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    Home » Group Selfies Are A Custom Fit In Apple iPhone 17 Film Celebrating Real Communities

    Group Selfies Are A Custom Fit In Apple iPhone 17 Film Celebrating Real Communities

    By SHOOTTuesday, February 10, 2026No Comments4 Views     In 2 day(s) login required to view this post. REGISTER HERE for FREE UNLIMITED ACCESS.
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    This film showcases how the first square sensor on Apple’s iPhone 17 Pro enables wider group portraits with higher resolution. Directed by Leeor Wild and Jason Nocito for agency TBWA\Media Arts Lab, “Smart Group Selfies” celebrates real communities around the world, including:

    –Compton Cowboys reshaping urban cowboy culture
    –Jeju Island’s Haenyeo, the intergenerational sisterhood of women free divers
    –Korea’s Maltese dog owner community
    –Southeast Asia’s Y3K aesthetic movement
    –Indonesia’s long boat crew with viral sensation Rayyan Arkan Dhika
    –Japan’s cosplayers and rockabillies
    –Brooklyn nonnas
    –The staff at Katz’s Delicatessen

    The Center Stage front camera on the new iPhone lineup delivers a wider field of view and higher resolution–up to 18MP for photos–that automatically adjusts to fit everyone in the shot with greater detail. Users can shoot in portrait or landscape while holding their iPhone vertically, making it easier to capture group moments with a comfortable grip and centered gaze.

    You have limited-time access to this page, (Access is valid until: 2026-02-12)
    Credits

    Client Apple Agency TBWA\Media Arts Lab Production Companies UrbanNYC, Plan’It, Factory01, BeGrizzlee, Y’s Inc. Leeor Wild, Jason Nocito, directors; Franklin Ricart, Matthew Tompkins, DPs. Postproduction Pariah Creative Film Editing Exile Color Grade Trafik Audio Post Barking Owl Music Editing Modern Citizen Music “Party at My House” by Inspector Spacetime

    Media Type:Commercial: Television
    Video Tags:AppleTBWAMedia Arts Lab



    The Best Work You May Never See: Director Øyvind Holtmon’s FINN Jobb Spot Tackles Worker Anxiety Over AI

    Friday, February 6, 2026

    In a new campaign for FINN Jobb, Norwegian director Øyvind Holtmon of production house Bacon teams with Oslo ad agency Morgenstern to tackle the anxiety around AI replacing human expertise and the contagious trend of professionals switching to content creation as a vocation. The film wastes no time setting up its premise, opening inside a research lab where scientists are urged to “stop sciencing” by management as a result of a long equation being solved exceptionally fast via artificial intelligence by KA.I from IT.

    Shot with a clean, clinical visual language and played entirely straight, the film leans into Nordic minimalism and dry humor, letting contrast and restraint drive the comedy rather than exaggeration. Faced with the what-now-moment, the scientists jump hands-on into the new absurdity of creating content. Through synchronized dances, ring lights and dead-serious faces, the lab transforms into a performative stage. In the midst of the excitement, FINN Jobb sneaks through the frame, positioning the platform as a grounded companion in times of change.

    As Norway’s largest marketplace for job advertisements, with about 5.7 million job applications in 2025 alone, the film positions FINN Jobb as the go-to platform in an uncertain job market. By flipping a familiar nightmare into an unexpectedly funny, yet hopeful outcome, Holtmon’s story lands as both a satire and a gentle reminder that opportunities won’t disappear.

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