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    Home » South Florida Police Officers Sue Ben Affleck and Matt Damon, Claiming Details In “The Rip” Are Too Real

    South Florida Police Officers Sue Ben Affleck and Matt Damon, Claiming Details In “The Rip” Are Too Real

    By SHOOTMonday, May 11, 2026No Comments9 Views     In 1 day(s) login required to view this post. REGISTER HERE for FREE UNLIMITED ACCESS.
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    Matt Damon, left, and Ben Affleck attend the world premiere of "The Rip" at Alice Tully Hall, on Jan. 13, 2026, in New York. (Photo by CJ Rivera/Invision/AP, File)

    By David Fischer

    MIAMI (AP) --

    Two South Florida police officers claim Ben Affleck and Matt Damon ‘s recent action thriller “The Rip” used too many real-life details in its fictionalized narrative, causing harm to the officers’ personal and professional reputations, according to a defamation lawsuit.

    Jason Smith and Jonathan Santana, sergeants in the Miami-Dade Sheriff’s Office, filed the lawsuit in Miami federal court earlier this month against Artists Equity, a film production company owned by Affleck and Damon. Court filings don’t say how much the officers are suing for, but the civil complaint says they’re seeking compensatory damages, punitive damages and attorney fees, as well as a public retraction and correction.

    “The Rip” features Affleck and Damon as South Florida police officers who find millions of dollars inside a house. Parts of the movie were inspired by a real 2016 case, where police found over $21 million linked to a suspected marijuana trafficker in a Miami Lakes home.

    An attorney for Artists Equity declined to comment when reached Monday by The Associated Press. But in a March 19 response to the plaintiffs’ demand letter, Leita Walker, an attorney for Artists Equity, wrote that the film does not purport to tell the true story of that incident or portray real people, which had been stated by a disclaimer in the film’s credits.

    Although Smith and Santana aren’t named in the film, the lawsuit claims that Santana was serving as the lead detective assigned to the real case, and Smith was the sergeant who supervised the investigative team. The film’s inclusion of real details about the case gives the impression that the characters are based on the plaintiffs, the suit said.

    And this, the lawsuit claims, has given friends, family members and colleagues the impression that the plaintiffs committed the criminal acts that appear in the film, which include (SPOILER ALERT) conspiring to steal seized drug money, murdering a supervising officer, communicating with cartel members, committing arson in a residential neighborhood, endangering the lives of civilians, repeatedly violating core law-enforcement protocols and executing a federal agent rather than making an arrest.

    Walker wrote in March that the plaintiffs haven’t even identified which particular character is supposed to be based on Smith or Santana, so even if “The Rip” was actually about a real-life narcotics team, there’s no way to connect any of the characters to the plaintiffs.

    “The Rip,” directed by Joe Carnahan, debuted in January on Netflix. It’s currently rated 78% Fresh on Rotten Tomatoes.

    You have limited-time access to this page, (Access is valid until: 2026-05-13)
    Category:News
    Tags:Ben AffleckMatt DamonThe Rip



    Will Neon, Winner Of 6 Straight Palmes d’Or, Shine Again At The Cannes Film Festival?

    Monday, May 11, 2026
    Director Jafar Panahi, winner of the Palme d'Or for the film "It Was Just an Accident," appears at the awards ceremony photo call at the 78th international film festival, Cannes, southern France, on May 24, 2025. (Photo by Scott A Garfitt/Invision/AP, File)

    Neon chief and co-founder Tom Quinn has watched the last six Palme d'Or ceremonies from the same spot: gathered with colleagues around a laptop on the breakfast tables at his Cannes hotel. "I think we upgraded a couple years ago and connected the computer to a TV," Quinn says. "I wouldn't want to do it any different." Quinn has good reason to keep any good luck charm. In all six of those awards ceremonies, Neon has won the Palme, the prestigious top honor of the Cannes Film Festival. It's an unparalleled streak for one of the most sought-after prizes in movies, second only to the best picture Oscar. No other studio has ever come close to anything like it. "No one ever believes it, but we've never gone to Cannes thinking we were going to win the Palme d'Or," Quinn says. "It's been a surprise every single year." When the 79th Cannes Film Festival gets underway Tuesday, Neon — a 60-person company founded in 2017 — rides in as an unlikely heavyweight. It's backing more than a quarter of the 22 films in competition for the Palme. Its odds of making it seven in a row are good. Some of the most hotly anticipated titles — including Japanese filmmaker Ryusuke Hamaguchi's "All of a Sudden," Korean auteur Na Hong-jin's "Hope" and James Gray's "Paper Tiger" — are Neon's. Altogether, the indie distributor has nine films in Cannes. All, Quinn notes, they signed on for before the films' Cannes invite. "I hate to break it to everyone but don't hate us for our good taste," says Quinn. "Who's chasing who here? Thierry (Frémaux, Cannes artistic director) is going to make up his own mind and we're going to make up our own mind. It just so happens that we agree." Big studios are absent at Cannes, but Neon is everywhere When Frémaux... Read More

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