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    Home » The Best Work You May Never See: Museum of the Great War, BBDO Paris and Director Julien Beuvry Show The Person Behind The Hero In “The Victorious Soldier”

    The Best Work You May Never See: Museum of the Great War, BBDO Paris and Director Julien Beuvry Show The Person Behind The Hero In “The Victorious Soldier”

    By SHOOTTuesday, April 28, 2026Updated:Saturday, April 25, 2026No Comments150 Views
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    Featured on war memorials in 900 communes across France, the statue of the “Victorious Soldier” has embodied for over a century the image of a heroic, invincible soldier, frozen in glory. A workshop model, created by sculptor Eugène Benet, opens the permanent exhibition of the Museum of the Great War in Meaux, reminding visitors that in every commune in France, a war memorial honors the sacrifice made by those children who died for their country during the Great War. But what does this symbol of victory truly conceal?

    Part of the BBDO Paris campaign “Broken Souls” for the Museum of the Great War, this film about the Victorious Soldier offers a moving reinterpretation of this national symbol. Through a series of close-up shots of a static and triumphant statue, we are drawn into an intimate and deeply troubling exploration.

    Carried by the music “Remains” by Volker Bertelmann and the voice of Finnegan Oldfield, the narrative gradually fractures the frozen image.

    Behind his triumphant posture emerge other realities: fear, anguish, distress. The cry of victory transforms into an inner cry–silent yet deafening. The inner cry of a soldier who returned alive, but forever traumatized.

    By subverting a symbol deeply rooted in collective memory, “The Victorious Soldier” shifts our perspective: beyond the hero, it reveals the man.

    With this film–directed by BBDO Paris art director Julien Beuvry via production company WAD–the museum continues its mission: to uncover a more human and lasting memory of war, shedding light on those soldiers for whom suffering did not end when combat ceased.

    The film is on the Museum of the Great War’s website and social media.

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    Credits

    Client Museum of the Great War (Musée de la Grande Guerre du Pays de Meaux). The campaign “Broken Souls” received the support of the Union of Facially and Head-Wounded Veterans. Agency BBDO Paris Alexander Kalchev, CEO/chief creative officer; Julien Beuvry, art director; Sonia Dos Santos, Benoit Oulhen, copywriters; Julie Hasle, deputy managing director; Olivier Massanella, associate director. Production Company WAD Julien Beuvry, director and editor; Remi Campet, Solene Chalmey-Meysselle, exec producers; Germain Cesena, production manager; Martin Roux (Apicorp), DP; Eudes Quittelier, colorist.

    Video Tags:BBDO ParisJulien BeuvryWAD



    Toyota, Burrell, Director Paul Hunter and Jim Henson’s Creature Shop Prove EV Skeptics Wrong In “Haters Anthem”

    Wednesday, May 20, 2026

    Toyota and Chicago-based agency Burrell have launched the Toyota BEV Family Campaign: a series of spots that follow electric vehicle skeptics as they’re won over by the bZ, bZ Woodland, and C-HR, one by one.

    The campaign’s hero spot, “Haters Anthem,” opens on three skeptics portrayed as puppets, each one doubtful and vocal about it, who are converted into Toyota BEV believers after getting behind the wheel. When they convert, the puppets transform into their human selves.

    To build them, Burrell partnered with Jim Henson’s Creature Shop, which designed and built five custom puppets over six weeks, each with intricate mechanisms for unique arm and foot movements. A dedicated hairdresser ensured curly locs, fades, and twists were executed precisely and matched across both the puppet and human versions of each character. An all-Black puppeteer team, led by puppet captain Raymond Carr, handled performance and choreography throughout.

    The work was directed by Paul Hunter via production house PRETTYBIRD, with “Haters Anthem” by Infinity Song, a four-sibling soft rock band signed to Roc Nation.

    Burrell’s creative is grounded in a real audience insight: Black consumers have been underserved by the EV category, and nobody has built a campaign that reflects their vision of what electric driving looks and feels like. This one does. The humor, the music, the puppetry, and the transformation are all in service of a single idea: get someone skeptical behind the wheel, and let the car close the deal.

    “There’s a thin line between a skeptic and a hater, and we leaned into that energy instead of away from it,” said Tara DeVeaux, CEO of Burrell. “The puppets give us permission to be honest about the doubt, and the... Read More

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