The title uses playfully-animated watercolor illustrations, inspired by graphic design of the 1970s, to evoke the spirit of the women’s movement of that era. Giving feminists and conservative activists equal time, the sequence conjures the milieu of the 1970s by presenting whimsical reminders of things that were a familiar part of women’s lives at the time from megaphones and protest signs to curlers, hair dryers, Good Housekeeping magazine and homemade blueberry pie.
FX Networks
Dahvi Waller – Creator/Executive Producer
Stacey Sher, Cate Blanchett, Coco Francini, Ryan Fleck & Anna Boden – Executive Producers
Design and Production: yU+co, Hollywood.
Garson Yu, Creative Director; Carol Wong, SVP/Executive Producer; Reno Robertson, Executive Producer; Edwin Baker, Sr. Art Director/Designer; Grace Kang, Art Director/Designer; Lydia Kim, Designer/Illustrator; Aura Lewis, Lead Illustrator; Dasha Bough, Storyboard Artist/Illustrator; Gregory Jones, Technical Director/Lead Compositor; Yuee Seo, Lead Animator; Sam Schlenker, Editor; Mulan Leong-Suzuki, Graphic Designer; Axel Alvarez, Animator; Brown Yoon, Animator; Martin Von Will, Animator; Rick Spitznass, Writer/Researcher; Latoria Ortiz, I/O Manager
Music: “A Fifth of Beethoven” Walter Murphy
Contact NameLinda Rosner
Contact Phone310.837.6008
Contact via emailOddBeast Crafts Powerful Opening Film For Half Rez 2025
When OddBeast landed the opportunity to produce this year’s opening film for Half Rez, the Midwest’s largest celebration of design and motion graphics, the studio approached the challenge by embracing discomfort. The goal was to visually express the collective anxieties of creatives facing an uncertain future as emerging tools and technologies reshape their industries. OddBeast Executive Creative Director Kevin Gautraud took the lead on the project’s vision and 3D animation: “I chose to ground the short in responses particular to fears about making a living in today’s creative fields where the rate of change feels insane at times, overwhelming artists with existential questions. Sometimes, ‘I don’t know’ is the most truthful answer anyone can give,” he said. In creating the film, Gautraud tapped into his own response to such anxieties: a meditation on the vastness of time and our small moment in the light, ponderings that bring him perspective, calm and creative inspiration. Powerful visuals of barren yet eerily majestic landscapes take us back to Earth’s origins, giving way – in the film’s final seconds – to the explosion of life – our blip in the planet’s unfathomable journey. Add the ethereal sound design of Bent Stamnes, and the result is a sense of awe, as everyday problems suddenly seem smaller. “For this project in particular, I was inspired by Carl Sagan and his own personal philosophy. He was awestruck at the grandeur of nature, curious about the origin of life, and humble about the extent of human knowledge,” Gautraud explained. “It's about making people feel small, strange and somehow okay with that.” Gautraud used a range of tools to give his concept life, including... Read More