Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » The Best Work You May Never See: Ben Orisich’s Spec Spot Taps Into “Fountain of Youth”

    The Best Work You May Never See: Ben Orisich’s Spec Spot Taps Into “Fountain of Youth”

    By SHOOTThursday, January 29, 2015Updated:Wednesday, May 15, 2024No Comments2191 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Director/creative director Ben Orisich channels his own boyhood wonder when driving American muscle cars in this charming minute-and-a-half spec titled “Fountain of Youth” for Chevy’s Camaro SS.  Produced in conjunction with Whoa Films!, the spot features two adult men who instantly turn back into their boyhood selves when driving a snazzy yellow Camaro SS. Orthodontic braces and high-fives team with tire peeling and full throttle excitement to celebrate the joy of being in the driver’s seat and/or a passenger in the iconic sports car.

    We open on a man who leaves an office building. He takes off his suit coat, loosens his necktie and gets into the driver’s seat of the Camaro. Once behind the wheel, he turns into a boy, flashing a full smile replete with dental braces. He then drives to another building where he picks up an adult buddy who too becomes a youngster when he climbs into the passenger seat.

    We follow the two men-turned-boys as they drive enthusiastically through their neighborhood, capturing the attention of a pretty woman and the police. When the woman bystander–who’s walking her dog–sees the car, she too turns back into a young girl. Indeed the Camaro not only turns heads but turns back the clock.

    Then a police siren suddenly disrupts the sports car fantasy. When the cop car pulls alongside the Camaro, the two lads for a fleeting moment turn back into adults. But the two policemen surprisingly give an approving nod–with one mouthing the words “nice ride”–and drive on, at which point the men again become boys and continue their joy ride. Responsibility sets in when they arrive at their destination, presumably one of their homes–or perhaps a relative’s house for some sort of family gathering. The Camaro kids briefly become adults again–but ultimately they decide to blow off their commitment and stay in the Camaro. The youngsters happily drive off as the slogan “Find New Roads” appears on screen accompanied by the Chevrolet logo.

    Orisich related, “This is a passion project based on how I feel every time I get to drive a muscle car like the Camaro.  In considering what I wanted to create, I started thinking about how these cars make me feel. The funny thing is every time I do a burnout or rev of the engine, I feel like I’m 16 again so that became the premise for this project.”

    Orisich is represented nationally by The Directors Network. Bicoastal (New York/San Francisco) content creation/production company Bodega handles Orisich for special projects.

    “Fountain of Youth” was cut by Northern Lights’ Mark Tyler, mixed and sound designed by SuperExploder’s Jody Nazzaro, with compositing and visual effects provided by Mr. Wonderful’s Mark Tyler and Chris Hengeveld. Bodega and New York-based Northern Lights, Mr. Wonderful and SuperExploder are sister companies.

    The Camaro in the spot was partly driven by teen racing phenom Brandon Weaver. The main precision driver was Victor Tate.

    The spec piece was shot in South River, NJ, by cinematographer John Taggart.
    Orisich has extensive experience as a director, creative director and visual effects artist. The Atlanta native cut his filmmaking teeth at top New York visual effects houses, working as a sought-after Flame artist and motion graphics designer before opening his own visual effects shop, Home NYC. He then transitioned to directing live-action and VFX campaigns.

    In fact, via Home NYC, Orisich earned inclusion into SHOOT’s 2007 New Directors Showcase largely on the strength of an Izod “In The Snow” spot. Orisich has over the years helmed campaigns for ESPN, NBC, NASCAR, Indy500 and ABC, among other clients.

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2015-01-31)
    Credits

    Client Chevy Camaro SS (spec spot) Production Whoa Films! Ben Orisich, director/writer; John Taggart, DP; Indian Antao, executive producer; Elizabeth Charles, producer; Victor Tate, Brandon Weaver, precision drivers. Editorial Northern Lights, New York Mark Tyler, editor Post/Finishing Mr. Wonderful, New York Chris Hengeveld, colorist/online artist/compositing and visual effects; Mark Tyler, compositing and visual effects; Robin Hall, executive producer. Audio SuperExploder, New York  Jody Nazzaro, sr. mixer/sound designer; Beth Cummins, executive producer.

    Discipline:Directing
    Genre:Comedy
    Media Type:Commercial: Spec
    ScreenWork Categories:Commercial
    Screenwork Type:Best Work
    Video Tags:Ben Orisich



    Team One and Director Sebastian Strasser Create “The Last Real Man” For The RealReal

    Monday, April 13, 2026

    Isn’t it nice to know that some things are still real?

    In a world increasingly crafting fakes, replicas, and perfectly rendered simulations, there are fewer and fewer places that still celebrate authenticity.

    On a day dedicated to lighthearted hoaxes and twists of fate, it seemed a perfect time to release a film that explores what’s real, and not.

    That tension sits at the center of “L’ultimo Uomo Reale” (“The Last Real Man”), a new film from Team One and director Sebastian Strasser, in partnership with the marketplace for authenticated luxury resale, The RealReal.

    Conceived as a response to The RealReal’s 2024/25 “Ask Yourself What’s Real” campaign theme, the film pushes that question further, by exploring the growing tension between perception and reality in today’s digital world.

    At a moment when much of the industry is using AI to scale content, this work flips the lens—using it as both subject and storytelling device. A humorous, slightly unsettling take for anyone who still values the real thing.

    Directed and rendered by Strasser, the piece constructs a hyper-real world that feels convincingly human—until it begins to fracture. Subtle glitches give way to a full unraveling, exposing a carefully engineered illusion.

    “We’re moving into a world where ‘real’ is no longer a baseline—it’s a premium,” said Chris Graves, Chief Creative Officer, Team One. “We wanted to create a story that lets the illusion hold just long enough to feel convincing—then disrupt it, so you’re forced to reconsider what you’re actually looking at. Because what carries value now isn’t just craft. It’s credibility.”

    Team One was inspired by The RealReal’s authentication process... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleJake Scott Reunites Puppy and Clydesdale In Bud Super Bowl Spot
    Next Article Super Bowl Spot: “Brady Bunch” With A Snickers Twist
    SHOOT

    Add A Comment
    What's Hot

    Warner Bros. Stages A Starry CinemaCon Show While Paramount Question Looms

    Wednesday, April 15, 2026

    Juan Devis Named President Of Film Independent

    Tuesday, April 14, 2026

    Earth, Wind & Fire Documentary To Open 25th Tribeca Festival

    Tuesday, April 14, 2026
    Shoot Screenwork

    Megan Brotherton Directs “Straight Up” Comedy Campaign For Whole Moon

    Tuesday, April 14, 2026

    Plant-based milk Whole Moon has launched “Straight Up Good,” a comedy campaign that features colorfully…

    Team One and Director Sebastian Strasser Create “The Last Real Man” For The RealReal

    Monday, April 13, 2026

    The Best Work You May Never See: Apple Opens A Plentiful Portal For App Store Launch In Japan

    Friday, April 10, 2026

    Top Spot of the Week: BBDO New York, Director Thomas Ormonde Show How Romance Stacks Up For A Pringles Snacker

    Thursday, April 9, 2026

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.

    We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.