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    Home » The Best Work You May Never See: Ogilvy, Director Gabriel Novis “Tear The Paper Ceiling” For Ad Council

    The Best Work You May Never See: Ogilvy, Director Gabriel Novis “Tear The Paper Ceiling” For Ad Council

    By SHOOTThursday, September 29, 2022Updated:Tuesday, May 14, 2024No Comments2394 Views
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    Over the last few years there have been a myriad of conversations around economic mobility, “talent shortages,” and efforts to create a more equitable workforce. Now, the Ad Council is launching a campaign from agency Ogilvy that shines a light on the skills and potential of the 70+ million workers in the U.S. who are Skilled Through Alternative Routes (STARs), rather than through a bachelor’s degree.

    STARs make up 50% of the U.S. workforce, and they’ve built valuable skills through community college, workforce training, certificate programs, military service, or on-the-job learning. The “paper ceiling” they face represents the invisible barriers (like biased algorithms, degree screens, stereotypes, and the lack of alumni networks) that hold STARs back from upward mobility in their careers. By creating a movement to acknowledge this barrier exists, we can start to break it down. 

    "Tear the Paper Ceiling" is a landmark initiative led by the Ad Council and Opportunity@Work to change mindsets, transform hiring practices, and move more workers without college degrees into higher-wage roles. The initiative is supported by a coalition of 30+ nonprofits, talent developers, and businesses including Comcast NBCUniversal, Google, IBM, LinkedIn and Walmart.

    This anthem PSA was directed by Gabriel Novis of production house Los York.

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    Credits

    Client The Ad Council Michelle Hillman, chief campaign development officer; Dzu Bui, VP, group campaign director; Mary Zost, campaign director; Kayla Sykes, assistant campaign manager. Agency Ogilvy Devika Bulchandani, global president and CEO; Liz Taylor, global chief creative officer; Chris Beresford-Hill, president, Ogilvy Advertising, North America ; Anibal Casso, chief strategy officer, North America; Carina De Blois, president, New York; Menno Kluin, Marcos Kotlhar, chief creative officers, New York; George Sholley, head of production, North America ; Jeff Curry, global executive creative director ; Andrea Messer, Dinesh Kapoor, group creative directors; Jonathan Gibson, executive group director; Jess Ryle, producer; Grace Donahue, sr. art director; Gillian Goodman, sr. copywriter; Yung Lee, sr. designer ; Anna Fecskes, executive producer, experiential. Production Los York Gabriel Novis, director; Jeremy Snell, DP. Editorial Cut+Run Mah Ferraz, editor. Music Found Objects

    Media Type:Commerical: PSA
    ScreenWork Categories:Commercial
    Screenwork Type:Best Work
    Video Tags:Ad CouncilGabriel NovisLos YorkOgilvy



    GIGIL Darkens Urban Waterway With “Black Tears” From Netflix’s “Wednesday”

    Tuesday, October 7, 2025

    Things are not what they seem in season two of hit Netflix series Wednesday, as star Jenna Ortega’s Wednesday Addams character encounters new foes and woes in the Gothic halls of Nevermore Academy.

    Leveraging that sense of dark mystery and intrigue, creative agency GIGIL transformed one of the main character’s frightful experiences--crying black tears--into an audacious and attention-grabbing installation in one of Manila’s busiest commercial hubs, the Venice Grand Canal Mall.

    In the series, black tears signify Wednesday’s severe exhaustion due to the excessive and intense use of her psychic powers. The condition, also experienced by the character’s Aunt Ophelia, is also a warning that her powers are becoming too much for her to handle, signaling a dangerous path ahead for her and her family.

    To drive engagement for season two of the series, GIGIL worked with the Venice Grand Canal Mall, a popular immersive Italian experience featuring a man-made 650-foot long, 50-foot wide replica of the city’s Grand Canal, complete with gondola rides, Italian-inspired architecture, and replicas of iconic Venetian landmarks.

    The agency’s “Black Tears” experience included a large stage in one end of the canal featuring a billboard-size image of Wednesday’s face, streaked with her signature black tears. During peak shopping time on the first day of the activation, an environmentally friendly and filtered black dye was released from beneath the stage platform, slowly seeping its way into the waterway and gradually turning the entire canal black.

    At the end of the two-day experience, the dye was filtered from the water, restoring the canal to its pristine condition.

    The canal’s eerie transformation captivated... Read More

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