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    Home » Comedy Director Jack Cole Joins RSA Films For Commercials and Branded Entertainment

    Comedy Director Jack Cole Joins RSA Films For Commercials and Branded Entertainment

    By SHOOTTuesday, September 9, 2025No Comments281 Views
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    Jack Cole
    LOS ANGELES --

    RSA Films has signed award-winning director Jack Cole for commercials and branded entertainment in the U.S.

    Best known for his comedic storytelling, Cole is a versatile filmmaker whose work reflects standout casting and performance, and striking visuals and art direction. He recently directed back-to-back campaigns for Red Baron, campaigns for AG1, Velo and Minnesota Lottery, as well as the Little Caesars multi-award winning “The Lake Giveth” campaign (2022). Prior to joining RSA, Cole had been repped in the U.S. by Chelsea.

    “What I enjoy most about Jack’s work is the merging of a polished and textured aesthetic within a comedic frame, blending seamlessly VFX in places,” said Luke Ricci, president, RSA Films US. “His work speaks to a very current approach to comedic advertising and strikes a balance between humor and nuanced authentic performances.”

    Cole said, “I am energized and excited to build upon the work I’ve created to date. I’m ambitious and wish to challenge myself with bigger opportunities, and RSA is the perfect home for this, with their stellar leadership and production expertise. I can’t wait to dig in with Luke Ricci and the team.”

    Cole’s work is textured, and adds a dimension to stories by instantly transporting viewers into cinematic universes. You see it in “Octagon,” his latest for Red Baron which features gritty MMA fighters finding their zen while eating pizza and sharing emotional moments in the cage; in “Toilet” for AG1, set in a softly lit, invitingly designed bathroom conducive to starting your morning out right where instead a woman suffers without the benefits of AG1; and in Little Caesars “The Lake Giveth,” where the scenery, styling and color palate evoke scenes from camping trips of yesteryear.

    In addition to commercials, Cole directs shorts and installation films and is an avid still photographer. His artworks have exhibited widely with The National Gallery in London, Paul Smith Albemarle Street, London, Salon Art Fair, New York, and the Spazio Orlandi Gallery in Milan.

    “As well as my appreciation for a great gag, I’m broadly speaking a big art lover,” Cole said, “and love to spend time in the London art galleries.” Masters like Zurbaran, Caravaggio, Rembrandt and contemporary artists and photographers like Ron Mueck, Grayson Perry, Alex Prager and Erwin Olaf are among his favorites. Music, too, is a big influence, growing up as a ‘90s Hip-hop devotee, and now a mix of Neo Soul, Nu Jazz, Electronica and more.

    Always artistically inclined, Cole grew up drawing and painting before he studied film, earning a degree from University for the Creative Arts in the U.K. Originally focused on cinematography, he then briefly formed the directing partnership LIFF, with Stian Smestad when the industry was riding the Scandinavian comedy wave. Inspired by iconic works by the likes of Spike Jonze, Jonathan Glazer and Frank Budgen, Cole’s solo career then took off. For over a decade, he’s been prolific helming humor-driven campaigns for brands including Heineken, Panasonic, Google/YouTube, Reebok, Subway, Toyota and KFC. And he has collaborated with many leading agencies such as Mother, Droga5, BBH, AMV BBDO, BETC and Uncommon.

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    Tags:Jack ColeLuke RicciRSA Films



    Review: Writer-Director BenDavid Grabinski’s “Mike & Nick & Nick & Alice”

    Wednesday, March 25, 2026
    This image released by 20th Century Studios shows Eiza González and James Marsden, right, in a scene from "Mike & Nick & Nick & Alice." (20th Century Studios via AP)

    "Mike & Nick & Nick & Alice" might look like a somewhat generic, glossy action-comedy on the surface. It's got two (well, kind of three, but we'll get to that later) men north of 50 ( Vince Vaughn and James Marsden ), one woman south of 40 (Eiza González) and the promise of some violence (you know, the fun kind). That's not necessarily a bad thing — sometimes you get a "This Means War" or a "Mr. & Mrs. Smith." But in the streaming era, more often than not you get, I don't know, "Red One"?"Fountain of Youth"? Something else we've already all forgotten? This might also be a streaming-era production, debuting on Hulu and Disney+ on Friday, but it's clear from the very first moments that "Mike & Nick & Nick & Alice" isn't just a generic facsimile of a "fun" movie designed for more for the algorithm than anyone's amusement. No, this is a movie that begins, for no particular reason other than probably the delight of the filmmakers, with Ben Schwartz singing "Why Should I Worry?" a song that was written and sung by Billy Joel for the 1988 animated Disney movie "Oliver & Company," a modern, New York City-set take on Charles Dickens starring dogs. Is it related to anything? No. Is it a fun song to set the tone that also made this elder millennial critic smile? Yes. There are choices like this throughout the film, mostly through precise, lighthearted banter that sounds real. There's even a spirited debate about the best and worst boyfriends on "Gilmore Girls" — Rory's, not Lorelai's, which falls a little flat in execution. I'm not sure the actors' hearts are really invested in Logan and Jess the way, say, Liam Neeson was able to act genuinely distraught over his "Buffy the Vampire Slayer" episodes being deleted off his DVR in "The... Read More

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