more often than not you get, I don't know, "Red One"?"Fountain of Youth"? Something else we've already all forgotten? This might also be a streaming-era production, debuting on Hulu and Disney+ on Friday, but it's clear from the very first moments that "Mike & Nick & Nick & Alice" isn't just a generic facsimile of a "fun" movie designed for more for the algorithm than anyone's amusement. No, this is a movie that begins, for no particular reason other than probably the delight of the filmmakers, with Ben Schwartz singing "Why Should I Worry?" a song that was written and sung by Billy Joel for the 1988 animated Disney movie "Oliver & Company," a modern, New York City-set take on Charles Dickens starring dogs. Is it related to anything? No. Is it a fun song to set the tone that also made this elder millennial critic smile? Yes. There are choices like this throughout the film, mostly through precise, lighthearted banter that sounds real. There's even a spirited debate about the best and worst boyfriends on "Gilmore Girls" — Rory's, not Lorelai's, which falls a little flat in execution. I'm not sure the actors' hearts are really invested in Logan and Jess the way, say, Liam Neeson was able to act genuinely distraught over his "Buffy the Vampire Slayer" episodes being deleted off his DVR in "The... Read More

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