The summer roller-coaster season is upon us, and Carbon continues their highly creative and productive partnership with Cramer-Krasselt to conjure a set of four adrenaline-soaked spots for Cedar Fair Entertainment Company, which owns and operates 11 amusement parks across the U.S. and Canada.
Client: Cedar Fair
Agency: Cramer-Krasselt
Chief Creative Officer: Marshall Ross, Executive Creative Director: Rick Hamann, VP Creative Director: Jimmy Dietzen, Executive Producer: Scott McBurnie, Producer: Will Meyers, Senior Copywriter: Tom Katers, Jr., Senior Art Director: David Vaca
Production Company: Carbon
Directors: Liam Chapple, Gary Fouchy, Tim Little
Carbon EP/Managing Director: Phil Linturn
Carbon Producer: Beth Skopp
Creative Director: Liam Chapple
Storyboards: Dan MacDonald
Concept Art: Vincent Morin
Concept Art: Felip Hansen
Matte Painting: Ben Girdwood, Henrik Holmberg, Mark Ross
CG Lead: Tim Little
CG: Carlos Sandoval, Todd Kumpf, Gary Fouchy, Ben Girdwood, Mike Marsek, Chin Lee, Jeremy Ontiveros, Jimmy San, Quin Barclay, Petur Arnorsson, Steve Burger
Ocean FX TD: Chris Friesen
Comp Lead: Daniel Pernikoff
Comp: Adam Thompson, Danny Noren, Tim Little, Chris Beers, Jon Jamison,
2D Animation: Luca Vitale, Andy Kennedy, Sebastien Iglesias, Peter Ahern
Colorgrade: Jeff Altman
Finish: Michael Anderson
Sound design & audio post company: SUM1
Sound designer/mixer: Robert Marshall
Producer: Shawn Ballman
OddBeast Crafts Powerful Opening Film For Half Rez 2025
When OddBeast landed the opportunity to produce this year’s opening film for Half Rez, the Midwest’s largest celebration of design and motion graphics, the studio approached the challenge by embracing discomfort. The goal was to visually express the collective anxieties of creatives facing an uncertain future as emerging tools and technologies reshape their industries. OddBeast Executive Creative Director Kevin Gautraud took the lead on the project’s vision and 3D animation: “I chose to ground the short in responses particular to fears about making a living in today’s creative fields where the rate of change feels insane at times, overwhelming artists with existential questions. Sometimes, ‘I don’t know’ is the most truthful answer anyone can give,” he said. In creating the film, Gautraud tapped into his own response to such anxieties: a meditation on the vastness of time and our small moment in the light, ponderings that bring him perspective, calm and creative inspiration. Powerful visuals of barren yet eerily majestic landscapes take us back to Earth’s origins, giving way – in the film’s final seconds – to the explosion of life – our blip in the planet’s unfathomable journey. Add the ethereal sound design of Bent Stamnes, and the result is a sense of awe, as everyday problems suddenly seem smaller. “For this project in particular, I was inspired by Carl Sagan and his own personal philosophy. He was awestruck at the grandeur of nature, curious about the origin of life, and humble about the extent of human knowledge,” Gautraud explained. “It's about making people feel small, strange and somehow okay with that.” Gautraud used a range of tools to give his concept life, including... Read More
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