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    Home » Writer-Director Zach Cregger’s “Weapons” Debuts With Box Office Victory

    Writer-Director Zach Cregger’s “Weapons” Debuts With Box Office Victory

    By SHOOTSunday, August 10, 2025No Comments361 Views
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    This image released by Warner Bros. Pictures shows Josh Brolin in a scene from "Weapons." (Quantrell Colbert/Warner Bros. Pictures via AP)

    By Itzel Luna

    LOS ANGELES (AP) --

    It’s August, and horror and humor came to play.

    In a month that’s long been known to let edgier movies thrive, Zach Cregger’s highly anticipated horror film “Weapons” did not disappoint, topping the box office during its debut weekend with $42.5 million domestically from 3,202 theaters. It made $70 million internationally.

    The film’s success also handed its distributor, Warner Bros. Pictures, the seventh No. 1 opening of the year, and became the studio’s sixth film in a row to debut with over $40 million domestically.

    “Freakier Friday,” Disney’s chaotic sequel to the 2003 classic, “Freaky Friday,” took the second spot during its premiere weekend, earning $29 million in 3,975 North American theaters. Lindsay Lohan and Jamie Lee Curtis return, this time for a double body-swapping between the mother-daughter duo and Lohan’s teen daughter and soon-to-be stepdaughter.

    Viral marketing tactics, coupled with strong social media word-of-mouth, boded well for both films’ success, said Paul Dergarabedian, senior media analyst for the data firm Comscore.

    “The top two films could not be more different, and that’s what makes this weekend so appealing for moviegoers,” Dergarabedian said. “Both are perfectly tailored for their audiences to react in real time over the weekend to these films and then post on social media.”

    “Weapons” transports audiences to the small town of Maybrook, where 17 kids up and leave their homes at 2:17 a.m., leaving bewildered parents in their wake. The town is left to navigate the lingering effects of trauma through horror, paranoia and a touch of existential humor.

    The film is Cregger’s follow-up to his solo directorial debut with the 2022 genre-bending horror, “Barbarian.” That critically-acclaimed film had a slower start and smaller budget, but still topped the charts during its premiere with $10 million domestically and made a splash in the genre.

    “Weapons” generated a lot of buzz for its strong reviews (95% on Rotten Tomatoes).

    “The Internet’s exploding right now between Friday and today. You just see that people are having a great time with it,” said Jeffrey Goldstein, president of Global Distribution for Warner Bros. “It starts with an exceptional movie, an exceptional marketing campaign, and the date was exceptional too.”

    The success of the comedy-horror double premiere meant “The Fantastic Four: First Steps” surrendered its two-week run in the top spot and landed in the third position, bringing in $15.5 million domestically. The superhero movie enjoyed a strong $118 million debut, but stumbled in its second weekend.

    “The Bad Guys 2,” which got a healthy start at the No. 2 spot during its premiere weekend, came in fourth place, earning $10.4 million domestically. “The Naked Gun” had a similar fate, reaching the fifth position with $8.4 million in North American theaters.

    “Jurassic World Rebirth,” which came in seventh this week, is expected to hit $800 million globally by Monday, according to NBC Universal, following a successful run in theaters.

    Warner Bros. started off slow this year, but made a comeback with the box-office hit, “A Minecraft Movie,” which opened with $157 million domestically. Since then, movies like “Sinners,” “Superman” and now, “Weapons,” have found success.

    The studio set “a blueprint to how to create a perfect summer lineup,” Dergarabedian said.

    “Weapons “also joins a stream of successful horror movies this year, its opening numbers coming in just behind “Final Destination: Bloodlines” and “Sinners.”

    Top 10 movies by domestic box office
    With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:

    1. “Weapons,” $42.5 million.

    2. “Freakier Friday,” $29 million.

    3. “The Fantastic Four: First Steps,” $15.5 million.

    4. “The Bad Guys 2,” $10.4 million.

    5. “The Naked Gun,” $8.4 million.

    6. “Superman,” $7.8 million.

    7. “Jurassic World Rebirth,” $4.7 million.

    8. “F1: The Movie,” $2.9 million.

    9. “Together,” $2.6 million.

    10. “Sketch,” $2.5 million.

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    Tags:box officeWeaponsZach Cregger



    Review: Writer-Director BenDavid Grabinski’s “Mike & Nick & Nick & Alice”

    Wednesday, March 25, 2026
    This image released by 20th Century Studios shows Eiza González and James Marsden, right, in a scene from "Mike & Nick & Nick & Alice." (20th Century Studios via AP)

    "Mike & Nick & Nick & Alice" might look like a somewhat generic, glossy action-comedy on the surface. It's got two (well, kind of three, but we'll get to that later) men north of 50 ( Vince Vaughn and James Marsden ), one woman south of 40 (Eiza González) and the promise of some violence (you know, the fun kind). That's not necessarily a bad thing — sometimes you get a "This Means War" or a "Mr. & Mrs. Smith." But in the streaming era, more often than not you get, I don't know, "Red One"?"Fountain of Youth"? Something else we've already all forgotten? This might also be a streaming-era production, debuting on Hulu and Disney+ on Friday, but it's clear from the very first moments that "Mike & Nick & Nick & Alice" isn't just a generic facsimile of a "fun" movie designed for more for the algorithm than anyone's amusement. No, this is a movie that begins, for no particular reason other than probably the delight of the filmmakers, with Ben Schwartz singing "Why Should I Worry?" a song that was written and sung by Billy Joel for the 1988 animated Disney movie "Oliver & Company," a modern, New York City-set take on Charles Dickens starring dogs. Is it related to anything? No. Is it a fun song to set the tone that also made this elder millennial critic smile? Yes. There are choices like this throughout the film, mostly through precise, lighthearted banter that sounds real. There's even a spirited debate about the best and worst boyfriends on "Gilmore Girls" — Rory's, not Lorelai's, which falls a little flat in execution. I'm not sure the actors' hearts are really invested in Logan and Jess the way, say, Liam Neeson was able to act genuinely distraught over his "Buffy the Vampire Slayer" episodes being deleted off his DVR in "The... Read More

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