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    Home » Blake Lively’s Lawyers Fuel Feud By Claiming Victory After “It Ends With Us” Settlement

    Blake Lively’s Lawyers Fuel Feud By Claiming Victory After “It Ends With Us” Settlement

    By SHOOTThursday, May 7, 2026No Comments8 Views     In 1 day(s) login required to view this post. REGISTER HERE for FREE UNLIMITED ACCESS.
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    Blake Lively appears at the SNL50: The Anniversary Special at Rockefeller Plaza in New York on Feb. 16, 2025, left, and Justin Baldoni appears at a special screening of "The Boys in the Boat" in New York on Dec. 13, 2023. (Photos by Evan Agostini/Invision/AP)

    By Michael R. Sisak & Larry Neumeister

    NEW YORK (AP) --

    The bitter public feud between actors Blake Lively and Justin Baldoni may outlive their court fight after all.

    Three days after announcing a settlement of the lawsuit brought by Lively over the 2024 film “It Ends With Us,” her lawyers put out a statement Thursday calling the deal a “resounding victory.”

    “By agreeing to this settlement, and waiving their right to appeal, Justin Baldoni and every individual defendant now face personal liability for abusing the legal system to silence and intimidate Ms. Lively,” attorneys Michael Gottlieb and Esra Hudson said.

    They were alluding to the tens of millions of dollars in legal fees and penalties that a judge could make the defendants pay for costs incurred by Lively when Baldoni filed a countersuit that was ultimately tossed out by U.S. District Judge Lewis J. Liman last June. That complaint accused Lively, her husband — “Deadpool” actor Ryan Reynolds — and their publicist of defamation and extortion.

    In newly filed legal papers, Lively’s lawyers said the law requires “severe and mandatory penalties against any party who files unsuccessful retaliatory defamation actions against sexual harassment and retaliation complainants.”

    They also said that by recognizing in a statement issued by both sides Monday that Lively’s concerns “deserved to be heard,” Baldoni and the other defendants “have ended once and for all the fiction that Ms. Lively ‘fabricated’ claims of sexual harassment and retaliation.”

    Her aim was always to “expose and hold accountable those who weaponize smear campaigns and retaliatory lawsuits to intimidate and silence survivors,” the attorneys said. “That mission continues.”

    Attorney Bryan Freedman countered that the Baldoni camp considers it “a win and total victory.”

    Freedman said the court already threw out 10 of Lively’s 13 claims and she “voluntarily dismissed the rest.”

    “In our view, they settled because they knew they were going to lose in court,” Freedman said. “All that remains is a pending request for fees based on a very narrow issue that has been with the court since September 2025.”

    Lively’s lawsuit against Baldoni and his production company, filed in December 2024, alleged that she and other women were subjected to sexual harassment on the movie set when Baldoni commented on their bodies and discussed personal sexual experiences and pornography.

    The sexual harassment claims were recently thrown out by Liman, but he left some retaliation claims intact for a trial. The judge concluded that Lively could not assert sexual harassment because she was an independent contractor rather than an employee during the filming.

    The settlement of the remaining claims, announced Monday, was formally entered into the court record Thursday. The terms were not disclosed.

    “It Ends With Us” is an adaptation of Colleen Hoover’s bestselling 2016 novel that begins as a romance but takes a dark turn into domestic violence. It exceeded box office expectations with a $50 million debut, but the release was shrouded by speculation over discord between Lively and Baldoni.

    Lively previously appeared in the 2005 film “The Sisterhood of the Traveling Pants” and the TV series “Gossip Girl” from 2007 to 2012 before starring in films including “The Town” and “The Shallows.”

    Baldoni starred in the TV comedy ” Jane the Virgin,” directed the 2019 film “Five Feet Apart” and wrote “Man Enough,” a book challenging traditional notions of masculinity.

    You have limited-time access to this page, (Access is valid until: 2026-05-09)
    Category:News
    Tags:Blake LivelyIt Ends With UsJustin Baldoni



    Review: “Billie Eilish — Hit Me Hard and Soft” From Directors Eilish and James Cameron

    Thursday, May 7, 2026
    This image released by Paramount Pictures shows Billie Eilish, left, and James Cameron on the set of "Billie Eilish - Hit Me Hard and Soft: The Tour (Live in 3D)." (Paramount Pictures via AP)

    Billie Eilish is levitating. Or so it seems. When the pop star first emerges on screen in the mouthful "Billie Eilish — Hit Me Hard and Soft: The Tour (Live in 3D)," she is suspended above a cube built of LED screens, surrounded by a sold-out crowd of over 23,000 fans in the center of the U.K.'s largest arena — Manchester's Co-op Live. She launches into the midtempo "Chihiro," a house experiment from her latest album, and the 3D magic begins. In the contemporary pop music landscape, Eilish is a rulebreaker — and so is this work. The new concert film, co-directed by Eilish and three-time Academy Award winner James Cameron, was his idea. Cameron emailed Eilish's mother, Maggie Baird — a friend of his wife via their shared interest in plant-based diets and environmentalism — and suggested they shoot Eilish's "Hit Me Hard and Soft" tour in 3D. It is new territory for Cameron, in some ways, and old hat in others. His production company has done a number of concert films, including one with Eilish's musical hero Justin Bieber, but Cameron hasn't sat in the director's chair of a project like this one. A 3D concert film also brings up a number of technical challenges — a passion of Cameron's, as anyone who has seen the blockbuster "Avatar" franchise could attest to — and as a fellow outlier of industry, the pairing succeeds. Eilish, too, is no stranger to film: She's the subject of the 2021 documentary, "Billie Eilish: The World's a Little Blurry," and a concert film released that same year, "Happier Than Ever: A Love Letter to Los Angeles." This, however, is her first time co-directing a feature. And where "The World's a Little Blurry" served as a composite of her come-up and various successes, "Hit Me Hard and Soft" is dedicated to the concert film... Read More

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