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    Home » TBWA\Media Arts Lab Promotes Colin Snow and Rhodney Viray To Group Creative Directors

    TBWA\Media Arts Lab Promotes Colin Snow and Rhodney Viray To Group Creative Directors

    By SHOOTTuesday, November 11, 2025No Comments292 Views
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    Colin Snow (l) and Rhodney Viray
    LOS ANGELES --

    TBWA\Media Arts Lab (MAL), Apple’s bespoke global creative agency, has promoted Colin Snow and Rhodney Viray to group creative directors in its Los Angeles office. They will continue to report to Brent Anderson, global chief creative officer.

    Snow and Viray have been creative partners at MAL for over a decade. Their work includes the Emmy-winning 2024 holiday campaign “Fuzzy Feelings”, which blended live action and stop-motion animation to deliver a heartfelt message about empathy; “The Invincibles”, which used the iPhone’s LiDAR Scanner technology to create custom prosthetic limbs for pets; and the Apple TV campaign “Call Me with Timothée Chalamet.” Snow and Viray’s portfolio also includes the highly-awarded Ted Lasso’s “Public Displays of Encouragement,” which brought the beloved coach’s positivity to life during the 2022 FIFA World Cup through personalized, handwritten letters displayed on billboards in each player’s hometown.

    More recently, Snow and Viray have been instrumental in creating first-of-its-kind content for Apple Vision Pro, working in close collaboration with Apple Marcom to introduce Apple Immersive Video including “Submerged” the first scripted film directed by Academy Award-winning filmmaker Edward Berger.

    “Colin and Rhodney constantly set the standard for modern, genuinely-impactful, Apple-level work that people actually seek out, watch, talk about and share,” said Anderson. “That’s not at all an easy to do in a unforgivingly fragmented media landscape . They understand culture, they understand craft, and most importantly, they understand what’s needed to hold an audience’s attention.”

    “Working with Colin has been a dream partnership. His unmatched creative drive continuously pushes everything we do to new heights. From the work itself to the people we work with, Colin always makes an impact you can see and feel,” said Viray.

    “Rhodney brings precision and passion to everything he does. He has an incredible ability to find the heart of an idea and elevate it through craft. Working with him has been the best part of my career,” said Snow.

    In a joint statement, Snow and Viray shared, “MAL has been our creative home for years. In this new role, we hope to grow talent and develop a department that continues to push the limits storytelling and craft in this new era of creative innovation.”

    As group creative directors, Snow and Viray will take on expanded leadership responsibilities, oversee multiple creative teams and help shape the creative department and vision for Apple across different platforms and products.

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    Tags:Colin SnowRhodney VirayTBWA\Media Arts Lab



    Review: Writer-Director BenDavid Grabinski’s “Mike & Nick & Nick & Alice”

    Wednesday, March 25, 2026
    This image released by 20th Century Studios shows Eiza González and James Marsden, right, in a scene from "Mike & Nick & Nick & Alice." (20th Century Studios via AP)

    "Mike & Nick & Nick & Alice" might look like a somewhat generic, glossy action-comedy on the surface. It's got two (well, kind of three, but we'll get to that later) men north of 50 ( Vince Vaughn and James Marsden ), one woman south of 40 (Eiza González) and the promise of some violence (you know, the fun kind). That's not necessarily a bad thing — sometimes you get a "This Means War" or a "Mr. & Mrs. Smith." But in the streaming era, more often than not you get, I don't know, "Red One"?"Fountain of Youth"? Something else we've already all forgotten? This might also be a streaming-era production, debuting on Hulu and Disney+ on Friday, but it's clear from the very first moments that "Mike & Nick & Nick & Alice" isn't just a generic facsimile of a "fun" movie designed for more for the algorithm than anyone's amusement. No, this is a movie that begins, for no particular reason other than probably the delight of the filmmakers, with Ben Schwartz singing "Why Should I Worry?" a song that was written and sung by Billy Joel for the 1988 animated Disney movie "Oliver & Company," a modern, New York City-set take on Charles Dickens starring dogs. Is it related to anything? No. Is it a fun song to set the tone that also made this elder millennial critic smile? Yes. There are choices like this throughout the film, mostly through precise, lighthearted banter that sounds real. There's even a spirited debate about the best and worst boyfriends on "Gilmore Girls" — Rory's, not Lorelai's, which falls a little flat in execution. I'm not sure the actors' hearts are really invested in Logan and Jess the way, say, Liam Neeson was able to act genuinely distraught over his "Buffy the Vampire Slayer" episodes being deleted off his DVR in "The... Read More

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