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    Home » Sven Huberts Joins LePub As Global President

    Sven Huberts Joins LePub As Global President

    By SHOOTWednesday, February 18, 2026No Comments97 Views
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    Sven Huberts (l) and Bruno Bertelli
    MILAN --

    Sven Huberts has been named global president of LePub, the creative network powered by Publicis.

    Launched in Amsterdam in 2020, LePub now operates 10 hubs across nine markets, following the openings of London, New York and Bogotá last year. Huberts will scale LePub’s connected creative engine, integrating data, culture and technology to deliver measurable business impact for brands.

    With more than two decades at the forefront of brand and experience transformation, Huberts is a global innovation leader known for shaping strategic direction and driving growth at scale. Huberts joins from Dentsu where he was most recently president of global innovation & experience and president of Dentsu Lab. Previously, Huberts was EMEA president, experience at Dentsu Creative, overseeing growth and experience-led work across the region. Prior to this he held senior leadership roles at Isobar. Huberts also co-founded mobile agency Marvellous.

    In his new role, Huberts will lead LePub’s global go-to-market strategy, operations and expansion. His appointment represents an important step in LePub’s evolution, reinforcing leadership and driving the implementation of an increasingly advanced operating model.

    Under Huberts’ leadership, LePub is evolving into a connected creative agency where data, culture, technology and AI work as one system to drive sustained growth for clients. Anchored by proprietary platforms such as LePub’s Data & Culture Lab and amplified by Publicis Groupe’s industry-leading data and agentic capabilities, the agency is designing an intelligent model where data fuels creativity that infuses culture.

    “Sven is a future-facing leader who has great ambition for our clients and our business. He is perfectly placed to build on LePub’s momentum and lead the agency into its next chapter–one that is grounded in creativity, fueled by data and powered by a new level of connectedness,” said Demet Ikiler, EMEA CEO, Publicis Groupe.

    “LePub has always believed in ideas that earn their place in consumers life. As culture and technology accelerate, we need leadership that can navigate complexity. With Sven onboard, we are defining the standard for a visionary, intelligence-driven creative company. His appointment will drive our unique proposition forward embedding culture and intelligence across every experience,” said Bruno Bertelli, CEO and CCO, LePub Worldwide.

    “Creativity remains the most powerful driver of difference and growth. What’s changing is how it works, how it scales and how it learns. At LePub, we’re building a new model where culture and innovation strengthen one another, creating transformative experiences that set new standards,” added Huberts.

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    Category:News
    Tags:Bruno BertelliDemet IkilerLePubPublicisSven Huberts



    Review: Writer-Director BenDavid Grabinski’s “Mike & Nick & Nick & Alice”

    Wednesday, March 25, 2026
    This image released by 20th Century Studios shows Eiza González and James Marsden, right, in a scene from "Mike & Nick & Nick & Alice." (20th Century Studios via AP)

    "Mike & Nick & Nick & Alice" might look like a somewhat generic, glossy action-comedy on the surface. It's got two (well, kind of three, but we'll get to that later) men north of 50 ( Vince Vaughn and James Marsden ), one woman south of 40 (Eiza González) and the promise of some violence (you know, the fun kind). That's not necessarily a bad thing — sometimes you get a "This Means War" or a "Mr. & Mrs. Smith." But in the streaming era, more often than not you get, I don't know, "Red One"?"Fountain of Youth"? Something else we've already all forgotten? This might also be a streaming-era production, debuting on Hulu and Disney+ on Friday, but it's clear from the very first moments that "Mike & Nick & Nick & Alice" isn't just a generic facsimile of a "fun" movie designed for more for the algorithm than anyone's amusement. No, this is a movie that begins, for no particular reason other than probably the delight of the filmmakers, with Ben Schwartz singing "Why Should I Worry?" a song that was written and sung by Billy Joel for the 1988 animated Disney movie "Oliver & Company," a modern, New York City-set take on Charles Dickens starring dogs. Is it related to anything? No. Is it a fun song to set the tone that also made this elder millennial critic smile? Yes. There are choices like this throughout the film, mostly through precise, lighthearted banter that sounds real. There's even a spirited debate about the best and worst boyfriends on "Gilmore Girls" — Rory's, not Lorelai's, which falls a little flat in execution. I'm not sure the actors' hearts are really invested in Logan and Jess the way, say, Liam Neeson was able to act genuinely distraught over his "Buffy the Vampire Slayer" episodes being deleted off his DVR in "The... Read More

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