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    Home » Wild Gift Signs Director Thomas Leisten Schneider For His First U.S. Commercial Representation

    Wild Gift Signs Director Thomas Leisten Schneider For His First U.S. Commercial Representation

    By SHOOTMonday, May 11, 2026No Comments13 Views     In 1 day(s) login required to view this post. REGISTER HERE for FREE UNLIMITED ACCESS.
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    Thomas Leisten Schneider
    LOS ANGELES --

    Creative collective Wild Gift has added Thomas Leisten Schneider to its roster for commercial directing. His work includes acclaimed comedic campaigns for Icdd (Fantastic, Paris) which puts a very original twist on clogged toilets, Hugo Reitzel (Baywatch, Switzerland) featuring an unlikely match brought together by the allure of the renowned pickle brand, and TikTok x festival de Cannes (Artefact 3000, Paris) depicting the power of bite-sized content. He has also directed campaigns for Grans Frais, Citroen, Fisher Price, Canal Plus, Ultra Premium Direct, Bouygues Telecom and many other brands. Wild Gift is Leisten Schneider’s first representation for commercials in the U.S. market.

    “I love working with actors and casting a film,” Leisten Schneider said. “But I also love photography, so I always try to find the right language for a film visually. I aim to make comedy with style.”

    “Thomas is a super talent, he makes comedy with a touch of class,” said Wild Gift co-founder David Mitchell. “He’s the only director I know who can direct a campaign for a French plumbing company with actors floating in a toilet bowl and make it a charming and fun moment. He’ll make a splash in the U.S. market for sure. We’re looking forward to introducing him to our clients.”

    Leisten Schneider said, “David and I had a first conversation and quickly got into films and life–it just felt easy from the start. His warmth and experience working with many of filmmaking’s greats makes me feel like Wild Gift is the right home for me to grow my commercial career in the US.”

    Leisten Schneider was born and raised in France where he studied theater at a conservatory in Paris and worked as an actor. He moved to Los Angeles and studied at Stella Adler, and went on to direct plays initially, then short-form content. His experience also includes a three-year stint at SMUGGLER as a director’s assistant before emerging as a noteworthy directorial talent himself. In addition to his commercial work, Leisten Schneider also has directed acclaimed short films including dramedies Point and Shoot starring Donald Sutherland and Tiebreaker, aptly described at film festivals as “a father, a son, their rackets and their balls.” Leisten Schneider recently wrapped his first feature film, Love-Love (Haley Joel Osment, Beck Bennett, Chris Elliott) which will hit the festivals circuit later this year.

    You have limited-time access to this page, (Access is valid until: 2026-05-13)
    Category:News
    Tags:David MitchellThomas Leisten SchneiderWild Gift



    Will Neon, Winner Of 6 Straight Palmes d’Or, Shine Again At The Cannes Film Festival?

    Monday, May 11, 2026
    Director Jafar Panahi, winner of the Palme d'Or for the film "It Was Just an Accident," appears at the awards ceremony photo call at the 78th international film festival, Cannes, southern France, on May 24, 2025. (Photo by Scott A Garfitt/Invision/AP, File)

    Neon chief and co-founder Tom Quinn has watched the last six Palme d'Or ceremonies from the same spot: gathered with colleagues around a laptop on the breakfast tables at his Cannes hotel. "I think we upgraded a couple years ago and connected the computer to a TV," Quinn says. "I wouldn't want to do it any different." Quinn has good reason to keep any good luck charm. In all six of those awards ceremonies, Neon has won the Palme, the prestigious top honor of the Cannes Film Festival. It's an unparalleled streak for one of the most sought-after prizes in movies, second only to the best picture Oscar. No other studio has ever come close to anything like it. "No one ever believes it, but we've never gone to Cannes thinking we were going to win the Palme d'Or," Quinn says. "It's been a surprise every single year." When the 79th Cannes Film Festival gets underway Tuesday, Neon — a 60-person company founded in 2017 — rides in as an unlikely heavyweight. It's backing more than a quarter of the 22 films in competition for the Palme. Its odds of making it seven in a row are good. Some of the most hotly anticipated titles — including Japanese filmmaker Ryusuke Hamaguchi's "All of a Sudden," Korean auteur Na Hong-jin's "Hope" and James Gray's "Paper Tiger" — are Neon's. Altogether, the indie distributor has nine films in Cannes. All, Quinn notes, they signed on for before the films' Cannes invite. "I hate to break it to everyone but don't hate us for our good taste," says Quinn. "Who's chasing who here? Thierry (Frémaux, Cannes artistic director) is going to make up his own mind and we're going to make up our own mind. It just so happens that we agree." Big studios are absent at Cannes, but Neon is everywhere When Frémaux... Read More

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