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    Home » Shortly After Its Merger With Skydance, Paramount To Lay Off 2,000 Employees 

    Shortly After Its Merger With Skydance, Paramount To Lay Off 2,000 Employees 

    By SHOOTWednesday, October 29, 2025No Comments283 Views
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    Producer David Ellison poses for the media during the 'Top Gun Maverick' UK premiere at a central London cinema, on May 19, 2022. (AP Photo/Alberto Pezzali, File)

    By Wyatte Grantham-Philips, Business Writer

    LOS ANGELES (AP) --

    In long-awaited cuts just months after completing its $8 billion merger with Skydance, Paramount has begun layoffs set to impact about 2,000 employees.

    Paramount initiated roughly 1,000 of those layoffs company-wide on Wednesday, according to a source familiar with the matter, who spoke on the condition of anonymity because they weren’t authorized to publicly comment on behalf of the company. The rest of the cuts will be made at a later date, they said.

    In all, 2,000 job reductions amount to about 10% of the Paramount’s total workforce.

    “These decisions are never made lightly, especially given their effect on our colleagues who have made meaningful contributions to the company,” CEO David Ellison wrote Wednesday in memo to employees, which was obtained by The Associated Press.

    The prospect of coming job cuts has hovered above Paramount employees for a while now. Ellison on Wednesday reiterated that the company has been working to restructure since the completion of its merger in August — and noted that workforce cuts are “part of that process.”

    It’s not uncommon for businesses to initiate layoffs following a merger. And when Skydance completed its purchase of Paramount, the combined company said it would look for “opportunities to streamline its business.” Paramount reportedly began making cuts in August.

    Since launching “new Paramount” just months ago, Ellison has already moved to add more acquisitions to the media giant’s portfolio and shake up leadership at CBS, its top broadcast network. On Oct. 6, the company announced that it had bought news and commentary website The Free Press — and installed its founder, Bari Weiss, as the editor-in-chief of CBS News.

    The company is now rumored to be eyeing an even heftier acquisition: Warner Bros. Discovery, the home of HBO, CNN and DC Studios.

    Neither Paramount or Warner have publicly confirmed talks. But Warner recently signaled that it may be open to selling all or parts of its business — in light of “unsolicited interest” it said it had received from multiple parties. The company has been reportedly resistant to Paramount’s initial approach. According to CNBC, which cited anonymous sources, Warner had rejected three offers from Paramount as of last week.

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    Tags:ParamountSkydance



    Review: Writer-Director BenDavid Grabinski’s “Mike & Nick & Nick & Alice”

    Wednesday, March 25, 2026
    This image released by 20th Century Studios shows Eiza González and James Marsden, right, in a scene from "Mike & Nick & Nick & Alice." (20th Century Studios via AP)

    "Mike & Nick & Nick & Alice" might look like a somewhat generic, glossy action-comedy on the surface. It's got two (well, kind of three, but we'll get to that later) men north of 50 ( Vince Vaughn and James Marsden ), one woman south of 40 (Eiza González) and the promise of some violence (you know, the fun kind). That's not necessarily a bad thing — sometimes you get a "This Means War" or a "Mr. & Mrs. Smith." But in the streaming era, more often than not you get, I don't know, "Red One"?"Fountain of Youth"? Something else we've already all forgotten? This might also be a streaming-era production, debuting on Hulu and Disney+ on Friday, but it's clear from the very first moments that "Mike & Nick & Nick & Alice" isn't just a generic facsimile of a "fun" movie designed for more for the algorithm than anyone's amusement. No, this is a movie that begins, for no particular reason other than probably the delight of the filmmakers, with Ben Schwartz singing "Why Should I Worry?" a song that was written and sung by Billy Joel for the 1988 animated Disney movie "Oliver & Company," a modern, New York City-set take on Charles Dickens starring dogs. Is it related to anything? No. Is it a fun song to set the tone that also made this elder millennial critic smile? Yes. There are choices like this throughout the film, mostly through precise, lighthearted banter that sounds real. There's even a spirited debate about the best and worst boyfriends on "Gilmore Girls" — Rory's, not Lorelai's, which falls a little flat in execution. I'm not sure the actors' hearts are really invested in Logan and Jess the way, say, Liam Neeson was able to act genuinely distraught over his "Buffy the Vampire Slayer" episodes being deleted off his DVR in "The... Read More

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