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    Home » The Best Work You May Never See: Telenor Sweden, NORD DDB Give Voice To Late Loved Ones So We Can Better Remember and Connect With Them 

    The Best Work You May Never See: Telenor Sweden, NORD DDB Give Voice To Late Loved Ones So We Can Better Remember and Connect With Them 

    By SHOOTMonday, May 27, 2024Updated:Sunday, July 7, 2024No Comments4130 Views
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    When we have lost a loved one, we often save memories of the person, it can be anything from photographs to old letters and voice messages on an answering machine. These memories can provide comfort and experts say they can even have a positive impact on coping with grief. However, a digital memory runs the risk of being lost, and therefore the telecommunications company Telenor Sweden has made it possible to save voice messages forever with the free service Missed Calls NORD DDB has developed the service and created the campaign.

    Missed Calls is a web app where Telenor customers register with their phone number. After two-step verification, users can download their voice messages as sound files to either mobile or desktop.

    The idea for the service emerged when Josephine Wallin Ankarstrand, creative director at NORD DDB Stockholm, lost a voice message her stepdad left on her voicemail shortly before he passed away. She then suggested to Telenor that there should be a service which could save voicemails forever.

    When Telenor and NORD DDB researched the subject further, more testified that they in various ways had tried to ensure their voicemails would not disappear. One person carried around an old phone to keep access to a voicemail from her mother. Another hadn’t updated her phone in five years in fear that a voicemail from her daughter would be lost, something that would feel like losing her all over again.

    “It’s from my mum. She passed away almost 12 years ago. It’s a constant reminder that she is still there, even though she has passed away. And in times when I feel very far away from her, it helps me feel a little bit closer. Whenever I hear it, I get to hear her voice and that is a huge gift for me, said one person about a saved voicemail from his mother and which he has approved for Telenor to include in the campaign. His story is reflected in this film directed by Natanael Ericsson via production company New Land.

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    Credits

    Client Telenor Sweden Agency NORD DDB Production Company New Land Natanael Ericsson, director; Niklas Johansson, DP, Sophie Tamm Christensen, exec producer; Victor Jorneryd, producer; Anna Lu, set designer; Liselotte Bramstang, stylist. Editorial Martin Zaar, editor. Color Grade Julien Alary, colorist. Audio Elinor Nilsson, sound

    Media Type:Commercial: Television
    ScreenWork Categories:Commercial
    Screenwork Type:Best Work
    Video Tags:Natanael EricssonNew LandNORD DDB



    Team One and Director Sebastian Strasser Create “The Last Real Man” For The RealReal

    Monday, April 13, 2026

    Isn’t it nice to know that some things are still real?

    In a world increasingly crafting fakes, replicas, and perfectly rendered simulations, there are fewer and fewer places that still celebrate authenticity.

    On a day dedicated to lighthearted hoaxes and twists of fate, it seemed a perfect time to release a film that explores what’s real, and not.

    That tension sits at the center of “L’ultimo Uomo Reale” (“The Last Real Man”), a new film from Team One and director Sebastian Strasser, in partnership with the marketplace for authenticated luxury resale, The RealReal.

    Conceived as a response to The RealReal’s 2024/25 “Ask Yourself What’s Real” campaign theme, the film pushes that question further, by exploring the growing tension between perception and reality in today’s digital world.

    At a moment when much of the industry is using AI to scale content, this work flips the lens—using it as both subject and storytelling device. A humorous, slightly unsettling take for anyone who still values the real thing.

    Directed and rendered by Strasser, the piece constructs a hyper-real world that feels convincingly human—until it begins to fracture. Subtle glitches give way to a full unraveling, exposing a carefully engineered illusion.

    “We’re moving into a world where ‘real’ is no longer a baseline—it’s a premium,” said Chris Graves, Chief Creative Officer, Team One. “We wanted to create a story that lets the illusion hold just long enough to feel convincing—then disrupt it, so you’re forced to reconsider what you’re actually looking at. Because what carries value now isn’t just craft. It’s credibility.”

    Team One was inspired by The RealReal’s authentication process... Read More

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