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    Home » RSA Films Signs Director Maureen Hufnagel For U.S. Commercial Representation

    RSA Films Signs Director Maureen Hufnagel For U.S. Commercial Representation

    By SHOOTWednesday, February 25, 2026No Comments5 Views     In 1 day(s) login required to view this post. REGISTER HERE for FREE UNLIMITED ACCESS.
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    Maureen Hufnagel
    LOS ANGELES --

    RSA Films has added director Maureen Hufnagel to its roster for commercials in the U.S. She has directed high-profile commercial campaigns for HBO Max, McDonald’s, Coca-Cola, Clarin’s Económico, Tecate, energy company YPF and streaming service Flow, among many others. Her filmmaking style draws from experience as an award-winning agency creative director and experimental photographer who was once named champion of the Absolute Lomo photo gallery competition in London and had a solo exhibit at Buenos Aires’ renowned Malba Museum.

    Hufnagel, an Argentine filmmaker who was previously repped in the U.S. market by production house Landia, infuses humor into her unique visual language. For instance, her “Launch” film for HBO Max depicts a sweeping and epic urban landscape where super fans (think Comic-Con) of popular shows converge together for the launch on the streaming channel. Her spot for Clarin’s economics journal Económico, “The Will,” puts a hilarious–and very original–spin on the reading of a will. It depicts a domino effect of perfectly choreographed accidents taking out all benefactors save one. And “Beach” for Tecate uses the laid back vibe of a day at the beach to set up an equally laid back brush off of a call from the boss.

    Hufnagel explained, “When I approach comedy, I start by defining the precise tone of humor the story needs. Comedy is about balance: using exactly the right ingredients, no more and no less. I’m not interested in exaggerated performances or forced jokes. Comedy emerges naturally when actors, rhythm and context create the right environment. Awkward silences, irony and subtle details are often far more powerful than overt punchlines, allowing humor to arise from the situation rather than being pushed.”

    “Maureen creates visually arresting commercials with the rare combination of technical sophistication and expertise, and grounded emotional landscapes with her characters,” said Luke Ricci, president of RSA Films US. “She brings a contemporary relevance and a global sensibility, and fits seamlessly into the RSA Films roster.”

    “I’ve always admired RSA’s work,” Hufnagel said, “so I was genuinely excited for a conversation with Luke. RSA feels like the perfect place to thrive creatively. Their scale, approach and reputation offer the support needed to explore bold ideas, push creative boundaries and continue to develop work that is original, visually strong and meaningful.”

    Hufnagel, who is based in Buenos Aires, enjoys filming around the world and creating work that resonates globally; she’s received honors from Cannes Lions, Clios, Ciclope and Diente Awards. She’s worked extensively in the U.S. market with agencies such as The Martin Agency, FCB Chicago, Gallegos and Saatchi & Saatchi New York, among others. And beyond LATAM, over the past year she’s filmed in Milan, Bucharest and Prague.

    In addition to commercials, Hufnagel directs short films. She had an opportunity to be one of 50 directors worldwide chosen to concept, shoot and edit a short over just 10 days under the guidance of established filmmakers. The resulting shorts include Bipolar, developed under Thai directing sensation Apichatpong Weerasethakul in the Amazon and selected into the Cinéma du Demain at Cannes (2023), and Foreign People, mentored by acclaimed Portuguese filmmaker Pedro Costa, and part of the 2025 Cannes Short Film Corner selection.

    While there is no shortage of inspiration, Hufnagel points to film festivals as fertile ground. Storytelling, photography and framing are also things she’s constantly exploring. The former agency head of art and art director, admitted, “It’s the perfect framing that truly gets me.”

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    Category:News
    Tags:Luke RicciMaureen HufnagelRSA Films



    Luke Grimes Takes Lead Role As Actor–and A Producer–On “Yellowstone” Spinoff, “Marshals”

    Wednesday, February 25, 2026
    This image released by CBS Entertainment shows Luke Grimes as Kayce Dutton, center, and Logan Marshall-Green as Pete Calvin in a scene from "Marshals." (Sonja Flemming/CBS via AP)

    Luke Grimes thought he'd said goodbye to stoic Kayce Dutton. The universe of "Yellowstone" had other ideas. In the hit show's fifth and final season in 2024, Dutton rode off into the proverbial sunset at peace, building a new life ranching on his own terms with his wife and son. "I thought, 'This is it,'" says Grimes. "I love the way this ends for him. He kind of got what he always wanted, which is just a simple life." Luckily for fans — somewhat less so for Dutton — that simple life is upended as Grimes once more slips into the role for the primetime spinoff "Marshals," which premieres Sunday on CBS and streams on Paramount+. In an artful piece of writing, showrunner Spencer Hudnut takes Dutton from a neo-Western family drama to a Western law enforcement procedural, giving him a badge and having him join a band of U.S. Marshals in Montana. "We wanted to make it feel organic and we wanted there to be enough of the sort of ethos of 'Yellowstone' in there that the original fans could have something to hold on to getting into the show, but then have it have somewhere to go that felt like its own thing," says Grimes. "Demons to conquer" During the pilot, Dutton meets with an old comrade from his days as a Navy SEAL who gradually recruits him into their four-person Marshal team. "May look like God's country but the devil's running free out here," Dutton's friend tells him. "I'm guessing you got your own demons to conquer, and I could sure use another door-kicker." "Marshals" allows the show's creators to explore the military backstory of Dutton, a combat veteran with Special Forces skills. In the first episode, viewers will see Dutton smartly unlock a cellphone with a dead man's eyes, a talent that wasn't exploited on the... Read More

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