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    Home » Penny Marshall, Director of “Big” and “A League of Their Own,” Dies At 75

    Penny Marshall, Director of “Big” and “A League of Their Own,” Dies At 75

    By SHOOTTuesday, December 18, 2018Updated:Tuesday, May 14, 2024No Comments6545 Views
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    In this Feb. 15, 2015 file photo, actress and director Penny Marshall attends the SNL 40th Anniversary Special in New York. Marshall died of complications from diabetes on Monday, Dec. 17, 2018, at her Hollywood Hills home. She was 75. (Photo by Evan Agostini/Invision/AP, File)

    By Jake Coyle, Film Writer

    NEW YORK (AP) --

    Penny Marshall, the trailblazing director of smash-hit big-screen comedies such as "Big" and "A League of Their Own" who first indelibly starred in the top-rated sitcom "Laverne & Shirley," has died. She was 75.

    Michelle Bega, a spokeswoman for the Marshall family, said Tuesday that Marshall died in her Los Angeles home on Monday night due to complications from diabetes. "Our family is heartbroken," the Marshall family said in a statement.

    In "Laverne & Shirley," among television's biggest hits for much of its eight-season run between 1976-1983, the nasal-voiced, Bronx-born Marshall starred as Laverne DeFazio alongside Cindy Williams as a pair of blue-collar roommates toiling on the assembly line of a Milwaukee brewery. A spinoff of "Happy Days," the series was the rare network hit about working-class characters, and its self-empowering opening song ("Give her any chance, she'll take it/ Give her any rule, she'll break it") foreshadowed Marshall's own path as a pioneering female filmmaker in Hollywood.

    "Almost everyone had a theory about why 'Laverne & Shirley' took off," Marshall wrote in her 2012 memoir "My Mother Was Nuts." ''I thought it was simply because Laverne and Shirley were poor and there were no poor people on TV, but there were plenty of them sitting at home and watching TV."

    Marshall directed several episodes of "Laverne & Shirley," which her older brother, the late filmmaker-producer Garry Marshall, created. Those episodes helped launch Marshall as a filmmaker. When Whoopi Goldberg clashed with director Howard Zieff, she brought in Marshall to direct "Jumpin' Jack Flash," the 1986 comedy starring Goldberg.

    "Jumpin' Jack Flash" did fair business, but Marshall's next film made her the first woman to direct a film that grossed more than $100 million. Her 1988 hit comedy "Big," starring Tom Hanks, was about a 12-year-old boy who wakes up in the body of a 30-year-old New York City man. The film, which earned Hanks an Oscar nomination, grossed $151 million worldwide, or about $320 million accounting for inflation.

    Marshall reteamed with Hanks for "A League of Their Own," the 1992 comedy about the women's professional baseball league begun during World War II, starring Geena Davis, Madonna and Rosie O'Donnell. That, too, crossed $100 million, making $107.5 million domestically.

    More than any other films, "A League of Their Own" and "Big" ensured Marshall's stamp on the late '80s, early '90s. The piano dance scene in FAO Schwartz in "Big" became iconic. Hanks' reprimand "There's no crying in baseball," from "A League of Their Own," remains quoted on baseball diamonds everywhere.

    On Tuesday, Marshall's passing was felt across film, television and comedy. The James L. Brooks praised her for making "films which celebrated humans" and for her guiding influence to young comedians and writers. "To many of us lost ones she was, at the time, the world's greatest den mother."

    "She had a heart of gold. Tough as nails," recalled Danny DeVito, who starred in Marshall's 1994 comedy "Renaissance Man." ''She could play round ball with the best of them."

    Marshall's early success in a field where few women rose so high made her an inspiration to other aspiring female filmmakers. Ava DuVernay, whose "A Wrinkle in Time" was the first $100 million-budgeted film directed by a woman of color, said Tuesday: "Thank you, Penny Marshall. For the trails you blazed. The laughs you gave. The hearts you warmed."

    In between "Big" and "A League of Their Own," Marshall made the Oliver Sacks adaptation "Awakenings," with Robin Williams and Robert De Niro. The medical drama, while not as successful at the box office, became only the second film directed by a woman nominated for best picture.

    Carole Penny Marshall was born Oct. 15, 1943, in the Bronx. Her mother, Marjorie Marshall, was a dance teacher, and her father, Anthony, made industrial films. Their marriage was strained. Her mother's caustic wit — a major source of inspiration for Marshall's memoir — was formative. (One remembered line: "You were a miscarriage, but you were stubborn and held on.")

    "Those words are implanted in your soul, unfortunately. It's just the way it was," Marshall once recalled. "You had to learn at a certain age what sarcasm is, you know? When she says it about somebody else, you laughed, but when it was you, you didn't laugh so much."

    During college at the University of New Mexico, Marshall met Michael Henry, whom she married briefly for two years and with whom she had a daughter, Tracy. Marshall would later wed the director Rob Reiner, a marriage that lasted from 1971 to 1981. Tracy, who took the name Reiner, became an actress; one of her first roles was a brief appearance in her mother's "Jumpin' Jack Flash." (Marshall is also survived by her older sister, Ronny, and three grandchildren.)

    Marshall never again matched the run of "Big," ''Awakenings" and "A League of Their Own." Her next film, the Army recruit comedy "Renaissance Man," flopped. She directed "The Preacher's Wife" (1996) with Denzel Washington and Whitney Houston. Her last film as director was 2001's "Riding in Cars With Boys," with Drew Barrymore. Marshall also helmed episodes of ABC's "According to Jim" in 2009 and Showtime's "United States of Tara" in 2010 and 2011, and directed the 2010 TV movie "Women Without Men."

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    Earth, Wind & Fire Documentary To Open 25th Tribeca Festival

    Tuesday, April 14, 2026

    The Tribeca Festival, has unveiled its opening night selection for the 25th anniversary edition, marking the first programming reveal for this milestone year. True to its long-standing commitment to music storytelling and live experiences--and championing artists who shape culture--the Tribeca fest will open with the world premiere of the HBO Original Documentary Earth, Wind & Fire (To Be Celestial VS That’s the Weight of the World), directed by Academy Award®- and GRAMMY Award®-winning filmmaker Ahmir “Questlove” Thompson. The screening will be followed by a live performance by nine-time GRAMMY Award-winning icons Earth, Wind & Fire and three-time GRAMMY Award-winning group The Roots at the Beacon Theatre on June 3.

    “Opening night is always a magical moment! This year, as we celebrate 25 years of the Festival, it is especially meaningful,” said Jane Rosenthal, Tribeca Festival co-founder and co-chair. “Tribeca was born in the wake of 9/11 with a belief: that storytellers have the power to bring communities together. For 25 years, we’ve seen artists, filmmakers, musicians, and audiences come together in New York City in ways that are inspiring, surprising, and deeply human. We are humbled by what’s been achieved and excited for the stories yet to come.”

    Over the past two decades, Tribeca has become a home for music-driven storytelling and live performance, bringing artists and audiences together in ways that extend beyond the screen. From early community concerts in Lower Manhattan to premiere events that pair films with live performances and conversations, music has been part of the Festival’s DNA since its founding. In this milestone 25th year, that legacy comes full circle, as Earth, Wind & Fire returns... Read More

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