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    Home » Trump Team and FCC Chairman Put Pressure On Media Over War Coverage

    Trump Team and FCC Chairman Put Pressure On Media Over War Coverage

    By SHOOTTuesday, March 17, 2026No Comments68 Views
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    Federal Communications Commission chairman Brendan Carr testifies before the House Committee on Energy and Commerce, Subcommittee on Communications and Technology oversight hearing of the Federal Communications Commission on Capitol Hill in Washington, Jan. 14, 2026. (AP Photo/Jose Luis Magana, File)

    By David Bauder, Media Writer

    NEW YORK (AP) --

    Through lectures, scoldings and outright threats, President Donald Trump and his aides are ratcheting up the pressure on journalists to cover the war in the Middle East the way the administration wants.

    The Republican president has fumed on social media about stories he doesn’t like and berated a reporter on Air Force One. The government’s top media regulator has warned that broadcasters risk losing their licenses if they don’t stay away from “fake news.” Trump and his defense secretary, Pete Hegseth, have questioned the patriotism of news outlets because of their reporting.

    Trump has complained about war coverage in both specific and general ways. In a social media post, he said news reports exaggerated the damage to planes that were attacked by Iran at an airport in Saudi Arabia. He attacked “Corrupt Media Outlets” for falling for AI-generated false reports created by Iran and said the media “hates to report” how well the U.S. military has performed.

    All presidential administrations tangle with the press; it’s the natural byproduct of journalists’ watchdog roles in a democratic society. But the incidents of the past few days speak to a hostility toward the very idea of being questioned — in a way that, some say, scratches up against the First Amendment itself.

    A contentious gaggle on Air Force One
    Meeting with reporters on Air Force One while returning to the White House from Florida late Sunday, the president objected to a question from ABC News’ Mariam Khan about a fundraising message that used a photo taken at last week’s dignified transfer ceremony of the remains of U.S. service members.

    Khan was working as the pool reporter on the plane, but when she told Trump she was with ABC, he said: “I think it’s maybe the most corrupt news organization on the planet. I think they’re terrible.”

    Federal Communications Commission Chairman Brendan Carr cited Trump’s Truth Social message about the planes struck in Saudi Arabia in warning news outlets to be careful about what they report.

    “Broadcasters that are running hoaxes and news distortions — also known as fake news — have a chance now to correct course before their license renewals come up,” Carr wrote on X over the weekend. “The law is clear. Broadcasters must operate in the public interest, and they will lose their license if they do not.”

    Decades of court decisions have generally sided with the press over government attempts to regulate the content it produces. But Carr said making changes is in the best interest of legacy media outlets because so many people don’t trust them.

    His ability to make changes, however, is limited.

    The FCC does not regulate networks like CBS, NBC and ABC — although it does have the authority to reject the licenses of individual affiliates of those networks when they come up for renewal. Cable news networks CNN, Fox News Channel and MS NOW are not under the FCC’s purview. The Trump message that Carr retweeted mentioned only The New York Times and The Wall Street Journal specifically, and the FCC has no authority over newspapers.

    Punishing a television affiliate for war coverage that Carr objects to is likely to run afoul of the law, noted First Amendment attorney Floyd Abrams in an interview Monday.

    “The broadcast media is always at risk of a sort that newspapers are not. But at its core, they are protected by the First Amendment,” Abrams said, “and these statements by the chairman seem to me are directly threatening First Amendment interests and First Amendment principles.”

    Abrams said he’d argue that robust war reporting is just the sort of public interest work that television stations should be doing to justify their licenses.

    Intimidation may be Carr’s motive. And that doesn’t have to mean intimidating a news outlet to pull its punches, said Barbara Starr, a former CNN Pentagon correspondent. “The risk is the climate they create,” she said. “Are people going to be afraid to talk to reporters? Some of them will be, and that’s a serious matter.”

    What kind of reporting is expected from “patriotic” news outlets?
    Trump said on social media that he was thrilled to see Carr looking at the licenses of the “highly corrupt and highly unpatriotic ‘News’ organizations.” Their efforts were endorsed Monday by hosts of the influential “Fox & Friends” morning show on Fox News Channel.

    “The president has said enough with this coverage, from other networks that are not telling you the truth, that are so negative about what is going on,” said Fox’s Ainsley Earhardt, without specifying the outlets she was referring to. “This is a pro-America fight, and every network needs to get on board with that.”

    Hegseth, in his most recent Pentagon war briefing, specifically attacked CNN. Under his administration, most legacy news outlets have been thrown out of their regular spaces in the Pentagon press room because they would not agree to his new rules that he said restricted their work. Some reporters from exiled outlets are allowed back for briefings, although Hegseth seldom takes their questions. Without an explanation, still photographers have been banned from briefings.

    Hegseth said a CNN story about the administration being unprepared for Iranian attacks on the world’s oil supply was ridiculous. He offered his own edits of headlines that a “patriotic press” should use onscreen.

    “The sooner that David Ellison takes over that network, the better,” Hegseth said, in reference to the Paramount Global chief, whose company is expected to take over ownership of CNN. The administration is hoping that will result in more Trump-friendly coverage.

    Mark Thompson, CNN’s chief executive, said the network stands behind its work. “Politicians have an obvious motive for claiming that journalism which raises questions about their decisions is false,” he said. “At CNN, our only interest is telling the truth to our audiences in the U.S. and around the world, and no amount of political insults and threats is going to change that.”

    Starr, now retired from Pentagon reporting, said she sees journalists consistently breaking stories despite the limited access and hostility toward their work under the current administration.

    “That has always been the case,” she said. “The level of intimidation has definitely ramped up and, in response to that, the commitment to the First Amendment and quality journalism has ramped up even further.”

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    Category:News
    Tags:Brendan CarrFederal Communications Commission



    Review: Writer-Director BenDavid Grabinski’s “Mike & Nick & Nick & Alice”

    Wednesday, March 25, 2026
    This image released by 20th Century Studios shows Eiza González and James Marsden, right, in a scene from "Mike & Nick & Nick & Alice." (20th Century Studios via AP)

    "Mike & Nick & Nick & Alice" might look like a somewhat generic, glossy action-comedy on the surface. It's got two (well, kind of three, but we'll get to that later) men north of 50 ( Vince Vaughn and James Marsden ), one woman south of 40 (Eiza González) and the promise of some violence (you know, the fun kind). That's not necessarily a bad thing — sometimes you get a "This Means War" or a "Mr. & Mrs. Smith." But in the streaming era, more often than not you get, I don't know, "Red One"?"Fountain of Youth"? Something else we've already all forgotten? This might also be a streaming-era production, debuting on Hulu and Disney+ on Friday, but it's clear from the very first moments that "Mike & Nick & Nick & Alice" isn't just a generic facsimile of a "fun" movie designed for more for the algorithm than anyone's amusement. No, this is a movie that begins, for no particular reason other than probably the delight of the filmmakers, with Ben Schwartz singing "Why Should I Worry?" a song that was written and sung by Billy Joel for the 1988 animated Disney movie "Oliver & Company," a modern, New York City-set take on Charles Dickens starring dogs. Is it related to anything? No. Is it a fun song to set the tone that also made this elder millennial critic smile? Yes. There are choices like this throughout the film, mostly through precise, lighthearted banter that sounds real. There's even a spirited debate about the best and worst boyfriends on "Gilmore Girls" — Rory's, not Lorelai's, which falls a little flat in execution. I'm not sure the actors' hearts are really invested in Logan and Jess the way, say, Liam Neeson was able to act genuinely distraught over his "Buffy the Vampire Slayer" episodes being deleted off his DVR in "The... Read More

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