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    Home » iWork: GJP Serves Up Fruit Torture And Scenes Of Juice for VEX

    iWork: GJP Serves Up Fruit Torture And Scenes Of Juice for VEX

    By SHOOT StaffFriday, July 6, 2007Updated:Tuesday, May 14, 2024No Comments1881 Views
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    By Nicole Rivard

    --

    To get young adults to pass along a viral video, it needs to be super sexy, super funny or somewhat gory. GJP Advertising, Toronto, combined the latter two elements in a new online campaign for VEX, a Canadian hard lemonade beverage, to launch its killer new Strawberry Orange Banana flavor. The campaign, which consists of a website and banner ads, spoofs the horror film genre. At www.slicedthemovie.com, visitors can watch a faux horror movie trailer. But the actors/victims starring in the trailer are actually fruit, and the killer is a VEX bottle. Before watching the trailer, viewers are warned that it is rated R-19 for fruit torture and scenes of juice.

    “The 19-28 year-old target group is gobbling up movies like Hostel and Saw. While horror has always been a big genre, it seems even bigger now. There is never not a big horror movie in the theaters,” explained art director Gerald Flach, regarding why the client decided to parody classic horror films in this viral campaign.

    The trailer opens on a group of fruits as they celebrate the end of summer at an uncle’s isolated and abandoned cottage. As in most horror films, the visitors quickly become ill at ease as they realize something is not quite right at the cottage. Then wouldn’t you know it, the power goes out. One by one the fruit are found dead–blended, grated and juiced to death. Periodically throughout the footage, a silhouette of the killer, the Vex bottle, can be seen. Near the end of the trailer, a frightened strawberry cries out, “Why are you doing this?”

    “Because I like your taste,” the killer replies.

    Flach brought in Helios Design Labs, Toronto, to produce the trailer because of the company’s track record for doing cool viral campaigns. (Remember Virgin Mobile’s “Billy the Finger” from 05. The campaign consisted of a site featuring several videos in which Billy acts out various scenarios involving a shady cell phone salesman who attempts to convince him to sign up for one of those “bad” cell phone plans. The execution provides the viewer with the option to make decisions for Billy and view the various outcomes, which include a trip to prison, a threesome, a hot cheerleader, circus acts, unintentional rear entry and finger burning.)

    Flach said the Helios team, including director Alex Wittholz, went above his expectations for the VEX campaign. What started out as a simple idea of having fruits on sticks turned into a full-blown production. “We really took it quite seriously. And the more serious we treated the material, the funnier it became,” Flach said, adding that the shoot lasted five days.

    A few pieces of stock footage were used during production but the rest was shot in-camera. Miniature sets were built to create a “fruit world.” Minature newspapers were even created for the basement scene where news clippings hang on the walls. While most of the fruit was CG, the team sliced up some real fruit and ran it through a blender for the torture scenes, which can also be looked at more closely in the “Basement” section of the site.

    Three banner ads drive traffic to the faux movie trailer site. One banner flashes: “When a killer comes knocking…how will you run…when you don’t have legs?” A second reads: “Unspeakable torture. Unimaginable suffering. And oodles of pulp.” A final banner says, “More horrifying than Hostel. More chilling than Saw. More disturbing than Britney.” The tagline for all the ads is: “Who Knew Fruit Could Scream?”

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    Category:ScreenWork



    Hollywood Leaders, Theater Owners Gather For CinemaCon At A Critical Time In The Industry

    Monday, April 13, 2026

    The future of theatrical moviegoing is at a critical moment. More people have been going to movie theaters this year than last, but the foundation is delicate. Annual domestic box-office grosses are still down about 20% from pre-pandemic levels, competition from streaming has only intensified and there are very real worries about what consolidation might mean for the release schedule as Warner Bros. stares down new ownership under Paramount. It's under these precarious conditions that Hollywood executives and movie theater owners are gathering this week in Las Vegas for CinemaCon, the annual exhibition and trade show made famous — or at least slightly less obscure — by Seth Rogen's show "The Studio" and his "old school Hollywood buffet." Real-life Hollywood executives have bigger concerns than throwing a party, however. A critical time for movie theaters As "F1" and "Top Gun: Maverick" producer Jerry Bruckheimer said last week in a statement: "We are at a defining point in the future of this industry." Bruckheimer, "Oppenheimer" producer Emma Thomas and "Sinners" director Ryan Coogler are teaming up to do something about it. Just last week, Cinema United, the trade organization representing some 60,000 movie screens in the U.S. and abroad, announced that Bruckheimer would be chairing their newly established filmmaker leadership council, with Thomas as vice chair and Coogler as one of its inaugural members. Other members include Brad Bird, Celine Song and Jason Reitman, who will advise on issues facing theatrical moviegoing, including windows, referring to the number of days films play exclusively in movie theaters before being available to buy or rent at home, and consolidation. "Our industry is strongest when it works together... Read More

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