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    Home » Warner Bros. Reopens Takeover Talks With Paramount After Receiving 7-Day Waiver From Netflix

    Warner Bros. Reopens Takeover Talks With Paramount After Receiving 7-Day Waiver From Netflix

    By SHOOTTuesday, February 17, 2026No Comments104 Views
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    The Warner Bros. water tower is seen at Warner Bros. Studios in Burbank, Calif., Dec. 5, 2025. (AP Photo/Jae C. Hong, File)

    By Michelle Chapman & Wyatte Grantham-Philips, Business Writers

    NEW YORK (AP) --

    Warner Bros. Discovery is briefly reopening takeover talks with Skydance-owned Paramount to hear the company’s “best and final” offer, while the Hollywood giant continues to back the studio and streaming deal it struck with Netflix.

    In a Tuesday regulatory filing, Warner said it had received a waiver from Netflix to reopen talks with Paramount for the next seven days, or until Monday. Warner said this will allow the companies to discuss unresolved “deficiencies” and “clarify certain terms” of Paramount’s latest bid.

    But in the meantime, Warner’s board is still recommending shareholders support of its proposed merger with Netflix. A special meeting is now scheduled for Friday, March 20 to hold a vote on that deal.

    In a statement, Netflix said it was confident that its proposed transaction “provides superior value and certainty” — but recognized “the ongoing distraction for WBD stockholders and the broader entertainment industry caused by PSKY’s antics.” The streaming giant noted it had granted Warner a seven-day waiver to “finally resolve this matter.”

    Warner’s leadership similarly reiterated its support for the Netflix deal.

    Meanwhile, Paramount called Tuesday’s actions from Warner’s board “unusual” and said the company could have determined whether Paramount’s offer was superior without a timed deadline. Still, Paramount said it was “nonetheless prepared to engage in good faith and constructive discussions.”

    Paramount added that it will continue to advance its tender offer priced at $30 per share, which it maintained was better than Netflix’s proposal, while also pursuing a proxy fight.

    The battle for Warner Bros. Discovery is complicated because Netflix and Paramount want different things. In December, Netflix agreed to buy Warner’s studio and streaming business for $72 billion, now in an all-cash transaction that would cover its legacy TV and movie production arms, as well as HBO Max. Including debt, the enterprise value of the deal is about $83 billion, or $27.75 per share, and would be finalized after Warner completes a previously-announced separation of its cable operations.

    Meanwhile, unlike Netflix, Paramount wants to acquire Warner’s entire company — including networks like CNN and Discovery — and went straight to shareholders with an all-cash, $77.9 billion hostile offer just days after the Netflix deal was announced.

    The enterprise value of Paramount’s bid currently stands around $108 billion including debt, or $30 per share. But Warner disclosed Tuesday that a Paramount representative separately informed the company it would up its offer to $31 per share “pending engagement.”

    Analysts at Raymond James said they had “long believed” Paramount was willing to raise its offer “and now it seems we are finally moving in that direction.” If Paramount were to up its price to $32 or $33 per share, they noted it would be “increasingly difficult to argue the Netflix agreement is superior,” although Netflix could then move to match the bid.

    “Netflix is still in the driver’s seat, but now having to make its case,” the analysts added in a Tuesday research note.

    Paramount has made more attempts to sweeten its offer recently. Last week, the company said it would pay Warner shareholders an added “ticking fee” if its deal doesn’t go through by the end of the year — amounting to 25 cents per share, or a total of $650 million, for every quarter after Dec. 31. Paramount also pledged to fund Warner’s proposed $2.8 billion breakup payout to Netflix under its merger agreement.

    The company has been scrambling to solidify more shareholder support. Paramount has extended its tender offer three times, with the latest deadline set for March 2. According to company disclosures, more than 42.3 million Warner shares had been “validly tendered and not withdrawn” from its hostile bid as of the start of last week, down from over 168.5 million Warner shares on Jan. 21 — still a small fraction of Warner’s 2.48 billion shares outstanding in series A common stock.

    But also last week, one activist investor, Ancora Holdings, publicly expressed opposition to Warner’s proposed merger with Netflix. And beyond its tender offer, Paramount has also promised a proxy fight. On Tuesday, the company reiterated plans to nominate its own slate of directors at Warner’s upcoming annual meeting.

    What, if anything, changes after the next seven days of talks has yet to be seen. Paramount, Warner and Netflix have spent the last couple of months in a heated back and forth over who has a stronger deal on the table.

    The prospect of a Warner sale to either company has raised tremendous antitrust concerns from lawmakers worldwide, who are calling on regulators to carefully scrutinize a merger of this size.

    The U.S. Department of Justice has already initiated its reviews, and other countries may also scrutinize either deal. Both Paramount and Netflix have said they received securities clearance from German authorities last month.

    Shares of Warner Bros. Discovery rose more than 3% in Tuesday trading. Paramount Skydance climbed over 5%, while Netflix’s stock inched up slightly.

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    Category:News
    Tags:NetflixParamountSkydanceWarner Bros.



    Review: Writer-Director BenDavid Grabinski’s “Mike & Nick & Nick & Alice”

    Wednesday, March 25, 2026
    This image released by 20th Century Studios shows Eiza González and James Marsden, right, in a scene from "Mike & Nick & Nick & Alice." (20th Century Studios via AP)

    "Mike & Nick & Nick & Alice" might look like a somewhat generic, glossy action-comedy on the surface. It's got two (well, kind of three, but we'll get to that later) men north of 50 ( Vince Vaughn and James Marsden ), one woman south of 40 (Eiza González) and the promise of some violence (you know, the fun kind). That's not necessarily a bad thing — sometimes you get a "This Means War" or a "Mr. & Mrs. Smith." But in the streaming era, more often than not you get, I don't know, "Red One"?"Fountain of Youth"? Something else we've already all forgotten? This might also be a streaming-era production, debuting on Hulu and Disney+ on Friday, but it's clear from the very first moments that "Mike & Nick & Nick & Alice" isn't just a generic facsimile of a "fun" movie designed for more for the algorithm than anyone's amusement. No, this is a movie that begins, for no particular reason other than probably the delight of the filmmakers, with Ben Schwartz singing "Why Should I Worry?" a song that was written and sung by Billy Joel for the 1988 animated Disney movie "Oliver & Company," a modern, New York City-set take on Charles Dickens starring dogs. Is it related to anything? No. Is it a fun song to set the tone that also made this elder millennial critic smile? Yes. There are choices like this throughout the film, mostly through precise, lighthearted banter that sounds real. There's even a spirited debate about the best and worst boyfriends on "Gilmore Girls" — Rory's, not Lorelai's, which falls a little flat in execution. I'm not sure the actors' hearts are really invested in Logan and Jess the way, say, Liam Neeson was able to act genuinely distraught over his "Buffy the Vampire Slayer" episodes being deleted off his DVR in "The... Read More

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