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    Home » Universal Studios Opens Universal Virtual Stage 1

    Universal Studios Opens Universal Virtual Stage 1

    By aaron.rogers@nbcuni.comWednesday, January 30, 2013Updated:Tuesday, May 14, 2024No Comments6625 Views
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    Universal City, CA -- (SPW) --

    Universal Studios announces the opening of Universal Virtual Stage 1 (UVS1), a dedicated pre-rigged, pre-calibrated virtual production environment with motion capture, camera tracking and related technologies for commercials, television and features. This project transformed the 6,800 square foot Sound Stage 36 at Universal Studios into a self-contained facility with a 40 ft. x 80 ft. green screen cyc, a suite of editing bays and production office space with a conference room. The stage is a versatile addition to the Studios’ production and post-production services for both internal and third party productions.

    “With UVS1, we have created a flexible production space that bridges both real and virtual, pre and post production,” said Dave Beanes, Senior Vice-President, Universal Studios Production Services. “Productions will be able to use digital assets created in pre-viz on UVS1 to compose shots which allows the post-production team to see the exact framing.” Previously, productions that wanted to use this technology paid for weeks of set-up. With the calibrated and integrated system at UVS1, clients can walk on to stage and begin shooting. By having an attached production suite with 60 terabytes of high speed online storage, shots can move immediately into editing for final shot selection and transfer to post. A director on stage can visually communicate with VFX artists next door to prepare and perfect CG assets for use on stage. Then the director can consult with editors on how the just completed shots are cut into a scene. The director has unprecedented control to creatively manage pre and post production around the shoot. For client protection, the facility has strict standardized physical and content security procedures.

    Universal began planning this project about two years ago. While rebuilding the New York Street backlot location, Beanes and Jeff Berry, now Executive Director, Universal Studios Virtual Effects & Production Services, began thinking of the Universal backlot in digital terms. With the continuing trend of elaborate special effects in visual entertainment, Beanes and Berry noted that it can be costprohibitive for various productions to set up a virtual stage environment. After speaking with leading visual effects companies and Universal’s own production and post production teams, Berry began planning and building the integrated facility. To further support clients, Ron Fischer (Alice in Wonderland, Beowulf, Polar Express) was brought on as technical director bringing years of visual effects experience.

    “This stage has the ability to do pre-viz, production and post-production all under one roof streamlining the creative process,” said Berry. “The stage is designed to be as turnkey as possible from simple green screen work to complicated camera tracking and motion capture in real time.” The stage is part of the company’s environmental initiative, Green is Universal, which aims to drive sustainability throughout the company’s operations as well as across NBC Universal’s 40 on-air and online brands. By using virtual sets, productions don’t have to build physical sets, saving construction materials as well as landfill space when the sets are discarded. The stage can reduce the need for cast and crew travel as well.

    The investment in UVS1 shows Universal’s continuing support of production in the Los Angeles area. The opening of this stage further enhances Universal’s standing as the premier shooting location in the world.

    For more information, please visit www.filmmakersdestination.com.

    About Universal Studios
    Universal Studios is a unit of NBC Universal, one of the world’s leading media and entertainment companies in the development, production, and marketing of entertainment, news, and information to a global audience. Formed in May 2004 through the combining of NBC and Vivendi Universal Entertainment, NBC Universal owns and operates a valuable portfolio of news and entertainment networks, a premier motion picture company, significant television production operations, a leading television stations group, and world-renowned theme parks. NBC Universal is 80%-owned by General Electric and 20%-owned by Vivendi.



    Universal Virtual Stage 1 (UVS1) Fact Sheet & Features:
    -6,800 sq. ft. sound stage with 40 ft. x 80 ft. green screen cyc
    -Motion Capture
    -Realtime camera tracking for on-set visualization with Lightcraft Technology Previzion
    -CineSync remote review and note capture
    -RED ONE ™ camera
    -Encoded 24 ft. Technojib camera crane
    -Pre-rigged, motorized lighting grid with iPad dimmer control
    -Green screen treadmill
    -9 ft. x 16 ft. projection screen on-stage
    -2 editing bays with Avid and Final Cut Pro
    -6 station artist suite with Maya 3-D, Motionbuilder, Nuke Compositing and more
    -60 terabytes of high speed online storage
    -Conference room with stage feed and teleconferencing
    -Physical and content security procedures
    -On-site technical director
    -Fiber link to Universal Studios Digital Services, the on-lot digital post production facility with 2K Digital Theater
    -Aspera encrypted, secure, high speed file content delivery worldwide
    -Wireless internet access

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    Contact:

    Aaron Rogers Universal Studios 818-777-2352 Contact Aaron via email

    SPW Category:Filmmaking Products and Services
    Tags:NBCUniversalUniversal StudiosUniversal Pictures



    Reimagined Audio Engine In Boris FX Samplitude Delivers Greater Processing Power

    Thursday, April 16, 2026
    Boris FX Samplitude 2026

    Samplitude 2026 is now available from the award-winning team at Boris FX. The major update gives music production and audio professionals access to a more streamlined workflow with greater technical and creative flexibility. The new features, including smarter CPU management, an improved VST3 audio engine for low-latency recording, a video engine supporting 4K video playback, and the ability to remotely trigger Samplitude’s controls over a network, allow users to record, edit, mix, and master more efficiently and accurately than ever before. “Samplitude 2026 is built to keep you focused on what matters most, staying creative. The optimized audio engine ensures sessions run smoothly,” states Patrick Donohoe, director of product marketing, Pro Audio, at Boris FX. “The new video engine supports modern codecs and seamless playback, so you can concentrate on the project instead of file conversions and audio sync. OSC remote support lets you stay in control — and in the moment — even away from your computer. The new features offer massive time savings while keeping users in their inspired flows.” “Samplitude has been my go-to DAW for over 20 years. The 2026 release is an important step forward,” says Kraznet, recording/mixing engineer (Morgan Studios, Rolling Stones mobile studio) and YouTube trainer. “The redesigned audio engine makes low-latency recording and playback a breeze, and you can now work with GPU-accelerated 4K video directly inside your project. These are huge improvements. Samplitude’s future under Boris FX looks very positive.” New Features Samplitude... Read More

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